When seventeen children from the same classroom run out of their homes in the middle of the night and vanish without a trace, a city is in ruin trying to pick up the pieces and figure out how this happened, where the children have gone to, who could have orchestrated such a thing, and why this occurred. 

This film is mind blowing. I absolutely loved Cregger’s Barbarian, he did something unique and subverted all expectations in his 2022 horror hit so this film was one of my most anticipated of this year, and it did not let me down. I was deeply moved by the end of it, and if I wasn’t in a full theater, I would have let the tears flow. I loved this film. It made me really sad.

The way this story is told through its individual characters’ experiences instead of chronologically works in its favor, and as we get more into the stories of our main characters, the horrors of this story unfold in shocking, brutal, and unexpected ways. I am shook to my core more than I thought I would be. I was almost catatonic leaving the theater, relying on my muscle memory to get me back to my car while I pondered the events of the film.

This is a poignant and relevant story about the state of this country, about our lack of community, our lack of care for our children and for each other. It shows us the butterfly effect of thoughtless actions and unwillingness to protect one another and how that leads to the destruction of family, love, and the collective. Our community will fail if we continue to turn a blind eye, if we continue to fail each other, and fail our children. The call is coming from inside the house.

As if those themes aren’t horrifying enough, there is one particular jumpscare that got me and my entire theater. There’s great gore, and also some great comic relief in an otherwise melancholy film. The acting is great, especially from Cary Christopher (who played the little kid Alex). I loved this movie. No notes. And if you are struggling with what this movie is truly about, there is quite literally a house-sized AK-47 thirty minutes into the movie to remind you.

10/10

Get ready for a sticky situation as Horror Movie Talk reviews Together, the latest horror movie starring Alison Brie and Dave Franco.

Long time unmarried couple Tim and Millie move to a rural town to follow a job opportunity for Millie. Tim leaves behind his circle of friends and his stalled career as a performing musician behind in the city. The stress of the move, sexual troubles, and recent trauma put a strain on their relationship, but they remain committed to each other. 

When they go on a hike near their house marked by bells, they stumble into a sunken cave. After drinking from the pool of water in the cave, Tim and Millie get into a sticky situation, and Tim begins to compulsively follow Millie around town.

If you’ve seen the trailer of the movie, you get the basic premise: parts of their bodies get stuck together and they find it hard to separate. But instead of treating it like an eighties sitcom plot, it’s used as a foil for body horror.

It’s an interesting premise that is ripe for meta relationship commentary, and I was interested with where they would go with it. However, in the end, they don’t really do much with the opportunity to explore the theme of codependence and the loss of identity that can come from a long term relationship. Part of the problem is that the script keeps the relationship in the center of the movie in a weird limbo state where it’s not headed towards separation or marriage. Others might disagree, but I think choosing one or the other early on in the plot has more potential for satire and commentary. I didn’t feel like there were real stakes or an emotional core to the film.

As a result, the scenes of them getting stuck feel arbitrary and progress predictably, but don’t seem to have a lot of emotional impact. The majority of these situations are shown in the trailer, so there isn’t much surprise when they come, the only thing you get are a couple shots directly looking at the merged body parts. I wish they would have gone harder and done some more extreme and creative body horror throughout, but they leave the majority for the film’s climax. In the end it’s not enough to save the lack of an emotional core or strong direction in the plot.

With recent body horror bangers like The Substance and The Ugly Stepsister, this feels like an undercooked entry into the sub-genre in comparison.

5/10

The Others stars Nicole Kidman and her two children finding herself trapped in a bizarre and perplexing marriage to Tom Cruise. Oh wait, that’s just her real life at the time. In The Others she plays Grace a widow in post WWII Jersey living in a mansion with her two photosensitive children Anne and Nicolas. When three workers show up on her doorstep, she hires them as servants to help take care of the children and the estate to replace her previous staff that recently walked off the job. Soon after they are hired strange occurrences start happening and unexplained sounds start emanating from empty rooms. Could it be ghosts? Are her children messing with her? Are the servants trying to drive her mad? Are scientologists trying to silence her? You’ll have to watch the whole twisty turny movie to find out.

Drawing heavy inspiration from the Turn of the Screw, this is a really well constructed supernatural film that has more than one trick up it’s sleeve for the audience. Nicole Kidman’s performance and the up tied and high strung Grace is what ties all the tension together. The haunted house genre is well trod territory, and this film explores all of the tropes associated with it adeptly and convincingly. It’s well paced, doling out little clues about the multiple mysteries surrounding the characters, their motivations, and the occurrences in the house. There’s enough revelations and twists and turns that it really does string the audience along until the last 15 mins or so before everything is revealed.

This is my second full viewing since I watched it in the theater in 2001, and it’s one of those films that is as enjoyable the second time if you know the ending. I don’t remember being blown away at the time, since it felt like it was riding off the coattails of the surprise blockbuster The Sixth Sense released two years earlier. However now, I can recognize the masterful craftsmanship of Alejandro Amenábar’s script and direction. 

It’s an exceptional example of gothic horror, exploring the darker aspects of life and death, maintaining an oppressive and claustrophobic atmosphere, and leaning heavily on suspense and mystery.

10/10

In a world where love is in the air and murderous fishhook men abound, a group of friends reunite when Danica and Teddy decide to marry and throw an engagement party. Once the normies head out for the night, the gang decide to smoke a joint and go for a joyride. Once parked at their favorite spot to watch some fireworks (which is just on the edge of a bend on a mountain pass), Teddy inadvertently causes a car wreck which results in the driver flying off the cliff in their Dodge pickup. To keep Teddy out of trouble, they decide to never tell anyone what they did that summer. However, somehow someway, someone finds out what they did last summer and they wont stop until vengeance is paid in blood.

Right off the bat I will say this movie did make me chuckle. Not from any joke or comical scene but from the production company being named Original Films Productions. It’s no secret that this film is aimed at capitalizing off the trend of rebooting or updating classic slasher movies. This trend seemed to have started with the Halloween reboot and has spread through beloved horror franchises such as The Texas Chainsaw Massacre, and Scream. But now I Know What You Did Last Summer wants a piece of the pie. So here it is. I won’t say that this movie is entirely bad. It kept me entertained enough and the acting was pretty decent for the most part. The thing that bothered me most in this movie was how heavily it relied on slasher tropes. It doesn’t try very hard to be unique, and literally plays off the same exact premise as the original with a few twists. To be honest, if you are really into slashers and that kind of horror movie I think you should be outraged by what filmmakers are doing to your sub-genre. But if you just like all things horror and want something to watch, it’s not the worst thing in the world.

4/10

This week we cover the original movie based on the true fake story about the haunting of the Lutz family in Long Island.

The Amityville Horror is based on a real life made up story about the Lutz family moving into a house that was the scene of a brutal murder of an entire family. They soon find out that the house is haunted or possessed or something. You can tell the house is evil because of the way it is. George Lutz played by Josh Brolin’s dad seems to slowly go insane while Lois Lane gradually becomes Wendy Torrence. A priest also is in the movie sometimes.

The Amityville Horror story is probably one of the most famous hauntings in America. Likely even more famous than this movie. It was one of the first investigations by Lorraine and Ed Warren on whom the Conjuring Movies are based. This film is a grab bag of haunting tropes that later got perfected by better movies. It really felt like the writer couldn’t decide what type of haunting was going on, so they covered every base. It could be haunted by the ghosts of the murder victims, possessed by a demon, cursed by a witch, cursed by native Americans, or just a simple portal to hell. Take your pick. It ends up being a rather unsatisfying story because we’re never offered any real answers. 

The Lutz family starts out promising as protagonists — George and Kathy are introduced as newlyweds with Kethy having three kids from a previous marriage. However, this interesting family dynamic is never fully developed and a lot of drama is left on the table. 

The plotline of Father Delaney feels tacked on, and never really pays off dramatically. He has one of the most memorable scenes in the movie, but it’s bizarre that the main characters never learn about what happened to him.

The movie ends up being an example of the pitfall of having a lot of plot, and no story. The characters seem one dimensional, and the ending feels unsatisfying.

5/10

In a quiet town, where the stars are shining and the street youths are just beginning a wild night of tomfoolery, a meteor falls from the sky. Landing in a farmer’s yard, people begin to investigate the crash, only to find a large and otherworldly circus tent. Everyone gets a little more clown than they bargained for, and the occupants of this circus tent start a menacing rampage on the town. Will the police stop them? Will the sexy young college couple stop them? Will the ice cream man stop them? 

Killer Klowns from Outer Space has long been one of my favorite horror movies. It’s low budget and very over the top, but I find it charming and entertaining to watch clowns wrap people in cotton candy cocoons that burn their flesh off. The movie stays fresh for me as every scene depicts the clowns using some new form of weapon that looks like a sundry clown paraphernalia. I like the characters, especially the two young dudes trying to get girls by selling ice cream, and the boyfriend and ex-boyfriend of Debbie, who both seem to be dating her at the same time, at moments in this film. However, the true bow that ties this movie together is the clowns. They have a really unique design and they border the line of over-the-top silliness and menace that gives me the creeps in a good way. 

Score 10/10

A teenage girl named Quinn and her father relocate to Kettle Springs, Missouri for a fresh start after Quinn’s mom dies. Quinn quickly falls in with the ‘wrong crowd’ as a potential serial killer clown targets her and her new friends.

At first I liked this movie. I was in for the goofy ride, I wanted to play into the corniness (pun intended) and enjoy it, but it very quickly became redundant, vapid, and unfunny. The kills are okay, the premise is whatever, but the jokes miss the mark almost every single time. The acting is good and all of the teenagers are very convincing as gen alpha, but the script severely lacks. I wanted this to be a lot more fun than it actually was. It’s not to say that I didn’t particularly enjoy it, I just got bored at one point and I couldn’t shake the boredom for the rest of the runtime. There is a joke that one of the characters makes about being “stuck in a stupid 80s slasher” and that was just plain offensive, because every 80s slasher I’ve seen is better than this one. It’s not the worst movie ever made, but it’s really nothing special. Shoutout to Kevin Durand though, love to see him pop up in a horror movie.

To sum my feelings about this film up in a sentence, this felt like Scooby Doo if it was bad and also rated R.

4/10

28 Years Later picks up exactly where you think it will: 28 years after the initial rage virus outbreak in the U.K. All these years later, the movie focuses on a small Scottish island off the coast of the quarantined mainland, where the only way to and from is a small causeway that disappears in high tide. This story follows Spike, a twelve year old boy who takes his rite of passage by venturing to the mainland for the first time with his father, to see the virus’s impact for himself, and hopefully kill a few zombies.

Everything about this film was wholly unexpected for me. Danny Boyle takes us on a journey like no other. Having a child as the main character/focus in a horror movie is not a new plot device, but in this film you really feel for Spike, you see everything in his perspective, you feel his fear, his guilt, his confusion. Everything that Spike is going through feels immensely personal to the viewer, and this is due to incredibly effective storytelling in Alex Garland’s fantastic script and Boyle’s dynamic storytelling. 

28 Days Later was such an innovative and harrowing zombie movie, something unlike viewers in 2002 were used to seeing. Boyle shot it on low quality camcorders for the most part and relied heavily on the script, practical effects, and just damn good acting. This film isn’t much different. Although film as a medium has progressed in the last 23 years, 28 Years Later feels so new, so fresh, so unexpectedly radical. The cinematography had me speechless, breathless, on the edge of my seat throughout the entire runtime. It is a masterclass.

This film made me feel things that a typical zombie movie does not make me particularly feel. Having the foundation of a good but almost played out antagonist, zombies, and building a house upon that with an exceedingly emotional and moving script, topped with out of this world acting by Jodie Comer, Aaron Taylor Johnson, and newcomer Alfie Williams, makes this a perfect film. I’m already planning on going to see it again in theaters.

10/10

This week we review the dark and twisted retelling of the Cinderella fairy tale in The Ugly Stepsister.

As the name suggests, The Ugly Stepsister is a retelling of the Cinderella story from the ugly stepsister’s perspective. In this gritty realistic telling, it starts out with the marriage of Cinderella’s father and the revelation that both sides of the marriage are expecting great wealth from each other, but are actually poor. The step mother’s daughter Elvira dreams of marrying the Prince and is given a chance by being invited to his Ball. Her mother, knowing that a advantageous marriage is their only way out of poverty, plans on using her last money and her cunning to transform Elvira into a beauty. What follows is a series of visceral 19th century plastic surgeries, self inflicted illness, and a series of insults that turn Elvira into a pitiable and sympathetic protagonist.

The Ugly Stepsister is clever and a more complex retelling of the fairy tale that we all know and love. It’s a more realistic exploration of the power dynamics of money, privilege, and beauty. It tells two sides of the same fairytale, the original is really about overcoming poverty and class through natural beauty and magical helpers, this telling is about how despite class and access to money, you still need to overcome beauty standards. None of the characters are particularly “good”, including Cinderella. Each has their own motivations, and Elvira is essentially a pawn in her mother’s game. 

Max is going to argue that this isn’t a horror movie, but it undeniably is. This movie at its core is a body horror movie. It explores the brutal reshaping of Elvira’s body through mechanical and organic means. She will stop at nothing and sacrifice everything for her goal.

I thought it was really well done. It was clever, brutal, and at times even funny. It’s very similar in themes, but much more subtle than The Substance. 

9/10

Bring Her Back follows siblings Andy and Piper as they go into foster care after their father suddenly passes away. They are placed with a woman named Laura, who already has another foster child that seems a little bit off, somehow. As the kids try to stick together to mourn their father, Laura is trying to deal with her own grief in a shocking and disturbing way.

This movie makes you feel really bad, like really really bad. I think some movies are exceptional at making you feel bad with no reprieve, i.e. Angst (1986), High Tension (2003), Funny Games (1997). But in order to properly achieve a good feel-bad movie, there needs to be some TLC put into the filmmaking and/or the viewer needs to care about the characters, whether they are good or bad people. In this film, I didn’t see much love of the craft put into the style of editing or shooting, and although I hated seeing the kids get hurt in this movie, I didn’t care that much for the characters. Maybe that’s due to minimal backstory, or maybe the script was not connecting for me.

That’s not to say this isn’t a good film, per-say, because it is a horror movie unlike I’ve seen in awhile, it makes you feel really bad and it is pretty original while also utilizing tried and true horror tropes. I wanted to cry at the end of this movie. There were a lot of times where I audibly said what the fuck. It’s insane, vile, sad, and creepy but I just can’t say it’s amazing. It’s more shocking than anything, it wants to shock, and shock it did.

I kind of want to rate this higher but I was just so baffled by all of it, and by the time something happens I really didn’t want to watch it anymore. I think this may be an evil film.

7/10