This week on Shat the Movies, we're strapping in for Apollo 13 (1995) where everything goes wrong, and somehow it still becomes one of the greatest space stories ever told. Gene and Big D break down the tension, the teamwork, and Tom Hanks calmly telling NASA, "Houston, we have a problem."

Does this real-life disaster still keep you on the edge of your seat, or does knowing the ending take away the thrill? Tune in and find out.

👇 Full movie info below 👇

Movie Summary: Apollo 13 (1995) is a historical drama directed by Ron Howard and stars Tom Hanks, Kevin Bacon, Bill Paxton, and Ed Harris. Based on the true story of NASA's ill-fated 1970 mission, the film follows astronauts Jim Lovell, Jack Swigert, and Fred Haise as they fight to survive after an oxygen tank explosion cripples their spacecraft. Known for its realistic depiction of space travel and problem-solving under pressure, the film was both a critical and commercial success, earning nine Academy Award nominations and winning two (Best Film Editing and Best Sound).

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It's the annual Shat The Movies Fantasy Football Champion's Commission!

In this episode, we dive deep into Rocky beyond the punches and training montages. Gene Lyons and Big D explore Adrian's subtle transformation, the complex dynamics of consent in Rocky's apartment scene, and Rocky's unconventional approach to fighting Apollo Creed.

We unpack:

• Adrian's growth from self-doubt to quiet confidence—why the "makeover" trope doesn't do her justice.
• The ethical tension of Rocky pressuring Adrian and what it teaches about empathy, personal safety, and power dynamics.
• Rocky's strategy in the ring: embracing his limits, focusing on stamina, and going the distance, not necessarily winning.
• Lessons from real-life boxing upsets that inspired the movie's underdog story.
• How Rocky's persistence and goal-setting translate to everyday life challenges, including creative pursuits and personal growth.

Plus, we share some humor, sparring anecdotes, and reflections on why small victories can matter more than the championship.

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This week on Shat the Movies, we're suiting up for Men in Black (1997), where aliens live among us, the government knows everything, and Will Smith learns the hard way not to touch the red button. Gene and Big D break down the perfect mix of sci-fi, comedy, and '90s cool, from Tommy Lee Jones' deadpan delivery to Vincent D'Onofrio's bug-eyed nightmare performance.

Does this blockbuster still feel fresh, or is it just a relic of peak '90s attitude? Tune in and find out.

👇 Full movie info below 👇

Movie Summary: Men in Black (1997) is a sci-fi action comedy directed by Barry Sonnenfeld and based on the comic series by Lowell Cunningham. The film stars Will Smith as James Edwards, a street-smart NYPD officer recruited by a secret organization that monitors extraterrestrial activity on Earth, partnered with veteran agent K (Tommy Lee Jones). Featuring standout performances, cutting-edge visual effects, and a memorable score by Danny Elfman, the film was a massive box office hit. It won the Academy Award for Best Makeup and launched a successful franchise.

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This week, Shat The Movies puts on the sunglasses and uncovers John Carpenter's They Live, the cult classic that turns Reagan-era paranoia into a full-blown alien conspiracy. Starring "Rowdy" Roddy Piper as a drifter who discovers the world is secretly controlled by skull-faced elites, this 1988 sci-fi satire pulls no punches—and barely bothers with subtlety.

Gene and Big D dig into Carpenter's blunt-force messaging, Piper's surprisingly effective everyman performance, and the film's legendary alley fight that somehow goes on forever—and still works. Along the way, they debate whether They Live is brilliant social commentary or just an excuse to say "OBEY" as loudly as possible, break down the movie's anti-consumerist rage, and revisit one of the most iconic uses of sunglasses in film history.

Is They Live a prophetic masterpiece or a one-note cult hit carried by vibes, fists, and aliens in business suits? Either way… they're here to chew bubblegum and podcast.

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This week on Shat the Movies, we're asking the important question: what if Bigfoot was just… a really hairy houseguest? Harry and the Hendersons (1987) brings us a giant, gentle creature, a suburban family, and way more emotional damage than anyone signed up for. Gene and Big D break down the mix of slapstick, heart, and surprisingly heavy moments that somehow made this a childhood staple.

Is Harry adorable or just a walking mess? And why does this movie hit harder as an adult than it ever did as a kid? Tune in to find out if this furry classic still holds up.

Movie Summary: Harry and the Hendersons (1987) is a family comedy directed by William Dear and stars John Lithgow, Melinda Dillon, and Kevin Peter Hall as Harry. The film follows the Henderson family after they accidentally hit a Bigfoot-like creature with their car and bring him home, only to discover he's intelligent, emotional, and completely out of place in the human world. Known for its groundbreaking makeup effects by Rick Baker, the film won the Academy Award for Best Makeup. It blends comedy and heartfelt themes about acceptance, family, and letting go.

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Shat The Movies heads to New York City for Quick Change, the 1990 crime comedy starring Bill Murray as a master planner who pulls off the perfect bank robbery… only to discover escaping Manhattan is the real heist. Directed by Murray and Howard Franklin, the film pairs Murray's signature dry frustration with a city that seems determined to sabotage every step of the getaway.

Gene and Big D break down the chaotic charm of Geena Davis and Randy Quaid, exploring why the movie obsesses over the uniquely exhausting experience of navigating New York City. From the clown-mask bank robbery to wrong turns, broken taxis, suspicious cops, and Tony Shalhoub, Quick Change becomes less about the crime and more about the slow psychological breakdown of trying to leave town.

Is Quick Change an overlooked Bill Murray classic, or just a very specific kind of urban nightmare that only works if you've ever tried to get across Manhattan in a hurry?

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• Produced by Elias Adams

This week, Shat The Movies tackles one of the most bafflingly successful high-concept comedies of the '80s: Twins, the movie that asked, "What if Arnold Schwarzenegger and Danny DeVito were genetically engineered brothers?" and somehow convinced the world to buy a ticket.

Gene and Big D revisit Ivan Reitman's unlikely buddy comedy to examine Arnold playing against type as a naive, hyper-intelligent gentle giant, while DeVito leans hard into sleaze, scams, and short-man rage. The guys debate whether the fish-out-of-water humor still works, unpack the film's bizarre science experiment premise, and marvel at how much charm carries a plot that makes absolutely no sense.

From the stolen car hustle to the desert bonding trip and that wildly convenient third-act reunion, Twins swings big on heart—even when the genetics are pure fantasy.

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• Produced by Elias Adams

This week, Shat The Movies heads behind the Iron Curtain—or at least a Zucker-Abrahams-Zucker version of it—with Top Secret!, the absurdist spy spoof that introduced the world to Val Kilmer as a legitimately charismatic movie star who could also sing, dance, and commit fully to absolute nonsense. Long before Top Gun or The Doors, Kilmer was playing it dead serious in a movie where cows wear boots and visual gags never stop firing.

Gene and Big D break down how Top Secret! feels like the forgotten middle child between Airplane! and The Naked Gun, debate whether the joke density is impressive or exhausting, and marvel at Kilmer's willingness to anchor chaos with charm. Along the way, they revisit the underwater bar fight, backward bookstore scene, relentless wordplay, and why this movie rewards obsessive rewatching more than almost any comedy of its era.

Is Top Secret! peak parody—or a cult classic that only works if you surrender completely to the bit? Latrine!

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• Produced by Elias Adams

This week, Shat The Movies parks the surveillance van and cracks open Stakeout, the 1987 buddy-cop hit that proved Richard Dreyfuss could be both wildly neurotic and a believable romantic lead. Gene and Big D revisit this Reagan-era crowd-pleaser to figure out how a movie about police spying on a civilian somehow became a rom-com, a workplace comedy and an action-thriller all at once.

The guys dig into Dreyfuss's escalating obsession, Emilio Estevez's mustachioed energy, and how the film casually treats stalking, harassment and undercover ethics as punchlines. They break down hot crooks, the very loose definition of "professional boundaries," and why Madeleine Stowe's character exists mostly to react to men behaving badly. Along the way, they debate whether Stakeout works because of its chemistry—or in spite of everything happening onscreen.

Is Stakeout a charming artifact from a time when movies trusted charisma over logic, or just proof that '80s law enforcement comedies lived in a completely different moral universe?

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This week, Shat The Movies heads into the Pacific Northwest wilderness with Shoot to Kill, the late-'80s thriller that blends serial killers, mountain survival, and peak "competent adult movie" energy. Starring Sidney Poitier, Tom Berenger, and Kirstie Alley, this 1988 sleeper feels like the kind of grown-up studio thriller Hollywood simply doesn't make anymore.

Gene and Big D break down Poitier's no-nonsense authority, Berenger's quietly unhinged menace, and Kirstie Alley's refreshingly capable romantic lead. Along the way, they discuss outdoorsy masculinity, Reagan-era law enforcement vibes, and why this movie works so well despite flying completely under the pop-culture radar.

Is Shoot to Kill an overlooked gem of '80s thrillers—or just a solid, workmanlike chase movie elevated by great casting and real stakes? Lace up your hiking boots and find out.

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