Today marks the anniversary of the creation of a famous classical music nickname, “Les Six”—French for “The Six.” That’s what Parisian music critic Henri Collet dubbed six composers on this day in 1920, in a magazine article.

Three of the composers Collet named included three still often heard today—Darius Milhaud, Arthur Honegger and Francis Poulenc—but the three other are not: performances of works by George Auric, Louis Durey, and the only woman in the group, Germaine Tailleferre, are still rare.

Though Tailleferre is counted among the neglected half of Les Six, her music has been having something of a revival lately. Perhaps this is part of a general renewal of interest in concert works written by women composers, and perhaps a belated recognition that much of her work remains fresh and appealing. This music is from her Violin Sonata No. 1, composed in 1921 and dedicated to the great French violinist Jacques Thibaud.

Born near Paris in 1892, Tailleferre was a prodigy with an astounding memory. Erik Satie proclaimed her his “musical daughter,” and she was also close friends with Maurice Ravel. Two unhappy marriages and resulting financial insecurity inhibited Tailleferre’s talent in later years, and dimmed her fame, but she continued to compose and teach until her death at age 91, in 1983.