The Biblio File hosted by Nigel Beale

Tom Devlin is a key figure in the world of graphic novels. His career mimics the evolution of the genre. As founder of Highwater Books, a publishing house he set up in the early 2000s, he treated alternative comics audiences in North America to their first book-length exposure to future star cartoonist/authors John Porcellino, Marc Bell, Ron Rege Jr., Brian Ralph and others - many of whom subsequently joined him at Drawn and Quarterly, the Montreal-based publishing house founded by Chris Oliveros. Tom now works at D&Q as executive editor (and co-owner) alongside his wife, publisher Peggy Burns. His early work - its high production values, thoughtful design and 'bookshelf-ready' formats, plus experience earned as a comics retailer and distributor - presaged, one could say, an explosion in the popularity of graphic novels, one that was amply fueled by the impressive stuff he put out with various artists over the years at D&Q. I talk with Tom about his early love of comics, his work in comic book stores and his experiences publishing graphic novels; about his life with cartoonists and his work helping to build D&Q, plus the struggle experienced by the medium itself to be taken seriously. Drawn and Quarterly: Twenty Five Years of Contemporary Cartooning, Comics, and Graphic Novels serves as our guide. We met underneath the well-walked wooden floors of La Petite Librairie D+Q, the company's children's retail bookstore outlet in the Mile End district of Montreal.

Shannon DeVito is Barnes and Noble's 'Director of Books.' We met via Zoom to discuss the roles and duties associated with this intriguing-sounding position. I discovered that they include co-ordinating the relationship between national and local book-buying teams; 'assortment' work; creating initiatives - including prizes ( e.g. the Discover Prize; most recent winner: The Rabbit Hutch, a debut novel which I'll shortly be 'book-clubbing' [having bookclub-type discussion, so to say] with James Daunt), book clubs, monthly book picks, etc. - for the company's promotional book strategy; developing campaigns with the publishing industry for important releases; negotiating 'exclusive' opportunities. Creating buzz basically, plus adding value to the experience of visiting a physical bookstore while taking market share away from Amazon without caring what they're up to. We look at B&N's pro-active influencing of taste and the leveraging of its role as big-time book recommender; plus there's a tiny bit of politics - the ethics of selling and profiting off stuff that might adversely affect democracy (only a tiny bit) - AND we discuss the recent explosion of Manga.

As promised during our conversation, here are Shannon's top recommendations of the day:

Earlier this year a tiny Quebec-based children's publishing house, Monsieur Ed, won the prize for Best Children's Publishers of the Year in North America at the Bologna Book Fair. It won, judges said, for being at the forefront of innovation in the creative nature of its editorial choices during the past year.

I thought this was a big deal so I contacted publisher and creative director Valérie Picard. She told me (well, actually, it's written on the website), that Monsieur Ed "favors stories set in peculiar worlds where reality and fantasy coincide. He feeds on compelling tales with the power to transcend the ordinary, arouse laughter or bring tears. Universal stories that can inspire introspection and contemplation. Although fiction is at the heart of his publications, Monsieur Ed is also interested in documentaries, graphic novels, and even your favorite kind of tea."

Monsieur Ed lives in Montreal, Quebec, and so does Valerie, and, for the time being, so do I. So I went over to her place to interview her, and her little dog Benjamin, about the creative choices she's made over the past year, indeed the past five, and to get at the reasons she thinks explain why she won at Bologna.