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We spend the first part of this week highlighting some titles currently playing or coming soon the the Brattlite, then Ned and Alissa interview DocYard curator Abby Sun about a new year-long virtual festival of 1990's Asian American Film and Video called My Sight is Lined with Visions.
Inspired by Paul Anton Smith's "Have You Seen My Movie," a streaming exclusive currently running in The Brattlite, we're joined by MIT professor Ezra Glenn to talk about our favorite movies about going to the movies and films that take place in cinemas.
In our epic year-end episode, Ian, Ivy, Ned, and Alissa attempt to name check every film we each loved (or at least thought was worth checking out) from a year that was actually a pretty good year for movies. We hope listeners will not forget these titles, even if we all attempt to erase everything else about 2020.
We kick off Session 2 with special guest Russ Fischer of The Boxoffice Studios who joins to help us assess the state of the cinema industry at the beginning of 2021. And Ned and Ivy share exciting news about the state of our cinema, the Brattle Theatre.
We close out 2020 by casting a wide net for Holiday, Alt-Holiday, and Holiday Adjacent movies from a range of genres before moving on to favorite New Year's Eve pictures from years past.
Since we won't be able to do our annual holiday tradition of screening It's a Wonderful Life in December, we take a look at some terrific but lesser known holiday pictures.
We spotlight several of the films playing in our virtual cinema at the end of December / Beginning of December. But first we talk Shark Movies after we get a detailed voicemail from a listener.
Part 2 of our discussion about memorable encounters with iconic horror films with a whole lot more stories sent in by our listeners, fellow film programers, writers, and podcasters.
For Halloween, we talk a bit about our upcoming Virtual Gothic Horror series and then invite listeners, members, film writers, fellow podcasters and cinema programers to share stories of their first encounters with iconic horror movies.
This week we look at some recent films that take on enhanced significance when watched during a semi-quarantine. Also we explore just a few of the joys found in contemporary low-budget sci-fi pictures, and we discuss the issue of gatekeeping in genre movie production and reviewing.
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