Established by William Furlong in 1973, Audio Arts was an innovative sound magazine that has since become an invaluable archive of artists’ voices on their own work, a collection of sound art, as well as an important work of art in its own right.

Established by William Furlong in 1973, Audio Arts was an innovative sound magazine that has since become an invaluable archive of artists’ voices on their own work, a collection of sound art, as well as an important work of art in its own right.

Established by William Furlong in 1973, Audio Arts was an innovative sound magazine that has since become an invaluable archive of artists’ voices on their own work, a collection of sound art, as well as an important work of art in its own right.

Co-curator of the Pre-Raphaelites exhibition Jason Rosenfeld explores the legacy of the Pre-Raphaelite Brotherhood in 20th and 21st century popular music, art, design, fashion and film.

This talk explores the idea of the Pre-Raphaelites as a pioneering avant-garde group, whose disrespectful, anti-establishment campaign brought new life to British art.

Who owns public art? Do local councils have the right to sell it in the name of public benefit? What is the role of the government and its policies in these decisions? What are difficulties faced by those charged with the preservation of public art?

Panel with Roksanda Ilincic and Penny Martin, chaired by Donatien Grau

Audio recording of a past Tate modern conference panel discussion about Sharjah Biennial 11.

Audio recording of a past Tate modern conference panel discussion about Sharjah Biennial 11.

Contemporary artists profane taboos and create new zones of the sacred, often drawing on votive, ritual, and amuletic techniques from religious tradition. Marina Warner will explore belief in art today.