Los Angeles calling, with long-time Lou Reed aficionado, booster, and scholar Azalia Snail. She keeps putting dimes in the pay phone to tell her story of Transformer, the 1972 album that made sure Lou would make the "history books," and her interaction with various characters portrayed within. Rob and Barry try and keep up, as usual, running like Yogi and Boo Boo against that two-second Hanna Barbera background loop. Support TRGMH on Patreon: https://www.patreon.com/join/TRGMH/

Los Angeles calling, with long-time Lou Reed aficionado, booster, and scholar Azalia Snail. She keeps putting dimes in the pay phone to tell her story of Transformer, the 1972 album that made sure Lou would make the "history books," and her interaction with various characters portrayed within. Rob and Barry try and keep up, as usual, running like Yogi and Boo Boo against that two-second Hanna Barbera background loop.

Support TRGMH on Patreon:

https://www.patreon.com/join/TRGMH/

Joey Maya suffers the slings and arrows of outrageous fortune, again, as we go to West Berlin in 1977 for Iggy Pop's tour-de-force masterpiece "Lust For Life." It's an album that got under all of our skin. His wry humor and dark subject matter still give you a strange sensation, make you want to peek out of your curtains. Recorded Live at The Laserwolf, with the ever gracious Chris Bellus providing the grease to loosen the screws at the back of the tongue. Let's take a ride. Support us on Patreon: https://www.patreon.com/join/TRGMH

Joey Maya suffers the slings and arrows of outrageous fortune, again, as we go to West Berlin in 1977 for Iggy Pop's tour-de-force masterpiece "Lust For Life." It's an album that got under all of our skin. His wry humor and dark subject matter still give you a strange sensation, make you want to peek out of your curtains. Recorded Live at The Laserwolf, with the ever gracious Chris Bellus providing the grease to loosen the screws at the back of the tongue.

Let's take a ride.

Support us on Patreon: https:/

We find ourselves living in a shotgun shack, in another part of the world, with Tom Lawery, discussing the shocking vinyl disc that appeared on record store shelves in October, 1980. Rob and Barry get into it a couple of times, all because Minnie Mouse and Goofy can't keep their hands to themselves, your honor. Tom is knowledgeable, patient, and reasonable, which stands in stark contrast to the clown college rejects on the other two mics. (BTW It's a good one.) Help us pay to get our cars back from the repo man: https://www.patreon.com/join/TRGMH/

We find ourselves living in a shotgun shack, in another part of the world, with Tom Lawery, discussing the shocking vinyl disc that appeared on record store shelves in October, 1980. Rob and Barry get into it a couple of times, all because Minnie Mouse and Goofy can't keep their hands to themselves, your honor. Tom is knowledgeable, patient, and reasonable, which stands in stark contrast to the clown college rejects on the other two mics. (BTW It's a good one.)

Help us pay to get our cars back from the rep

A voicemail from almost thirty years ago launches That Record Got Me High into orbit – to escape Earth's coming collision with a rogue planet – and to give Tom Smith the space he needs. He needs space, and time, to evangelize for one of those albums that you NEED to hear but haven't: Prehistoric Sounds, the third album by The Saints, who soon after were "Stranded" by their label, their looks, and their members' diverging interests. What happened? They were three years too early with the horns, the soul, and never gonna clean up for the camera. Get on board, the darkening sky portends disaster for those who don't. Support That Record Got Me High on Patreon: https://www.patreon.com/join/TRGMH/

A voicemail from almost thirty years ago launches That Record Got Me High into orbit – to escape Earth's coming collision with a rogue planet – and to give Tom Smith the space he needs. He needs space, and time, to evangelize for one of those albums that you NEED to hear but haven't: Prehistoric Sounds, the third album by The Saints, who soon after were "Stranded" by their label, their looks, and their members' diverging interests. What happened? They were three years too early with the horns, the soul

Recidivist / Habitual Offender Jeffrey Weaver calls in from his safe house in rural Massachusetts, to risk capture and 30 years to life in the big house discussing Bee Thousand, Guided By Voices 1994 low-fi treasure trove. A lot of people are saying, I'm hearing from a lot of people, that this is THE ONE, the GBV album to have if you've got to pick just one. Find out in this week's exciting episode of That Record Got Me High. Support us on Patreon: https://www.patreon.com/join/TRGMH/

Recidivist / Habitual Offender Jeffrey Weaver calls in from his safe house in rural Massachusetts, to risk capture and 30 years to life in the big house discussing Bee Thousand, Guided By Voices 1994 low-fi treasure trove. A lot of people are saying, I'm hearing from a lot of people, that this is THE ONE, the GBV album to have if you've got to pick just one. Find out in this week's exciting episode of That Record Got Me High.

Support us on Patreon:

https://www.patreon.com/join/TRGMH/