The Chatterbox

Who was the first person to be cool? What connects the civil rights movement and Albert Camus' 'The Rebel'? How has the coopting of black terminology impacted American society more broadly?

From James Dean to Kate Moss, we know cool when we see it. But its history goes back to jazz music and the civil rights movement. Academic Joel Dinerstein reveals the forgotten history of this elusive concept. "Entertaining and insightful" - New York Times

Joel Dinerstein is the author of The Origins of Cool in Postwar America (University of Chicago, 2017) and Clark Chair of American Civilisation at Tulane University and writes about race, cool, and popular music. 

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The ramifications of the US attack on Iran have been a harsh reminder of the centrality of oil to the global economy – and not just for fuel and transport. Political economist Adam Hanieh reflects on the rise of crude oil in the 20th century. He argues that the blockage in the Gulf threatens to set off a more serious global crisis than seen in the 1970s. (Encore presentation.)

Adam Hanieh, Crude Capitalism: Oil, Corporate Power, and the Making of the World Market Verso, 2025

The post Oil and Global Capitalism appeared first on KPFA.

In this Climate Genn episode, I speak with author Michael Dulaney about his new book, Sentinels: When Diseases Spread Between Animals and Humans.

Michael takes us on a journey to meet the animals, citizens and scientists living and working under pressure, as unsustainable practices—such as industrial chicken and beef production—combine with ever more extreme weather events driven by climate change.

As with so many climate and biodiversity topics, the embedded complexity, full of both beauty and tragedy, leaves us scrambling to make sense of the damage done—and the calamity we continue to bring on ourselves.

#ClimateChange #Pandemics #BirdFlu #Zoonosis #IndustrialFarming #BiodiversityLoss #ClimateGenn #SentinelsBook #OneHealth #EcoAnxiety

One year after the publication of Gastronomica’s special feature on food and philosophy, Robert T. Valgenti of the Editorial Collective revisits the question of what a philosophical perspective could bring to addressing food-related issues. In this episode, he talks with Gastronomica author and philosopher Sascha Benjamin Fink about human perception and how people experience the world, taking up questions at the cutting edge of science, art, and gastronomy. Sascha discusses the role of the senses and sensory manipulation in gastronomy and explains how common experiences of eating can lend real-world insights into sensory engineering. Over the course of their conversation Bob and Sascha consider different examples – such as the setting of the table, spatial design, experimental cuisine, and the use of AI in recipe development – and weigh in on what sensory engineering can also reveal about gastronomy. The article Gastronomy as Sensory Engineering, co-authored by Sascha Benjamin Fink and Brandon Ashby, appeared in the Fall 2025 issue of Gastronomica.

“Gastronomy as Sensory Engineering” was one of fifteen short papers in a special section dedicated to philosophical perspectives on food issues. Access the articles in volume 25.3 of the journal here and learn more about the special section in Episode 53: Mapping Food and Philosophy of the Gastronomica podcast.

Sascha Benjamin Fink works on the philosophy of mind with research interests in consciousness, sensory engineering, and new technologies, and most recently has been Director of Research at the Centre for Philosophy and AI Research (PAIR) at Friedrich-Alexander-Universität Erlangen-Nürnberg. As of August 2026, he works at the University of Cologne on sensory engineering in the DFG-AHRC Project SENSOR (DFG 527947799).

Robert T. Valgenti is a professor of liberal arts and food studies at The Culinary Institute of America. A philosopher and translator, he works on the philosophy of food, Italian philosophy, and hermeneutics and is a member of the Editorial Collective at Gastronomica.

Gastronomica: The Journal for Food Studies is published by the University of California Press. Quarterly issues are available in print and online.

Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica’s podcast feed to stay updated on the newest episodes.

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Nowadays, scrappy pirate broadcasters rule over shortwave radio. On this week’s On the Media, an unlikely group of finance bros have plans to take over the frequencies for their own gain. 

In recent years, creative, often music-focused pirate broadcasting has been thriving on shortwave radio. But these surreptitious broadcasters are up against a surprising enemy: Not the FCC, but a deep-pocketed group of finance bros that is trying to wrestle the airwaves away from the public, and use them for a money-making scheme completely antithetical to broadcasting. This week we share an episode of The Divided Dial, which first aired last year. Reporter Katie Thornton asks: What do we lose when we give up our public airwaves? 

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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Nora and Imogen are joined by Billie to discuss her forthcoming essay 'Charaktermasken: Value, Relation and Performance in Marx's Critique of Political Economy' in which she traces the history of Marx's concept of the Charaktermasken.. With excursions into Goethe's Faust, the critique of Marx brought to bear by Black radical thinkers (namely Sylvia Wynter and Fred Moten), the antinomies of the structuralist reading of Capital and the comedy of the Rosean recovery of speculative thought, the three consider the Charaktermaske first as tragedy and again as farce.

Donate to Billie's FFS fund! https://gofund.me/0a72791c1

Billie's Acid Horizon Course on the Commodity, starting September 8: https://www.acidhorizonpodcast.com/ahrc-courses/p/the-commodity-appearance-reification-and-practice-from-karl-marx-to-sylvia-wynter

Texts mentioned:

• Louis Althusser (1963) 'The ‘Piccolo Teatro’: Bertolazzi and Brecht - Notes on a Materialist Theatre' in: For Marx

•Theodor S. Adorno (1966) 'Negative Dialectics'

•Gillian Rose (1978) 'The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno'

• Fred Moten (2003) 'The Resistance of the Object' I&II in: 'In the Break: The Aesthetics of the Black Radical Tradition'

•Sylvia Wynter (unpublished) 'Black Metamorphosis: New Natives in a New World'

So often, when we hear about computing or computers, we think about disruption—some technological advancement that signals a radical break with all that came before.

But what if that's wrong, or at the very least, incomplete? Today's guest, Devin Kennedy, argues that the twentieth-century history of computing is marked just as much by continuity as change—even between eras, like Fordism and post-Fordism, that we usually separate with a bright line.

I promise you: it's the only book you'll read this year that'll take you all the way from Taylorism up to the 2010 Wall Street flash crash.

Listen on to learn more.

Send us a text message and tell us your thoughts.

Country music in Jamaica sounds like a contradiction until you hear the connections. We connect the dots between Radio Jamaica Rediffusion, Western films on local screens, farm work migration, and a Caribbean listening culture that never treated genres like sealed boxes. We are joined by Jamal Khadar, writer and host of Reimagining Country, who explains how artists like Jim Reeves and Patsy Cline became part of Jamaican soundtracks, and why the cowboy image traveled so well across the Black Atlantic.

We go deeper than influence and ask what listeners recognized in country: rural self-recognition, church-rooted morality, survival stories, heartbreak, and the constant question of home. That recognition shows up in reggae’s early formation, in rude boy outlaw symbolism, and later in dancehall’s Western references and stage names. We also unpack cover culture as a Jamaican superpower, where a song gets re-voiced, re-scored, and re-felt until it becomes something else entirely, sometimes even pushing back into the global north through collaborations and reinterpretations.

The conversation also challenges today’s narrow story about who “belongs” in country music. Yes, Black roots matter and contemporary moments like Beyoncé’s Cowboy Carter open doors, but Jamaica’s long-standing love for classic country complicates the picture in a different way: Black audiences have always had wide tastes, including deep affection for “classic” country often made by white artists. We close by widening the map again to African country histories, showing how radio networks, empire, guitars, and post-independence creativity helped build global country scenes that still thrive.

Jamal Khadar is a writer, broadcaster, DJ and a key voice on the global history and resurgence of country music, with by-lines in The Guardian, Bandcamp and The European Review of Books and mentions in publications such as the Swiss-German Newspaper WOZ. He also hosts Reimagining Country on NTS Radio. Jamal has shared his research via talks at Goldsmiths, University of London and Newcastle University; with brands like DAZED and Nii Journal; and album liner notes for Mississippi Records. Born in the UK, raised in the Netherlands, but connected to Nashville, he regularly interviews major country artists on their Amsterdam tour stop. After 15 years in London, he now lives in the Amsterdam, The Netherlands.

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In this episode, I cover Paulo Freire's "Pedagogy of the Oppressed."

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