Interviews with Saskatchewan trio Black Tea (who play Osborne Taphouse on October 17th as part of their Get Steeped Tour), and with Dreejur (who plays send + receive on October 19th at the West End) and the debut broadcast of send + receive artist BINT mbareh's "chronicling the tunnel's eternal return to debt" which was commissioned for v.27 of the festival.
"chronicling the tunnel's eternal return to debt" conveys artist BINT Mbareh's research on Palestinian ways of knowing to Treaty 1 territory. In this work, sound is both communicative content and a medium of passage, transgressing colonial borders and discrete bodies as a wave.
The work is installed for close listening at Video Pool's Poolside Gallery (100 Arthur Street, second floor) Wednesday to Friday afternoons from 1:00-5:00pm.
Bint Mbareh is a sound researcher with a focus on water in palestine. her interest in the physical parallel between the water wave and the sound wave leads her into questions of border dissolutions (between bodies, between states, between tenses), and into the possibility of being enveloped by the voice, by sounding communally similarly to being enveloped by a water body. she challenges settler colonial epistemology by taking seriously palestinian ways of knowing, from rain-summoning music to shrine pilgrimage as an instigator to political revolution.
This piece features:
Makharij al Hurouf Choir (the hive)
Yasamin Ghalehnoie (the poet)
Haseeba Hisham (the lamenter)
The Mediterranean sea (the final say)