The Annotator

In this episode, composer Kevin Manthei talks about returning to the Invader Zim franchise after 20 years. He discloses some of the challenges he faced in returning like: being respectful to his original score for the tv series while also adding something new.

Carl Thiel shares what techniques and instruments he used to musically blend Chinese and Mexican cultures together in his original score for the Netflix animated series, "Seis Manos."

In this episode, composer Emily Rice talks about having her score for The I-Land (Netflix) walk a delicate balance between music and sound design.

In this episode, composer Didier Lean Rachou shares just how musically rewarding his experience on DEADLIEST CATCH has been because of the wide range of musical styles he's been asked to implement since joining the program in 2012.

In this episode of the Annotator, Ben Foster and Nick Foster open up their original score for series 2 of THUNDERBIRDS ARE GO.

In this episode, Austin Wintory takes us beneath the murder-mystery of ERICA to reveal some of the intricate details of creating an original score for this extremely interactive game.

Christopher Lennertz dissects the many exotic components that he’s combined to create the distinctive sound for the Amazon Prime series, THE BOYS.

In this episode, composer David Stone Hamilton talks about how he looked to match the classic, analog sci-fi aesthetic of the film through his live orchestral score, how Jerry Goldsmith, John Williams and Don Davis influenced him on the project and how the original sketch he wrote was used on set by the director to assist the actors.

Ronit Kirchman returns to the Annotator to share the story behind her original music for season 2 of THE SINNER.

Jacob Yoffee and Roahn Hylton, while detailing Meek Mill's roller-coaster story, reveal their own story of discovery and creation for the series' music.