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Rohan Maitzen has an Honours B.A. in English and History from the University of British Columbia and an M.A. and Ph.D. in English from Cornell University. Since 1995 she has been a member of Dalhousie University's English Department.
Her main teaching area is the Victorian novel; she has a particular admiration for George Eliot and assigns her greatest novel, Middlemarch, whenever possible.
I had the pleasure of 'meeting' Rohan online in the comments section of her blog Novel Readings. I admire her smooth flowing, erudite prose and her reaching out to an audience wider than just those sitting in her classroom.
Rohan was in Ottawa recently for a 'Learneds' conference. I got to meet her in person and interview her, off the cuff , one on one, about the life and lessons found in Middlemarch.
Born in Los Angeles in 1946, Robert Bringhurst is an award winning Canadian poet, typographer and author. Perhaps best known for The Elements of Typographic Style – a reference book of typefaces, glyphs and the visual and geometric arrangement of type, he is also a respected translator of poetic works from Haida into English. He lives on Quadra Island, near Campbell River, B.C.
We met in Ottawa to talk about his definitions of both the book, as articulated in The Surface of Meaning, and typography which should
A.B. Yehoshua was born in 1936 to a fifth-generation Jerusalem family of Sephardi origin. His first book of stories, "Mot Hazaken" (The Death of the Old Man) was published in 1962. He was an important member of the "new wave" generation of Israeli writers who differed from earlier writers by focusing on the individual rather than the group. Franz Kafka, Shmuel Yosef Agnon, and William Faulkner were all formative influences.
Author of nine novels, three books of short stories, four plays, and four collections of essays, Yehoshua has won the Brenner Prize, the Alterman Prize, the Bialik Prize, the Israel Prize for Literature, the National Jewish Book Award and many, many other international prizes.
His most recent novel, Friendly Fire, explores the nature of Israeli familial relationships, personal grief and bitterness. We met recently at the Blue Met Writers Festival in Montreal to talk about the book. Our conversation touches on the Jewish diaspora, hatred and minorities, a two state solution, gestures recognizing good, the metaphor of fire, domestic violence, Apartheid, South Africa, solutions, marriage, and marriages between Arabs and Jews.
This from Contemporary Writers: "Zoe Heller was born in London in 1965 and educated at Oxford University and Columbia University, New York. She is a journalist who, after writing book reviews for various newspapers, became a feature writer for The Independent. She wrote a weekly confessional column for the Sunday Times for four years, but now writes for the Daily Telegraph and earned the title 'Columnist of the Year' in 2002. She is the author of two novels: Everything You Know (2000), a dark comedy about misanthropic writer Willy Miller, and Notes on a Scandal (2003) which tells the story of an affair between a high school teacher and her student through the eyes of the teacher's supposed friend, Barbara Covett. It was shortlisted for the 2003 Man Booker Prize for fiction, and was released as a feature film, starring Cate Blanchett and Dame Judi Dench."
We met in Ottawa to talk, 'companionably' about her latest novel The Believers.
Nino Ricci's first novel, the best-selling Lives of the Saints, won international acclaim and a host of awards, including, in Canada, the Governor General's Award for Fiction and the Books in Canada First Novel Award, and in England, the Betty Trask Award and the Winifred Holtby Prize. It was followed by In A Glass House and Where She Has Gone, which completed the trilogy that Lives of the Saints began, Testament, co-winner of the Trillium Award, and, The Origin of Species which won Ricci his second Governor General's Award.
Born in Leamington, Ontario, to parents from the Molise region of Italy, he completed studies at York University in Toronto, at Concordia University in Montreal, and at the University of Florence, and has taught both in Canada and abroad. We met recently at the Blue Met Writers Festival in Montreal to talk about his most recent work: a brief biography of Pierre Trudeau for Penguin's Extraordinary Canadians series.
Topics covered include the Italian Canadian attachment to Trudeau and the Liberals, immigration, gun slingers, alluring leadership qualities, fear of failure, media strategies, bilingualism's mixed legacy, the Charter, budget deficits, the pride of being Canadian, and philosopher-kings.
Margaret MacMillan was educated at the University of Toronto and at Oxford, where she obtained a B. Phil. in politics and a D. Phil. for a thesis on the British in India between 1880 and 1920. Her books include Women of the Raj, Paris 1919: Six Months That Changed the World, which won the 2003 Governor General's Award, the Samuel Johnson Prize, the PEN Hessell Tiltman Prize, the Duff Cooper Prize and was a New York Times Editors' Choice for 2002, Nixon in China, The Uses and Abuses of History, and most recently Penguin's Extraordinary Canadians: Stephen Leacock. Currently, MacMillan is the Warden of St. Anthony's College, Oxford University. We met recently in Montreal at the Blue Met Writers Festival. I posed a simple question: Referencing the two most recent books you have authored: How do you write history? Please listen here to a comprehensive, enthusiastic answer that addresses research, records, racism, other potential worlds, being of your time, Iraq, lessons, dangers, inevitable biases, humour and Stephen Leacock's legacy.
Meir Shalev one of Israel's most celebrated novelists, was born in 1948 in Nahalal, Israel's first moshav. He is a bestselling author in Israel, Holland, and Germany; and he has been translated into more than twenty languages. His novels include A Pigeon and a Boy, Fontanelle, Alone In the Desert, But A Few Days, and Esau. Russian Romance (The Blue Mountain) is one of the top five bestsellers in Israeli publishing history. Shalev is often compared to Gabriel Garcia Marquez.
Prizes he has won include the Juliet Club Prize (Italy); The Chiavari (Italy); and The Brenner Prize of 2006—the highest Israeli literary recognition awarded for his novel, A Pigeon and a Boy, published in the US by Random House in 2007.
I met Meir at The Blue Met Writers Festival in Montreal. We talk here about, among other things, television, satire, The Daily Show, great sentences, labels, Gogol, gardening and farming.
Clarke's Bookshop, the most famous in Cape Town, specializes in selling southern African books to universities and libraries that teach and have an interest in same. Established in 1956 by Anthony Clarke, the Long Street shop today remains much the same as it was 50 plus years ago: filled with book-lined, wooden-floored rooms spread over two levels containing an eclectic mix of new and used, rare, out-of-print, academic and popular books sold to customers local and institutions foreign. Catalogues filled with books from, among other countries, Namibia, Mozambique, Swaziland, Lesotho, Botswana and South Africa itself, go out to the likes of Yale University, the Smithsonian Institute, and the African Studies Centre in Holland, twice a year.
I spoke with owner Henrietta Dax who for more than thirty years has ventured forth annually to Mozambique, the US, the UK, and other more exotic locales buying, selling, bartering and stockpiling books she thinks will appeal to her customers.
Crime novelist, film director, children's author and award-winning journalist, Margie Orford was born in London and grew up in Namibia and South Africa. She has studied under J M. Coetzee, and worked in publishing with the African Publishers Network. In 1999 she was awarded a Fulbright Scholarship and while in New York she worked on a groundbreaking archival retrieval project, WOMEN WRITING AFRICA: The Southern Volume.
She lives in Cape Town, where we met to discuss another of her many projects: Fifteen Men, a collection of writing by South African prisoners, all of whom are serving very long sentences, with whom Margie spent a year leading a creative writing course. This book is the result. We talk about her experience.
From the publisher's feed