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In this episode, I describe my experience attending the 2024 Watches and Wonders show in Geneva, Switzerland. I share my thoughts on the venue, takeaways from the releases and advice for those who want to attend in 2025. For show notes, check out https://www.the36mm.com/
In this episode, I discuss the history, legacy and fit of the Blancpain Fifty Fathoms. While I’ll be the first to admit this is a big watch, the legacy and a few design elements of the Fifty Fathoms make it an empowering choice for slim wrists. For show notes, check out https://www.the36mm.com/episodes
In this episode, I describe my experience attending the 2023 Grand Seiko GS9 Event in Los Angeles. I share my thoughts on the venue, takeaways from the talks, announced new releases, and the party's highlights. For show notes, check out https://www.the36mm.com/
In this episode, I delve into the Hublot Big Bang Integrated Time Only All Black. I explore the history Hublot to help give context on the brand, and how it’s shaped modern watch design. Finally, as usual, I provide an in-depth discussion about the watch's movement, measurements, and fit. For show notes, check out https://www.the36mm.com
In this episode, I delve into the unique, left-hand configuration of the Rolex GMT-Master II "Sprite," a first for Rolex's mainstream production. I explore the history of the GMT-Master line, highlighting its technical advancements, iconic design elements, and evolving color schemes over the decades. Finally, as usual, I provide an in-depth discussion about the watch's movement, measurements, and fit. For show notes, check out https://www.the36mm.com/
The Grand Seiko “SnowGraph” SBGC247 integrates one of the most accurate chronograph movements in the industry with a design that references both Grand Seiko and Japanese history. In this episode, I discuss the history of Grand Seiko Chronographs and why the design of the "SnowGraph" enables wear on slim wrists despite its size. For show notes, check out the36mm.com
The podcast currently has 24 episodes available.
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