Taylor Swift's Numbers

We are just like the British Broadcasting Corporation in that we are full of repeats as we enter the era of re-records and reclaiming stolen land. Taylor's Version numero uno is Fearless, the song of hearthands, ill-conceived platinum edition replacement and spinning round in a golden fringe dress, Taylor, not me. Come hear the latest lukewarm takes on the differences between teenage Taylor and her thirty-something counterpart, her voice, not anything else.

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We are lost in the woods with a questionable partner doing questionable things as we enter our Evermore era, dance in a circle and bend like a willow tree. Relive the orange globes of the Eras Tour, slip on your favourite cardigan and spin in circles as Taylor delivers my absolute favourite lyric of all time. A work of art indeed.

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We. Are. Back! In a special post-mid-season break bonus episode (but definitely episode 10 of the main series) we look into the links between Taylor Swift and Disney, my twin obsessions. We also look at the differences between the original Folklore version of The 1 and the Long Pond Sessions version. So if you love Taylo Swift lyrics, their meaning and the links with wider media, come join in and maybe drop us an email with a name for our collective fandom.

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We find The 1 for Taylor, the thing of folklore, a haunting beautiful opener of a track and you'll get a well earned break

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New record company, new Taylor? Lover is her first album on Republic Records and Taylor opens it with I Forgot That You Existed, a diss record with multiple potential targets. Who is your money on?

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Taylor is under fire, angry and fighting for her life after an enforced hiatus in which she met a lovely English boy. She roars back with ...Ready For It? answering her critics and screaming her truth.

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Taylor Swift continues her musical evolution with a lurch into synth pop with Welcome to New York, track one of her album 1989. Without a guitar in sight we are in very, very different waters. Can she pull it off?

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State of Grace is a masterpiece. Come listen to why that is as well as hear about half a Snow Patrol concert and not remembering The Vamps. Please excuse my occasional singing. I couldn't help myself.

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This is Mine. Well it is Taylor's but the song is Mine. Called Mine. Track one from Red and we see a shift to a rockier sound, thumping drums and wailing guitars, not a banjo in sight.

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A heinous crime is committed as a perfectly good opener is relegated to track 7. Will this celebratory updated edition be celebrated? What do you think? Sound off in the comments

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