The Clave Chronicles

Acclaimed pianist/bandleader/composer/author/educator Rebeca Mauleón discusses the long and incredibly versatile career of pianist/composer Chucho Valdés, who founded the groundbreaking jazz fusion group Irakere 50 years ago.  In 2018, Mauleón and Valdés co-authored the book Decoding Afro-Cuban Jazz. In both his Irakere compositions and in his solo career, Valdés has often drawn from Afro-Cuban folkloric music—rumba, batá drumming—for inspiration.

Songs played:

Misa Negra, Irakere
El Tata Cimarrón, Irakere
Xiomara, Irakere
Ochún, Chucho Valdés featuring Regina Carter

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Ethnomusicologist and prolific scholar Peter Manuel joins Rebecca to speak about the many centuries of musical exchange between Cuba and Spain, which birthed genres like the Cuban punto and contributed to the evolution of flamenco in Andalucía. Author and editor of numerous books on Caribbean and Indian popular music, including an important anthology of Cuban musicology, Manuel's newest book is Flamenco Music: History, Forms, Culture. 

Songs played:
Fandango, Antonio Soler
Controversia, Justo Vega & Adolfo Alfonso
Corazón Tu Eres Mi Amigo, Luis Gómez
Guajira, Pepe Marchena
Juro Que, Rosalía
Me Voy Contigo, Remedios Amaya

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

In our first episode en español (!!!), Rebecca interviews Mario Seguí Correoso, a Santiago-based percussionist who has worked with various groups over the course of his career: an innovative rumba group (Kokoyé), a son/salsa group (Sonora La Calle), and currently a more traditional son group (Los Jubilados), as well as a percussion-based group (Los Tambores de Enrique Bonne). We talk about how difficult the situation has been for musicians since the pandemic.

**IF YOU DON'T SPEAK SPANISH, CHECK OUT A TRANSCRIPT OF THE CONVERSATION TRANSLATED INTO ENGLISH: https://docs.google.com/document/d/1QfvV7JelKB2tDjsNFkT_LxXPwOgUO89anRFCIAMMtMI/edit?usp=sharing

Songs played:

Manigueta, Los Tambores de Enrique Bonne
Calle Enramada, Los Jubilados
(title unknown), Grupo Folklórico Kokoyé

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Congolese scholar Ribio Nzeza Bunketi Buse joins Rebecca to speak about the many sub-styles and evolutions within Congolese popular music over the past 60 years. While many in the West refer to the music as "soukous," that's only one specific style of rumba, which also includes rumba chachacha (Joseph Kabasele & African Jazz), rumba odemba (Franco Luambo & OK Jazz), rumba cavacha (Zaiko Langa Langa), and ndombolo (Wenge Musica, Koffi Olomide, Papa Wemba). Dr. Nzeza also explains the significance of the seben, the improvisatory second section of a rumba song featuring virtuosic guitar playing.

Songs played:
Madre Rumba, La Sonora Matancera featuring Celia Cruz and Celio Gonzalez
Africa Mokili Mobimba, Joseph Kabasele & African Jazz
Alimatou, Franco Luambo & OK Jazz
Nzinzi, King Kester Emeneya
Mulolo, Wenge Musica

An homage to Grand Kallé (Joseph) Kabasele by Cuban artists and musicians:
https://www.youtube.com/watch?v=nY-BVoI93Q4

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Rebecca is joined by reggaeton scholar Petra Rivera-Rideau, who co-created the Bad Bunny Syllabus to provide historical and social context for Bad Bunny's music. His massive hit Un Verano Sin Tí  was the most globally streamed album of 2022 and the first Spanish-language album to be nominated for Album of the Year at the Grammys. We speak about what makes him such a unique, versatile artist, and then delve into the ways Cuban and Puerto Rican music have diverged in recent decades. 

Songs played:
Controversia, Ismael Rivera
El Apagón, Bad Bunny
Titi Me Preguntó, Bad Bunny
Yo No Soy Celoso, Bad Bunny

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Franco-Haitian cultural influences in Cuba date back over two centuries, beginning with the "refugees" from the Haitian Revolution who fled to eastern Cuba in the early years of the 19th century. However, a much larger wave of Haitian migrants arrived in the first decades of the 20th century to fill labor shortages on sugar plantations, and most stayed. Anthropologist Grete Viddal joins Rebecca for an in-depth conversation on this history, the musical and religious practices migrants brought with them (like Vodou), and the ways Cuban descendants of Haitian migrants carry on their traditions today.

Songs played:
Camagüey, Tumba Francesa La Caridad
Yamvalú, Ballet Folklórico Cutumba
Haiti Namizé, Grupo Baraguá
Neg Anwo, The Creole Choir of Cuba
Se Lavi, The Creole Choir of Cuba
Gagá, Ballet Folklórico Cutumba

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Multi-instrumentalist, composer, arranger and educator Dr. John Calloway joins Rebecca to speak about the Cuban music scene in the Bay Area. Calloway has written for Grammy-nominated projects and recorded several of his own albums. He has spent 35 years as a music educator in San Francisco public schools and at San Francisco State University, founding the Latin Jazz Youth Ensemble and the Afro-Cuban Ensemble at SF State.

Songs played:
Aprovecha que me voy, John Calloway
Dime si te gusta, Jesús Díaz y Su QBA
Asere Ko, John Calloway
Generaciones, Latin Jazz Youth Ensemble of San Francisco

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Ethnomusicologist and event producer Lani Milstein joins Rebecca to talk about Santiago de Cuba's quintessential musical practice: conga, an Afro-Cuban percussion and song genre linked to the city's famed Carnival celebrations. It involves mass participation by people parading along with the mobile percussion ensemble and continues to be a major symbol of santiaguero identity.


Songs played:
Abre, Conga de Los Hoyos
Va a llover, Conga de San Agustín
Añoranza por la conga, Sur Caribe
La mujer del pelotero, Baby Lores, Insurrecto & Clan 537

Desi Arnaz performing "Babalu" - at around 0:50, he starts dancing the side-to-side conga step commonly seen in comparsa parades
https://www.youtube.com/watch?v=rAV3bOJaQuY

Sur Caribe video for "Añoranza por la conga" - you'll see footage of people arollando with the conga
https://www.youtube.com/watch?v=XC6Vjr0i9sw

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

No new episode this week, but a quick note from Rebecca, followed by a slow, juicy  yambú from the legendary Havana rumba group Clave y Guaguancó.  

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions

Rebecca speaks with musician/producer/historian Ned Sublette, author of the most comprehensive history of Cuban music in English, Cuba and Its Music: From the First Drums to the Mambo. Sublette is leading trips to Cuba through his organization, Postmambo, and in January will embark on La Ruta de los Fundamentos, a tour focusing on Afro-Cuban sacred sites in western Cuba (email [email protected] for more info). We talk about the dense and entangled networks of Afro-Cuban religious practice and play a few fieldwork recordings from rural western Cuba.

Tracks played:
Song for Ochosi, recorded in the 1950s by Lydia Cabrera in the province of Matanzas
Yuka drumming, recorded by Sublette in the province of Pinar del Río
Bembe de sao, recorded by Sublette in the province of Mayabeque

Send us Fan Mail

Support the show

You can support this independently produced podcast by becoming a monthly subscriber - even $3/month helps!

If you like this podcast, please hit "Follow" and give us a 5-star rating on Apple Podcasts

Find The Clave Chronicles on Instagram, Facebook, & Threads @clavechronicles
https://theclavechronicles.buzzsprout.com

Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions