Following the apparent roaring success of Baz Luhrmann's "EPiC" at the Toronto International Film Festival, Justin and Bec decided rather than merely recap reviews and discuss the hype (though there is a bit of that, too!), to look backwards toward the original 1970 and 1972 films "That's The Way It Is" and "Elvis On Tour," and the component elements that have made "EPiC" possible.

The duo ponder whether the voracious (and vocal) collector mindset that has taken over the fandom, demanding immediate access to every scrap of available content, has caused some fans to miss the narrative and artistic voices of the directors and creatives who sought to create genuinely artful and thematically resonant documentaries while capturing Elvis as a phenomenon and as an artist.

Going further - what to make of other fan-focused releases derived from the same components like "The Lost Performances" and "That's The Way It Is: Special Edition" that delivered on the promise of new footage but lost the sense of authorial voice and storytelling in favor of Colonel Parker's preferred, and more readily digestible, "personal appearance film" style?

Also... why is Baz Luhrmann on Justin's sh*tlist now?

For Song of the Week, Bec checks Girl Happy's ho-hum rock pastiche "I've Got To Find My Baby" off the list while Justin has "Words" with Elvis's cover of the Bee Gees' 1968 hit.