Talkhouse Podcast

Lower Dens leader Jana Hunter is a frequent Talkhouse contributor and a fine writer — in April of 2015, she wrote a widely read piece for Cosmopolitan titled "What It's Like to Be a Female Musician When You Don't Identify as a Woman." And Perfume Genius, aka Mike Hadreas, has said he's pretty fluid with gender too. But that was only one reason why we invited these two to sit down and chat for the Talkhouse Music Podcast. Lower Dens and Perfume Genius make some of the most interestingly beautiful music around, and Hunter and Hadreas are two intriguing, well spoken people.

Sure, they talked about "gay/gender stuff" but they also just related as musicians — and talked candidly about inspiration, how to conduct yourself on stage, the perils of social media and dealing with hate mail. And they related as people too — they talk about dealing with email, the awesomeness of Rihanna, their methods for quitting smoking and why Clark Kent is hot.

Hadreas and Hunter had met only briefly once before, but they're fans of each other's music, and when they sat down at the Talkhouse Music mikes, they hit it off immediately — in fact, almost from the start these two very thoughtful people were giggling like teenagers. They do have one big difference, though: Hadreas believes in everything, but Hunter doesn't believe in anything.

In the late '70s, Andy Gill and Jon Langford were schoolmates at the University of Leeds in England. That was where Andy co-founded a band called Gang of Four and Jon helped start a band called the Mekons. Those bands went on to great things, such as helping to invent post-punk — and becoming iconic bands in the process.

The Mekons are possibly the longest-running and certainly the most beloved post-punk band. Their music has encompassed punk rock, country music and dub reggae, and they've released a long string of truly great albums like Fear and Whiskey (1985) and The Mekons Rock & Roll (1989). Their history, their music and their perseverance through thick and thin, not to mention their sense of humor, are showcased in the 2015 documentary Revenge of the Mekons.

In the late '70s and early '80s, Gang of Four made some classic albums of life-changing, canonical Neo-Marxist post-punk, like Entertainment (1979), Solid Gold (1981) and Songs of the Free (1982). They've influenced everybody from Rage Against the Machine to St. Vincent. With Andy Gill as the sole remaining original member, they released an album in 2015 called What Happens Next.

Here, these two smart musicians and old friends recall their common roots, trace the evolution of the concept of punk rock as it traveled north through England, and how it inspired their respective bands.

Punk's chief message, according to these guys: "You can really go anywhere you want with it."

On this latest episode of the Talkhouse Film podcast, writer-director Allison Anders talks with her mentor, iconic German filmmaker Wim Wenders, on the occasion of Wenders' new touring film series. In their fascinating and wide-ranging conversation, the two old friends talk about a possible sequel to Paris, Texas, why Wenders didn't direct True Detective, how Until the End of the World presciently anticipated everything from GPS to search engines to selfie culture – and also a lot of stuff about music, including how Wenders saved The Goalie's Anxiety at the Penalty Kick by digitally replacing an Elvis song with a copycat track, Wim buying Allison her first iPod, and a discussion of the art of the mixtape. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

On this latest episode of the Talkhouse Film podcast, acclaimed English composers Geoff Barrow (Ex Machina) of Portishead fame, and Clint Mansell (Noah, Black Swan) discuss their creative processes, working with filmmakers, Ennio Morricone's low­ opinion of modern composers, the questionable quality of most films today, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

On this latest episode of the Talkhouse Film podcast, Gayby's writer­director Jonathan Lisecki talks about the best new TV show of the summer, UnREAL, with Sarah Gertrude Shapiro, its co­creator, writer and supervising producer. The pair discuss Shapiro's background, her inspirations, how she turned an award­winning short film into a hit TV show in record time, getting over "the Lifetime of it all," and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

On this latest episode of the Talkhouse Film podcast, Joe Swanberg becomes the first person to make a return appearance, here talking to Kris Swanberg, his wife and the writer-director of the recently released Unexpected. In a really frank and revealing conversation, they discuss the Sundance experience, selling a film, finding the right distributor, dealing with agents, taking meetings, shaping a career, and the challenges of being in a two-filmmaker household. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

You might think that Chicago rapper Vic Mensa and Samuel Herring, the frontman of Baltimore synth-pop band Future Islands, don't have much in common. But you'd be wrong. And it's not because Mensa used to rap in a rock band and Herring has been a hip-hop fan since he was a kid. And it's not because Mensa is a fan of the Beatles and Nirvana, and Herring is about to drop a hip-hop EP he recorded with Stones Throw producer Madlib.

No, it's because Mensa and Herring are both musicians and they enjoy each other's work. So these guys, who had never met before, hit it off right away when they sat down at the Talkhouse Music microphones backstage at the 2015 Pitchfork Music Festival.

In less than 30 minutes, they cover a whole lot of ground: their previous lives as shoplifters, music biz economics, compromising your youthful ideals, going to church, the ghettoes of Baltimore, the U.S. legal system and their mutual disappointment with the Obama presidency. And Herring even reveals the inspiration for his trademark sidestepping dance move!

Chvrches was playing a great set at the 2015 Pitchfork Music Festival when we noticed all three members of Haim rocking out by the side of the stage.  Clearly, they're big Chvrches fans.  When our producer bumped into Este Haim in the VIP area, he asked if she'd like to do a podcast with Lauren Mayberry, Chvrches' lead singer (and a regular Talkhouse writer).  She absolutely did.  Then Danielle Haim wanted in.  And then Alana Haim wanted in too.  So we wound up with Lauren chatting with all three Haim sisters in a noisy trailer right there on the festival grounds.

Topics covered: how to deal with getting hit in the face with a beachball in front of thousands of people, mesmerizing Afros, panic-vomiting, forgetting lyrics on stage and, most importantly, how to pronounce GIF.

On this latest episode of the Talkhouse Film podcast, writer­director Mary Harron sits down with Rose McGowan, the actress turned director who last year moved behind the camera for the acclaimed Sundance short, Dawn. Their wide­ranging discussion touches on everything from punk, religious cults and pyromania to Harron's experiences making American Psycho, McGowan's past as a teenage runaway and the ingrained sexism of Hollywood. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Belle & Sebastian co-founder Stuart David is the author of the critically acclaimed In the All-Night Café: A Memoir of Belle and Sebastian's Formative Year, which came out this year, and the Pogues' longtime accordionist James Fearnley is the author of the candid, vivid and appropriately rip-roaring Here Comes Everybody: The Story of the Pogues (2012). The two author-musicians discuss the tricky matter of writing about your bandmates, the vagaries of memory and taking out the bits that make you look like a knobhead. And there might just be an anecdote or two.