The Bodleian Libraries (BODcasts)

Associate Professor Donna West Brett gives a lecture on the collection of photobooks donated to the Bodleian Library in 2020 by Sir Charles Chadwyck-Healey. Conveying meaning through photos alone, the photobook is a radical format that enabled the widespread dissemination of modernist aesthetics. This lecture will take a closer look at the way photobooks portray the ‘everyday’ – the familiar, the practical, the ordinary – and its intersection with the visual languages of politics and propaganda.

Speaker

Donna West Brett is Associate Professor and Chair of Art History at The University of Sydney. She is author of Photography and Place: Seeing and Not Seeing Germany After 1945 (Routledge, 2016); co-editor with Natalya Lusty, Photography and Ontology: Unsettling Images (Routledge, 2019), and has published widely on photographic history. She is Research Leader for Photographic Cultures at Sydney, and Editorial Member for the Visual Culture and German Contexts Series, Bloomsbury. Brett is a recipient of the Australian Academy of the Humanities, Ernst and Rosemarie Keller Fund, and Sloan Fellow in Photography at the Bodleian Libraries for 2024.

In this webinar, Professor Marion Turner introduces some of the themes of Chaucer Here and Now, the exhibition currently on view at the Weston Library. Focusing on manuscripts and printed books from the fifteenth century to the twenty-first, Professor Marion Turner discusses some of the ways in which readers of Chaucer have responded to and reimagined Chaucer's works. From medieval scribes to Zadie Smith, via early printers, Victorian children's authors and William Morris, Professor Turner explores the afterlife of one of our greatest poets.

Chaucer’s Canterbury Tales tell the story of pilgrims 'from every shires ende / Of Engelond to Caunterbury they wende’. Experience these journeys, both real and imagined, through medieval manuscripts from the Bodleian collection live under the visualiser. Dr Alison Ray, archivist at St Peter’s College, and Dr Andrew Dunning, RW Hunt Curator of Medieval Manuscripts at the Bodleian Libraries, will explore the new iconography that developed after Thomas Becket’s murder, the impact of his death on Oxford’s religious houses and how Canterbury became a significant pilgrimage destination.

Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists In this lecture, Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists. She also discussed her educational work centred around Black American artists working in the book form and her curatorial work challenging the exclusion and erasure of Global Majority traditions and artistry in hand papermaking.

Founded in 2019 by book artist and printmaker Tia Blassingame, the Book/Print Artist/Scholar of Color Collective brings Black, Indigenous and People of Color (BIPOC) book artists, papermakers, curators, letterpress printers, printmakers into conversation and collaboration with scholars of BIPOC Book History and Print Culture to build community, support systems.

Biography:

Tia Blassingame is an Associate Professor of Art at Scripps College, where she teaches Book Arts and Letterpress Printing, and serves as the Director of Scripps College Press. Her artist’s books and prints can be found in library and museum collections across the world. In 2019, Blassingame founded the Book/Print Artist/Scholar of Color Collective. Most recently, Blassingame has co-curated, with writer, book artist, publisher Stephanie Sauer, the NEA and Center for Craft grants-awarded exhibition, Paper Is People: Decolonizing Global Paper Cultures, held at Minnesota Center for Book Arts (14 April – 12 August 2023) and San Francisco Center for the Book (28 October -22 December, 2023). Tia Blassingame was the current Bodleian Printer in Residence, 2023.

Book/Print Collective | Instagram: @bookprintcollective

Programmed by The Centre for the Study of the Book, Bodleian Libraries.

In this session, we explore what Playford’s publishing activities can tell us about how music was incorporated into different social environments in seventeenth-century English society and the role music played in peoples lives. Although The Dancing Master was one of John Playford’s best-known and most widely distributed publications, it belonged within a music-publishing portfolio that provides something of a snapshot of the breadth of music-making activities in which people from different parts of society participated in the Commonwealth and Restoration periods. In this session, we explore what Playford’s publishing activities can tell us about how music was incorporated into different social environments in seventeenth-century English society, from the tavern to the concert room to the royal court, and what the writings of people known to have used his books, such as Samuel Pepys, tell us about the role music played in their lives.

Rebecca Herissone is Professor of Musicology at the University of Manchester and a Fellow of the British Academy. Her research focuses on the musical cultures of early modern England, particularly issues of creativity, reception and manuscript and print cultures, which has led her to work extensively on the publishing activities of John and Henry Playford, Thomas Cross and John Walsh, and to consider the complex relationships between musical notation and performance in the period. She has written three monographs, most recently Musical Creativity in Restoration England (awarded the Diana McVeagh Prize by NABMSA in 2015), and has had articles published in journals including the Journal of the American Musicological Society, Musical Quarterly, Journal of Musicology, Music & Letters, and the Journal of the Royal Musical Association. She co-edited Music & Letters from 2007–19 and is now a Vice-President of the Royal Musical Association, Chair of the Musica Britannica Editorial Committee, Series Co-Editor of Cambridge Elements in Music, 1600–1750, a General Editor of the Works of John Eccles, and a member of the Editorial Boards of the Purcell Society and Music & Letters. Her current research focuses on Purcell’s reception, particularly the material traces we can uncover of the small network of individuals who preserved, performed and transformed his music in the 18th and 19th centuries.

Alice Little is a Research Fellow at the Bate Collection of Musical Instruments, part of the Music Faculty of the University of Oxford. Her research focuses on collectors and collecting, particularly eighteenth-century tunebooks and their compilers, looking at what sources the collections were gathered from and what the selection of music says about the people and cultures that collected and used them.

This talk will consider how and why the frontispiece to this edition was different from those in earlier editions and place the image in relation to other images of ballroom dance bands before and after 1728. The music publisher John Playford built his success on the publication in 1651 of the first book to give tunes and dance instructions for country dances. He named it The English Dancing Master and in subsequent editions The Dancing Master. The frontispiece to the eighteenth and final edition of vol. 1 (c.1728) shows a trio of musicians – violin, oboe, bassoon – accompanying a group of country dancers in a ballroom. This talk will consider how and why the frontispiece to this edition was different from those in earlier editions and place the image in relation to other images of ballroom dance bands before and after 1728. The speakers will also examine Hogarth’s print A Country Dance and what it tells us about decorum and licence in mid-18th century ballroom dancing.

Jeremy Barlow specialises in English popular and dance music from 1550 to 1750, and also has a particular interest in the illustration of music and social dance over the centuries. He has lectured on a variety of subjects for organisations such as the The Arts Society, U3A, the Art Fund and National Trust. His books include The Enraged Musician: Hogarth’s Musical Imagery (Ashgate) and The Cat & the Fiddle: Images of Musical Humour from the Middle Ages to Modern Times (Bodleian Library). The Bodleian Library has also published A Dance Through Time: Images of Western Social Dancing from the Middle Ages to Modern Times. Jeremy is well known for his work on Playford and has published an edition of Playford's dance tunes, The Complete Country Dance Tunes from Playford’s Dancing Master (1651–ca.1728) (Faber Music).

Alice Little is a Research Fellow at the Bate Collection of Musical Instruments, part of the Music Faculty of the University of Oxford. Her research focuses on collectors and collecting, particularly eighteenth-century tunebooks and their compilers, looking at what sources the collections were gathered from and what the selection of music says about the people and cultures that collected and used them.

Conservation Scientist Prof. Dr. Mandana Barkeshli looks at lacquered bookbindings made by Persian artisans in the 16th to 19th centuries. Persian artisans are known for their contributions to the field of bookbinding, with the lacquered bookbinding technique being one of their notable breakthroughs. This intricate technique involves multiple layers, each with their own materials, methods, and motifs that have been used from the Safavid to Qajar periods.

Professor Barkeshli delves into the details of each layer and explores the various treatments used during manufacture, as well as providing insight into the environmental enemies of the lacquered bookbinding.

Prof. Dr. Mandana Barkeshli is Head of Research and Post Graduate Studies of De’ Institute of Creative Arts and Design UCSI University in Malaysia and Principle Fellow at University of Melbourne. Her current research project is titled, 'Paper Dyes Used in Persian Medieval Manuscripts: Creating a Materials Construction Digital Database'.

An introduction to the analysis of painted Byzantine and Japanese manuscripts by the Bodleian Libraries' new Heritage Scientist. The post of Heritage Scientist at the Bodleian Libraries was re-instated at the beginning of 2023, enabling the analysis of manuscripts in the library’s collection. The focus so far has been on Byzantine manuscripts from the 10th to 13th centuries, and Japanese scrolls from the 17th century which contain painted pictures.

Daniel Meadows is a pioneer of contemporary British documentary practice. A photographer, documentarian and digital storyteller. He returns to the Bodleian library to muse on his life and archive and the power of photography. Photographer Daniel Meadows is a pioneer of contemporary British documentary practice. A photographer, documentarian and digital storyteller, he has spent his life recording British society, challenging the status quo by working in a collaborative way to capture extraordinary aspects of ordinary life through pictures, audio recordings and short movies.

 

Fifty years ago, photographer Daniel Meadows set out in The Free Photographic Omnibus, a Leyland Titan double-decker remodelled as his mobile home, darkroom and gallery. He drove it around towns and villages and offered free portraits to the people he met on his travels. The photographs became a vast and beautiful archive, now safely deposited in the Bodleian Library.

In this talk, Daniel Meadows triumphantly returns to muse on his life and work and the power of photography. He shows examples of his archive and reflects on a lifetime of creative work.

 

The Bodleian Library acquired the full Daniel Meadows Archive in 2018.

What is queer bibliography? How does it intersect with other critical bibliographies, (feminist, Black and liberation bibliography)? How does it relate to traditional bibliographic practice? What opportunities might queer methods and approaches provide? Following the inaugural symposium Queer Bibliography: Tools, Methods, Practices and Approaches in early February 2023 at the Institute of English Studies, hear Sarah Pyke and JD Sargan discuss this emerging subfield with Adam Smyth.

Organised by Oxford Bibliographical Society. Speakers, Sarah Pyke (Institute of English Studies, London), and JD Sargan (University of Limerick). Chaired by Adam Smyth (Oxford University).