Mathebe Molise was born and bred in Johannesburg. In 2013 she qualified as a Chartered Accountant after which she spent 5 months in Boston, Massachusetts in the United States. Following her secondment in Boston, Mathebe joined a top investment bank as a credit analyst and had different roles while at the bank over 8 years.

Guest: Mathebe Molise

We now live in an era where streaming is how we all consume TV, thanks to companies like Netflix and Hulu, which have established a very distinct way that consumers consume creativity and a very specific way that people develop stories. We have a binge culture, which almost mandates how quickly television makers and production firms must create to fulfil demand. We're having a think about the business of television in its current form, where it's going, and whether or not you know, and that also speaks to consumerism, consumerism culture, which inevitably is dictating content, which inevitably is dictating how she'll be able to do her job to the best of her ability. ability or not, you know, given whatever resources that she might or might not have in an organization like and SABC.

Guest: Lala Tuku

Jazzy July is keeping Jazz alive in Newtown. Since its launch in 2018, aneclectic mix of South Africa’s most innovative voices will be part of this year’sexciting bill of the Jazzy July at the Market Theatre. The Music festival haspreviously hosted some of Mzansi’s greats with the likes of Nduduzo Makhathini,Thandi Ntuli, Nomfundo Xaluva, Siya Makuzeni and Ami FakuJazzy July will be back live this year from Friday 8 July to Saturday 30 July. Thisyear’s unmissable installation will feature Sydney Mavundla 8-9, Carlo Mombelli15-16, Billy Monama 22-23 and Marcus Wyatt 29-30 July. Jazzy July is a platformthat consistently showcases homegrown musicians.The Jazzy opened this evening at 7pm and ended at 9pm, and there will be show tomorrow as well. Zodwa was there

Guest: ZODWA Shongwe – Producer for the Market theatre

Guest: Boitumelo Motau

The Drowning Eye is a little-known play by Frantz Fanon, written in 1949. Part love poem, part surrealist narrative, and part philosophical treatise, Fanon’s play reads as a testimony to the power and possibilities of love as an act of resistance. This contemporary reimagining of the text explores the edge between love, shadow and violence. Tamara Guhrs and Stacy Hardy join forces with KwaSha, the Market Theatre Lab and Windybrow Arts Centre, to present this work at a time when Fanon’s writing has new relevance for a generation of young South Africans questioning the limits and possibilities of revolution today.

The Drowning Eye is performed in the midst of the exhibition, Revolutionary Love, which seeks to explore the role of historical loves within revolutionary movements. Both works are made possible by funding from the French Institute South Africa (IFAS) and Mazarz, with additional research supported by the Neubauer Collegium for Culture & Society, University of Chicago.

Guest: Tamara Guhrs

Tutu Puoane is a South African Jazz singer. She grew up in the township of Mamelodi, Pretoria. By 1997 she had already been performing in Johannesburg downtown. Realizing her passion for singing, Tutu went on to study jazz vocals at the University of Cape Town with Jelena Reveshin and Virginia Davids.

Guest: Tutu Puoane

Intimate Evening with music sensation Ntsika Live at the South African State Theatre (Tshwane) featuring guests: The Soil, MAXHOSA AFRICA, Vusi Nova, Dumza Maswana, Karabo Mathe & globally acclaimed “Surprise Guest Arts” , taking place on Saturday, 7pm, 9th July 2022.

Guest: Ntsika Ngxanga

LaNitra M. Berger is an award-winning scholar, educator, and social justice advocate working towards making higher education accessible to low-income, first-generation, and minority students. Her scholarly interests are in art and social activism in the African and Jewish diasporas. For over 15 years, her work as an educator focuses on creating and expanding education abroad opportunities for underrepresented students, particularly in international education. As a social justice advocate, she supports student activism through her teaching, advising, public speaking, and research. Who was in South Africa on 22 June to hold a lecture at the JCAF about “When Do Black Lives Matter? Irma Stern's Representations of Black Women in the Global South”

Guest: Dr LaNitra Berger

Guest: Sthu Manaka

Latitudes online, a platform for art collectors to explore and buy contemporary art from Africa recently launched their first annual prize for women identifying artists, the ANNA Award. Two female-centric South African brands have joined forces to create an exciting new art award. The aim of the award is to discover, recognize and nurture a new generation of women artists in South Africa. For both ANNA and Latitudes, it is crucial that the ANNA Award is as inclusive as possible. As such, no formal art training is required in order to apply, there are no age restrictions for applicants, and the competition is open to women artists

working in any medium. “We're trying to reach as many artists as possible at the moment, to give them the opportunity to win the R100,000 cash prize and one-month residency”.

Guest: Lucy MacGarry - Co-founder and director of Latitudes