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Covering all of Chapter 7, Price considers a more granular take on the great contributions of scientific discovery. A visually-dependent portion of the book, you may also enjoy consulting my own visual confection experiment of Price's work here.
Covering all of Chapter 6, Price considers a more granular take on the great contributions of scientific discovery. A visually-dependent portion of the book, you may also enjoy consulting my own visual confection experiment of Price's work here.
Covering all of Chapter 5, Price considers a more granular take on the great contributions of scientific discovery. A visually-dependent portion of the book, you may also enjoy consulting my own visual confection experiment of Price's work here.
Experimenting with interesting stories of a historical + spooky/supernatural tone for our All Hallows season!
Hundreds of years before Dante penned his Le Divina Commedia, off the northwestern coast of Scotland, lie the island of Iona. It was there, in Early Medieval Christendom, would a Monk imagine a woeful underworld, where the penitent and the unrepentant would be tasked to toil through an ethereal triptych of hounds, serpents, and flame.
Survived by the fragments of one Lebor na hUidre, the oldest extant work of Irish heritage, it is also one of the first to use a rich visual language to express the culture of Western Christianity and a civilization it was forging, one abbey at a time.
Sources:
Lebor na hUidre (reissue English translation)
Scans of original copy
An Irish precursor of Dante - CS Bowell
Time emits nothing inert. My journey into The Rockies elicited a great quieting. Currents are elusive, inclusive, exclusive, and illusive. What do we do, removed from'st modernity, naked and facing all but our own voice?
The second episode of a weekly meditation on the state of reality, powered by the architecture of language and Lindy-compliant lore of all subjects and interests.
Meat space wants us hidden from the hidden world that which is viral, so we descend upon the hidden world where the only currency is virality.
Diseases, bacteria, panaceas...
Are we more than muster mark?
The first episode of a weekly meditation on the state of reality, powered by the architecture of language and Lindy-compliant lore of all subjects and interests.
Covering all of Chapter 4, antiquity has provided us a litany of angels mistaken or represented as angles and vice versa. A visually-dependent portion of the book, you may also enjoy consulting my own visual confection experiment of Price's work here.
The remainder of chapter 3 intimates that the imagination overtime is always ahead of it and what is made into fruition where the moment remains both mysterious and curiously blurry. Our first machines in phenomenology and application are centuries divided, nevertheless, the iterations in between are worldly, odd, and beautiful. Wastes of time in one era become indefatigable and most valued in another.
Astutely, bygone eras possessed a dynamic appetite to simulate nature; mechanization was the path some found most natural. Ancient imaginations witnessed amongst their peers along the Mediterranean such feats of mind and method. Clockwork was living mythology coming alive before them.
From the publisher's feed