We use verbal numbers and we use numerals - why do we need both? Why do we have the ones we have? What happened to Roman numerals? And what's loserish about the fiftieth Super Bowl? Stephen Chrisomalis, professor of anthropology and linguistics and author of the book Reckonings: Numerals, Cognition and History, returns to the Allusionist to explain our current numbers, and why we shouldn't get too arrogant about them.

There's more about this episode, and a transcript, at theallusionist.org/numbers.

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get discounted tickets to the upcoming Allusionist live show on 4 September 2021.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is the Tranquillusionist, in which I, Helen Zaltzman, read all the salads from the 1950 recipe book 282 Ways of Making a Salad, with Favourite Recipes by British and American Personalities and Stars by Bebe Daniels and Jill Algood, with the purpose of giving your internal monologue a break by replacing it with some absolutely inconsequential words. Note: this is NOT the usual Allusionist. You will not learn anything about language at all, in fact the ideal outcome of the Tranquillusionists is that you’re asleep before the end. 

Find all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org.

The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. And listen to his podcasts Neutrino Watch and Song By Song.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. Support the show by becoming a patron at patreon.com/allusionist.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

They're not ladies and they're not birds; they're not even technically bugs! But that's not the most surprising thing about ladybirds/ladybugs and their brilliant variety of names. Tamsin Majerus AKA Dr Ladybird explains why ladybirds are so great; and Johanna Mayer and Elah Feder of the podcast Science Diction, about words and the science stories behind them, consider what's in a (ladybird) name.

This episode is one half of a collaboration with Science Diction, so go to their feed to listen to their episode It’ll Never Fly, where they set me a quiz about the outlandish and intriguing names given to fruitfly genes.

There's more about this episode, and a transcript, at theallusionist.org/ladybird.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Sign up to be a patron at patreon.com/allusionist and as well as supporting the show, you get discounted tickets to the upcoming Allusionist live show on 4 September 2021, plus the story of my all too brief spell of having a loveliness of pet ladybirds.

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Crazy, insane, nuts, mad, bonkers, psycho, schizo, OCD - casual vocabulary is strewn with mental health terms, but perhaps shouldn't be? Psychotherapist and podcaster Lily Sloane talks about what we're really saying when we use such words.

Content note: in the second half of the show there is some mention of eating disorders. So if that’s not what you need to hear about today, tap out at the ad break.

There's more about this episode, and a transcript, at theallusionist.org/mind-my-mind.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

Sign up to be a patron at patreon.com/allusionist by the end of June 2021, and I'll record the word or phrase of your choice to use as your phone alert or alarm!

The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Exclamation; sign of agreement OR disapproval; gendered, but circumstantially gender-neutral; term of endearment: 'dude' can do it all! But its connotations of a laid-back, cool, masculine person are only a few decades old; before that, it meant...an uptight city-dwelling tourist?? Dude, seriously!

There's more about this episode, and a transcript, at theallusionist.org/dude. Callie Wright's podcast is Queersplaining, which you can find in the kinds of places you obtain this podcast, and at queersplaining.com. 

Want to be barked awake/gently introduced to the day by me saying the word of your choice? Become a patreon at patreon.com/allusionist by the end of this month of June 2021, and I will record the word or short phrase of your choice to use as your phone alert or alarm! All patrons get to choose a word, and all patrons get the recordings of all the patrons’ choices. This is going to be fun. Oh and you’re helping fund the show too, of course.

The Allusionist theme is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. His new podcast is Neutrino Watch, and it's different every time you download it.

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“It's hard to address something if you can't actually name what it is,” says Moya Bailey, who coined a term that enables people to discuss a specific combination of racism and sexism: misogynoir.

Find Moya Bailey's work at moyabailey.com. Her new book is Misogynoir Transformed: Black Women's Digital Resistance. 

There's more about this episode, and a transcript, at theallusionist.org/misogynoir.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SOS is a really versatile distress call. You can shout it; you can tap it out in Morse code; you can honk it on a horn; you can signal it with flashes of light; you can spell it out on the beach with debris from your wrecked ship.

Explaining where SOS came from and what it means are maritime archivist Christian Ostersehlte from the German Maritime Museum, and Paul Tyreman from PK Porthcurno, the Museum of Global Telecommunications.

Find more information about the topics in this episode at theallusionist.org/sos. 

There are a couple of category B swears in this episode.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It’s August 2007. Lauren Marks is a 27-year-old actor and a PhD student, spending the month directing a play at the Edinburgh Fringe Festival. She’s in a bar, standing onstage, performing a karaoke duet of ‘Total Eclipse of the Heart’…and then a blood vessel in her brain bursts. When she wakes up in hospital, days later, she has no internal monologue, and a vocabulary of only about forty words. 

This is a rerun of an all time fave Allusionist, but with a few extra little bits added. Content note: this episode is about a medical crisis (everyone survives, though!), and has some Category A swears in it.

Find out more about this episode at http://theallusionist.org/totaleclipse, and more about Lauren at http://astitchoftime.com.

The special music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you were in Brazil during the military dictatorship of 1964-1985, tried to bake a cake from a recipe in the newspaper, and were served with a sorry mess that tasted disgustingly salty, it wasn't your fault. What you thought was a recipe was actually a message from the newspaper that they were being censored. 

Designer and researcher Crystian Cruz opens up the TOP SECRET files, to share the fake weather reports, single nipples vs a pair, soap opera characters getting bumped off, and the problems with kung fu. 

Find more information about the topics in this episode at theallusionist.org/lacuna. 

There is one swear towards the end of this episode.

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What to do to stick it to the powers that be? Send your message through something they really care about: cake.

In Buenos Aires, local tour guides Madi Lang and Juan Palacios introduce me to priest's balls and little cannons, the pastries laced with the sweet taste of 1880s trade union protests.

There are a few swears and saucy references in this episode.

Find more information about the topics in this episode at theallusionist.org/cake-sword. 

The music is by Martin Austwick. Hear Martin’s own songs at palebirdmusic.com or search for Pale Bird on Bandcamp and Spotify, and he’s @martinaustwick on Twitter and Instagram. 

The Allusionist's online home is theallusionist.org. Support the show by becoming a patron at patreon.com/allusionist. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionists how and instagram.com/allusionistshow.

Support the show: http://patreon.com/allusionist

See omnystudio.com/listener for privacy information.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.