In this episode of That’s Not Spit, It’s Condensation, I sit down with tubist and teacher Ron Von Dreau to talk about what it takes to build and sustain a thriving private teaching studio.

Ron has taught in Texas for decades, managing studios of 60–80+ students while also teaching at the university level, directing band programs, and balancing freelance performing. His story is full of lessons for anyone building a teaching career: from starting with only a handful of students to learning the business side of teaching, earning trust with parents and band directors, and keeping students motivated year after year.

We cover:
-Ron’s eclectic career path from chamber music to teaching to band directing
-How he grew his Texas studio to over 80 students
-The importance of reputation, professionalism, and communication
-Pedagogical “non-negotiables” that guide his teaching
-Why fundamentals and flexibility matter more than flashy methods
-The business realities of running a private studio (payments, scheduling, taxes)
-His advice for young teachers starting out

Whether you’re a brass player, a music educator, or someone curious about what it takes to make a living teaching, this conversation is packed with insight, honesty, and practical advice.

👉 If you enjoyed this episode, don’t forget to like, subscribe, and share it with a friend who might benefit from Ron’s wisdom.Taken from "That's Not Spit, It's Condensation!" Episode
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Available on Apple Podcasts, Spotify, and Google Podcasts!
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http://www.linktree.com/thatsnotspit

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In this episode, I'm going to break down the real reason auditions feel so brutal—and what separates the winners from everyone else. It's not luck. It's not just talent. It's a learnable set of skills that anyone can develop.

If you’ve ever walked off stage thinking “I thought I was ready… what happened?”—this is for you.

You’ll learn:
✅ The mindset shift that changes everything
✅ Why fundamentals actually matter
✅ The power of a clear, consistent plan
✅ And what most people misunderstand about deliberate practice

If you're ready to take auditions seriously—and stop leaving your success up to chance—listen to this episode and apply what you learn.

If you’re interested in working with me in my audition program, click the link below for more info:
https://live.ryanbeachtrumpet.com/audition-program
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Join my Skool community and watch my free masterclass on the GOLD Method of Practice Organization
https://www.skool.com/practice-independence-6092/about?ref=df99ad5a74574d09b881eb405135b71f

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In this episode, we break down how to master lip trills, develop faster and cleaner technique, and play with more freedom—without adding tension.

You’ll learn why “lip trills” aren’t actually about the lips, how to train your air and embouchure for effortless control, and the exact exercises that build dazzling technique you can trust in any performance.

We also explore how brass band playing can transform your musicianship, the mindset shifts that speed up progress, and practical advice for staying motivated and consistent.

What you’ll learn:
•How to do lip trills on trumpet (and why most players overcomplicate them)
•Trumpet flexibility exercises that improve range and control
•How to build speed and clarity without overthinking
•The embouchure setup that makes lip trills easier
•Why brass band playing develops dynamics, blend, and endurance
•Mindset tips for overcoming plateaus in your playing
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Dr. Douglas Lindsey joined the faculty at the University of Oklahoma in the Fall of 2023. Prior to his time at OU, Dr. Lindsey was the Associate Professor of trumpet and brass area coordinator at Kennesaw State University.

As a soloist, he has performed many times each at the International Trumpet Guild conference, at the Atlanta Trumpet Festival, at the Trumpet Festival of the Southeast, in numerous faculty and guest soloist recitals across the country, and with many high school, community and college bands across the country. Recently, in collaboration with pianist Kristy Olefsky, Dr. Lindsey released his first solo album, Impressions of France. Alongside pianist Judy Cole, he has performed solo recitals all over the Southeast as a founding member of Duo Trompiano.

As an orchestral musician, he has performed as principal trumpet of the Memphis Symphony, as section trumpet with the Atlanta Symphony Orchestra, as principal trumpet of the Georgia Symphony Orchestra, as section trumpet with the Macon Symphony, and spent two summers as an orchestral fellowship winner at the Aspen Music Festival.

His love of building community through music is highlighted by his leadership role in the Georgia Brass Band where he served as President and Principal Cornet for many years. This work culminated in the Georgia Brass Band earning their highest ever placement at NABBA. Recently in 2023 he was tapped to play principal cornet for the award-winning Fountain City Brass Band. In addition to a large variety of concerts in the United States, the band will also travel to England to compete alongside some of the world's finest bands. In addition to brass bands, Dr. Lindsey has spent time on tour in the award-winning University of Wisconsin Brass Quintet and as a member of the Mirari Brass Quintet.

Previous to earning his DMA at the University of Wisconsin-Madison, Dr. Lindsey studied with Allan Dean at Yale, earning his Master of Music with the distinction of winning the John Swallow excellence in brass prize. Prior to Yale he studied with Ray Mase, Louis Ranger, Kevin Cobb, Scott Moore and Richard Rulli. Dr. Lindsey received his music performance and music education degrees magna cum laude from the University of Arkansas-Fayetteville. Dr. Lindsey is a Mercer and Barker mouthpiece and Schilke trumpet artist.
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Available on Apple Podcasts, Spotify, and Google Podcasts!
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http://www.linktree.com/thatsnotspit

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In this episode of That's Not Spit, It's Condensation, I sit down with Victor Djonorh, longtime band director at Summit Middle School and assistant director at Edmond Santa Fe, to dive deep into the realities of teaching music at the middle and high school level.

We cover:
 🎵 How he accidentally became a tuba player
 🎓 Lessons from his time at Oklahoma City University
 👨‍🏫 What he wishes he knew as a first-year teacher
 💡 How he keeps students engaged (and why relationships are everything)
 📈 The balance between high standards and student well-being
 🎺 Why modeling on your instrument matters more than you think
 🧠 How he stays inspired through burnout and busy seasons

Whether you're a music educator, band director, or just curious about how great teachers make a difference, this episode is full of insight, humor, and practical wisdom.

🎙️ Subscribe for more deep dives into the world of music and education.

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In this episode, I’m joined by Johanna Yarbrough, who recently transitioned from her role as second horn with the Detroit Symphony Orchestra to become the Professor of French Horn at Louisiana State University. What begins as a conversation about career trajectory quickly unfolds into a vulnerable and deeply insightful look at the realities of orchestral life—and what it means to grow beyond it.

Johanna shares her early path through public school band, studying abroad in Norway with Frøydis Ree Wekre, and winning the DSO job straight out of Colburn. But we go far beyond the résumé. We dig into:

The hidden toll of orchestral pressure on mental health
How her identity became entangled with achievement
Learning to separate musical excellence from personal worth
The challenges of orchestra culture, groupthink, and navigating difficult personalities
What she now sees as her mission: helping students become not just better players, but better people

From beta blockers and burnout to purpose and pedagogy, this episode explores the messy, human side of a music career. Whether you’re an aspiring orchestral musician, a college student, or a seasoned player wondering “what’s next,” Johanna’s story will hit home.Available on Apple Podcasts, Spotify, and Google Podcasts!

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Sign up for the FREE online masterclass (college students only): https://live.ryanbeachtrumpet.com/gold-method-masterclass-podcast

If you’re a college trumpet player who works hard but still feels stuck in the practice room, this episode is for you.

In this behind-the-scenes conversation, I’m sharing:

• The story behind my free online masterclass
• The common struggles I’ve seen in college trumpet players (and lived through myself)
• Why traditional practice advice often falls short
• An introduction to the GOLD Method—my framework for organizing practice with purpose

This masterclass isn’t just another lecture—it’s a focused, actionable session designed to help you make consistent, measurable progress in the practice room and feel more confident when it counts.

If you’re tired of spinning your wheels, this might be the spark you need.

Sign up for the FREE online masterclass (college students only): https://live.ryanbeachtrumpet.com/gold-method-masterclass-podcast

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📌 Who it’s for:
 🎓 College trumpet players
 🥴 Frustrated practicers
 💡 Players ready to get organized, motivated, and make lasting change

🛠 Topics include:
 → Practice structure that works
 → How to set specific goals that stick
 → Building long-term confidence through deliberate repetition

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Doug McVey is the founder of Vennture mouthpieces. He guides the technical direction of Vennture, oversees the development of VennCAD, and designs the tooling and processes used to produce Vennture custom mouthpieces.

www.vennture.mp

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Michael Anderson is the recently retired Professor of Trumpet at the Wanda L. Bass School of Music at Oklahoma City University. He is a member of the International Trumpet Guild Board of Directors and ITG Journal editorial committee, Executive Director of the Guild’s web site, and chairman of the ITG technology committee. He is the ITG Journal columnist for Trumpet Technology and has presented and performed at several ITG Conferences. Previously to his OCU appointment, he was on the music faculty of Dana College in Blair, Nebraska.

Anderson was project manager of the ITG Journal anniversary CD-ROM, distributed to guild members in 2001 and is currently working on a DVD of all Journal articles and music supplements for the membership to be released in 2008. He founded and administrates the Trumpet Players’ International Network (TPIN), the oldest and most active Internet discussion list dedicated to the trumpet.

His degrees are from Illinois State University (BM), and the University of Nebraska-Lincoln (MM). Primary teachers have been Dennis Schneider, Herbert Koerselman, and Arnold Jacobs. During his 2003 sabbatical, Anderson observed and studied with master teachers including Bill Adam, Vincent DiMartino, Ronald Romm, Michael Ewald, Karl Sievers, and William Pfund.

Anderson is a tenured member of the Oklahoma City Philharmonic, the Lyric Theater Orchestra and the New Covenant Methodist Church Band. He performs regularly as a duo with Oklahoma City University Organist Timothy Olsen. He was a member of the Lincoln (Nebraska) Symphony Orchestra for 21 years, and performed often with the Omaha Symphony and Opera Omaha. He was a founding member of the Omaha Brass Ensemble, and the Nebraska Brass, and was a member of the Palladium Brass Quintet. He was musical director for the Omaha Big Band and the Omaha Jazz Youth Project. He is an active freelance trumpeter, and has played for countless national tours; recording sessions; and jazz, orchestra and chamber music events.

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Karl Sievers grew up in Louisville, KY. His teachers include Leon Rapier, former principal trumpet in the Louisville Orchestra; Louis Davidson, former principal trumpet in the Cleveland Orchestra; William Adam at Indiana University; and others. Karl holds a DMA in Trumpet Performance, is in his 24th season as principal trumpet in the Oklahoma City Philharmonic, and has recently retired from a Presidential Professorship at the School of Music at the University of Oklahoma. In addition to his orchestral work, he plays lead trumpet in jazz, commercial, and Broadway show venues. His passions outside of music include fitness, motorcycles, fishing, and family.

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William A. Baker, was appointed Bass Trombonist of the Lyric Opera of Chicago Orchestra in 2024 by Music Director Enrique Mazzola. He also currently serves as the Principal Bass Trombonist of the Monterey Symphony, a post he has held since 2018.  From 2021-2024, Will primarily performed with the San Francisco Symphony, including over 200 performances, and European Tour, and the 2023 SFS recordings with Maestro EsaPekka Salonen. 

A native of Walnut Creek, California, Will has performed with the San Francisco Opera and Ballet, the Detroit Symphony, San Diego Symphony, Alabama Symphony, and Malaysian Philharmonic.

Will began his professional career in Iowa, performing as the tenured member of Orchestra Iowa from 2013-17 and the Des Moines Symphony since 2014-18. In 2016, while artist in residence with the Southeast Iowa Symphony (SEISO), Will commissioned and premiered a new bass trombone concerto by composer Robert Tindle titled At Sixty Miles An Hour. In 2018, Will premiered the Wind Ensemble arrangement with Travis Cross and the UCLA Wind Ensemble. 

Will graduated Cum Laude from UCLA with a BA in music performance, studying Euphonium and Bass Trombone with Patrick Sheridan. He then earned a Masters Degree in Bass Trombone performance at Northwestern University where he studied with Michael Mulcahy, Randall Hawes, Peter Ellefson, and Tim Higgins. After school, Will continued his studies with Kyle Covington of the San Diego Symphony, and all the members of the San Francisco Symphony brass section. 

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