The Carolina Shout - Ragtime and Jazz Piano with Ethan Uslan

Gina Marie from Chicago is back to sing songs about those three siblings from Mound, Minnesota who left an indelible mark on American music. Songs featured: "Don't Sit Under the Apple Tree," "Bei Mir Bistu Schoen," and Aurora.

Ethan pays homage to the great classical composer, Ethelbert Nevin, by playing three of his most famous works: "Mighty Like a Rose," "Narcissus," and "The Rosary." Ethan also plays a song about a sinful young lady who plays ragtime in church: "When Ragtime Rosy Ragged the Rosary." This episode is sponsored by Dr. McLaughlin's electric belt.

On this episode, Ethan plays music that requires knocking on the piano. First, he plays the historically important Carolina Fox Trot, which has some clapping and knocking, and was actually the first published Fox Trot ever. Then, Ethan plays an original composition called the "Whack-a-Mole Rag" in which he tries to whack pesky musical moles. Finally, soprano Melinda Whittington pops in, gives Ethan some hair-care advice, and sings "Knock Wood" with a little percussion solo.

Gina Marie is back to sing songs about true crime. Hear the titillating story and song about Aaron Harris, the New Orleans serial killer who used voodoo magic to stay out of jail. Then, hear Gina sing "Stagger Lee," the song about an old St Louis murder. To lighten things up, Ethan creates a new song about a real Chinese criminal named Cai who painted a new lane on the road in order to ease traffic, but was caught and fined $151. Finally, Gina wails the most famous murder ballad of all time: "Frankie and Johnny."

Ethan starts off by showing off his cockney accent in the English law enforcement classic "The Policeman's Holiday" (1899). Then he smoothly segues into a Titanic-themed program. "The Wreck of the Titanic" is a descriptive march from 1912 that depicts musically the events of that fateful voyage. Ethan's 8 year old son and budding flutist joins him for the "Nearer My God to Thee" moment. Then Ethan plays the piece that was REALLY played as the Titanic sank ("Dream of Autumn") and finally he rides off into the sunset with "Buffalo Bill's Farewell." What does Buffalo Bill have to do with the Titanic? Was he on the Titanic with his horse? Well, maybe if you listened to the podcast instead of reading this blurb, you'd find out!

In this sports themed episode, Ethan syncopates basketball, football, baseball, sailboat racing, and horse racing. Ethan also answers a letter from a fan and gives him musical advice on how to get a girlfriend. Then the 1914 Chicago Federals baseball club reemerges from history's dustbin to make an appearance. Come for the Sweet Georgia Brown, stay for the relationship advice, athletic competitions and Scott Joplin's "Easy Winners."

As an appetizer, Ethan offers up "Hold Tight (I Want Some Seafood Mama)" and then he starts slurping oysters, right into the microphone (rude!). Then, rather than eating an oyster, he sings a duet with it (Cole Porter's "Tale of the Oyster"). Finally Ethan nets two obscure pieces of mollusk music: "The Oyster Rag" and "The Dance of the Oyster and the Clam." The latter is a "sand dance" that will make you want to do the lambada on the ocean floor.

Ethan kicks off the episode with "Tickled to Death" (1899) by Charles Hunter. From there, things take a morbid turn. Ethan indulges in Jelly Roll Morton's voodoo inspired "Dead Man Blues" (1926) and walks us through the curious ritual known as the New Orleans funeral. Ethan dispels the myths and explains how things were REALLY done in the Crescent City - with gang violence, ham and cheese sandwiches, and plenty of beer and whiskey.

Ethan duets with Gina Marie to kick off the show, with the song "It's All Right With Me" by Cole Porter. Then, Ethan launches into this episode's theme: songs about philandering. This leads to renditions of "If You Talk in Your Sleep, Don't Mention My Name" and "I Love My Wife, But Oh You Kid." Finally, Ethan shares an oddity called "Oh! You Chicken" and ends up clucking at a young lady walking down the street.

French crooner Michel Du Baguette opens the episode with "C'est Magnifique," from Cole Porter's musical "Can-Can" (1953). Ethan talks about the show and plays additional "Can-Can" selections including "I Love Paris" and "Mon Homme" (which wasn't from "Can-Can" but Ethan does whatever he wants). Also, Ethan sings the praises of Equifax with a fiery passion. Finally, Ethan plays the original Offenbach Can-Can with new lyrics about Ken-Ken (a type of puzzle). This episode will make you want to kick your legs, shake your derriere and stop worrying about who has your social security number.