Artist and performer Harland Miller joins his old friend Jarvis Cocker to discuss their shared passion for music, iconic British culture and how the popular and the everyday can be a point of departure for creative exploration.

Frank Bowling was born in Guyana in 1936 and he studied at the Royal College of Art with David Hockney and Derek Boshier. He has exhibited in the Whitney Biennial, has been awarded a Guggenheim Fellowship, shown in the 2003 Venice Biennale and his work is

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To

Between architecture and advertising, fine art and mass culture, film and technology, how can the theories and practices of the Independent Group contribute to our understanding of the collapsing disciplinary boundaries of contemporary visual culture? To