What are the terms and positions in which artists, dramaturges, critics, cultural workers and theorists, curators and public officials conceive of the public arising from contemporary art? Audio recording.

Part 7 of symposia at Tate Modern. What is the current understanding of the operations of data in interface culture?

Part 6 of symposia at Tate Modern. How is cultural value coded in the computational network?

Part 5 of symposia at Tate Modern. What has the museum learnt from the project of digitisation of collections?

Part 4 of symposia at Tate Modern. Do online collectives constitute a new public space for museums?

Part 3 of symposia at Tate Modern. Does the use of ‘digital tools’ in and across the museum and visual arts practices challenge established practices of cultural value?

Part 2 of symposia at Tate Modern. Do digital platforms work for cultural institutions or do cultural institutions work for the platforms?

Part 1 of symposia at Tate Modern. Are the discourses of art, media and technology converging and if so what does it look like?

This audio recording explores the urban landscape, it’s undercurrents, politics and pop cultural past and considers what the future holds.

In this audio recording, artist Lucy Skaer, art historian Dr Richard Clay (University of Birmingham), and co-curator of the exhibition Art under Attack Dr Stacy Boldrick examine iconoclasm in contemporary art and its relationship to destruction.