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Hey Cannon Cruisers fans! Randy here! It should be noted that, according to the movie, all of human culture was lost after the Chernobyl nuclear disaster of 1986. However, with the aid of William Shakespeare Jr. the Fifth and the Cannon Culture Division, they attempt to revive Shakespeare's great works, beginning with King Lear. This week, JD and I take on Jean-Luc Godard's King Lear (1987), the Cannon Films-produced experimental drama starring Burgess Meredith and Molly Ringwald.
JD and I get into the strange history behind Godard's collaboration with Cannon Films and the version of the movie Norman Mailer originally expected to make. We also spend plenty of time trying to make sense of the finished film's fragmented structure. Somewhere along the way, its constant bird noises and crashing waves become a running joke of their own: caw, caw, sound of waves.
Content Warning: This episode contains strong language and discussion of incestuous themes.
Hey Cannon Cruisers fans! Randy here! This week, JD and I check out Roadhouse 66 (1984), not that Road House, starring Willem Dafoe and Judge Reinhold. After a run-in with some local trouble leaves his car stranded, a young businessman teams up with an ex-rocker in a small Route 66 town where neither of them was planning to stay for long.
JD and I spend a surprising amount of time trying to pin down exactly what kind of movie Roadhouse 66 is, especially since the marketing makes it look far more action-heavy than it actually is. We talk about the chemistry between Dafoe and Reinhold, the film's laid-back road-movie feel and how its Route 66 setting ties into characters who seem just as stuck as the town around them. The rockabilly soundtrack gets some attention too, along with an MGM DVD cover that appears to be advertising an entirely different movie.
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