Artist and Corcoran adjunct faculty Mark Cameron Boyd on Ellsworth Kelly’s "Red, Yellow, Blue V"

Conservation fellow Steven O’Banion on the sculptures of Henry Moore.

Kim Schoenstadt’s work plays with the intersection of architecture, sculpture, color, line, history, culture, and concepts. Her “mash-up drawings” allow her to defy the laws of gravity while incorporating architecture into site-specific installations that engage audiences throughout the construction process. Last year she was awarded a Smithsonian Artist Research Fellowship and began a research-based residency. The SARF program brings together Smithsonian scholars and distinguished visual artists to explore cross-disciplinary connections between science, history, art, and culture. As part of the fellowship she was given access not only to what is on view in the various Smithsonian museums’ galleries but also to the vast collections maintained behind the scenes, in archives and storage facilities. Schoenstadt will discuss her work and share what she researched as a fellow.

Michel Banabila, sound composer for Gerco de Ruijter’s "CROPS," performs an ambient music set

Library of Congress curator of recorded sound Matthew Barton discusses "Directions: Jennie C. Jones: Higher Resonance"

Library of Congress Executive Director, National Audiovisual Center, Patrick Loughney, on Bruce Conner’s "Report" in "Over, Under, Next"

Curatorial intern Deirdre Smith discusses Sol LeWitt.

Hirshhorn conservation staff discuss challenges in the upkeep of outdoor sculpture.

Georgetown University Keyser Family Professor of Art History, Modern Art, Elizabeth Prelinger, on Damien Hirst in "Over, Under, Next."

Hirshhorn exhibits specialist Scott Larson discusses interpreting the installation artist’s intention in "Over, Under, Next."