On this episode of The Cinefied Podcast - Connor, John, Josh, and Joe discuss their history with the Predator franchise, if this one is worthy of the Predator name and if we should anticipate more from Dan Trachtenberg...

On this episode of The Cinefied Podcast - Cassie, Connor, Tyler and Peter discuss their history with Yorgos Lanthimos, they share their favorite conspiracies and talk awards consideration...

On this episode of The Cinefied Podcast - Dempsey, Connor, Cassie, and John discuss their history with Chris Stuckmann, if his directorial debut sticks the landing, and if there was too much hype around it...

On this episode of The Cinefied Podcast - Connor, Kyle, and John discuss their history with TRON, Jared Leto box office poison, and is style over substance a good thing?...

On this episode of The Cinefied Podcast - Dempsey, John, Josh, and Joe discuss their history with the V/H/S franchise, what freaks them out, and if this film hit the spooky season mark...

On this episode of The Cinefied Podcast - Trevor, John, Kyle, and Connor discuss Paul Thomas Anderson's latest, what political themes it holds, the performances being awards-worthy and our favorite films from the director...

On this episode of The Cinefied Podcast - John, Kyle, Dempsey and Connor discuss the Jordan Peele produced HIM - if it's too arthouse of it's own good, if it needed to be rated R and if Marlon Wayans' performance is awards worthy?

On this episode of The Cinefied Podcast - Cassie, Dempsey, Kevin and Connor discuss Francis Lawrence's THE LONG WALK - the brutal circumstances, the performances and most importantly what show we'd wear...

On this episode of The Cinefied Podcast - Dempsey, Tiffany, Kevin and Connor discuss the "final" Conjuring movie, THE CONJURING: LAST RITES. How does it rank amongst the rest of the universe? Is this a good sendoff for the Warrens? Is this truly the end?

On this episode of The Cinefied Podcast - Connor, Joe, Josh, and Kyle discuss Darren Aronofsky's first mainstream release, CAUGHT STEALING. How does the book translate, did any of the twists surprise, and is this a good starting point for a newbie to Aronofsky's filmography?