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Note: I apologize for the shuffling of papers in the audio. Clearly I need a stapler.
Mea culpa: "In a dark time" is a pyrrhic-spondee motion, not an anapest-trochee one.
Topics discussed in this episode include:
-The multifarious talent of Wallace Stevens
-Stevens' theory of a "Supreme Fiction"
-The incoherence of this theory
-From subjectivism to objectivism
-Stevens's poem, "The Snow Man"
-Clutch your pearls, this is free verse!
-Accentual vs. Accentual-Syllabic meter
-How to write with the "ghost of meter."
-Anglo-Saxon verse is no slouch
-It's cold outside = nihilism?
-The fallacy most pathetic
-Maybe things DO exist independent of my mind. Huh.
-Less fantasizing, more listening.
-A part apart from parts cannot be whole. Take that, mysticism.
-Anaphora, the catnip of free verse poets and Roman rhetoricians alike.
-It's God! It's ghosts! It's people! It's... just leaves.
-Destruction of the self vs. destruction of self-centeredness
-The particulars of this particular particular, and the course, of course.
Text of the poem:
The Course of a Particular
Today the leaves cry, hanging on branches swept by wind,
Yet the nothingness of winter becomes a little less.
It is still full of icy shades and shapen snow.
The leaves cry . . . One holds off and merely hears the cry.
It is a busy cry, concerning someone else.
And though one says that one is part of everything,
There is a conflict, there is a resistance involved;
And being part is an exertion that declines:
One feels the life of that which gives life as it is.
The leaves cry. It is not a cry of divine attention,
Nor the smoke-drift of puffed-out heroes, nor human cry.
It is the cry of leaves that do not transcend themselves,
In the absence of fantasia, without meaning more
Than they are in the final finding of the ear,
in the thing Itself, until, at last, the cry concerns no one at all.
Thank you so much for listening. Please subscribe, rate, or review, and tell your friends about the show!
Art by David Anthony Klug
Support the show
BUY VERSECRAFT MERCH HERE.
VISIT THE VERSECRAFT SUBSTACK HERE.
Please subscribe, rate, and review! Thanks so much for listening.
You can leave me a tip, support the podcast, or request a commission here!
TikTok: @versecraft
Send me a note at: [email protected]
My favorite poetry podcasts for:
Sharp thoughts and cutting truths (Matthew): Sleerickets
Lovely introspection and sensitive reflection (Alice): Poetry Says
The landscape of Ohioan poetry (Jeremy): Poetry Spotlight
Supported in part by The Ohio Poetry Association
Art by David Anthony Klug
List of the most common metrical feet:
Iamb: weak-STRONG (u /)
Trochee: STRONG-weak (/ u)
Anapest: weak-weak-STRONG (u u /)
Amphibrach: weak-STRONG-weak (u / u)
Dactyl: STRONG-weak-weak (/ u u)
Cretic: STRONG-weak-STRONG (/ u /)
Pyrrhic: weak-weak (u u)
Spondee: STRONG-STRONG (/ /)
4.7
2626 ratings
Note: I apologize for the shuffling of papers in the audio. Clearly I need a stapler.
Mea culpa: "In a dark time" is a pyrrhic-spondee motion, not an anapest-trochee one.
Topics discussed in this episode include:
-The multifarious talent of Wallace Stevens
-Stevens' theory of a "Supreme Fiction"
-The incoherence of this theory
-From subjectivism to objectivism
-Stevens's poem, "The Snow Man"
-Clutch your pearls, this is free verse!
-Accentual vs. Accentual-Syllabic meter
-How to write with the "ghost of meter."
-Anglo-Saxon verse is no slouch
-It's cold outside = nihilism?
-The fallacy most pathetic
-Maybe things DO exist independent of my mind. Huh.
-Less fantasizing, more listening.
-A part apart from parts cannot be whole. Take that, mysticism.
-Anaphora, the catnip of free verse poets and Roman rhetoricians alike.
-It's God! It's ghosts! It's people! It's... just leaves.
-Destruction of the self vs. destruction of self-centeredness
-The particulars of this particular particular, and the course, of course.
Text of the poem:
The Course of a Particular
Today the leaves cry, hanging on branches swept by wind,
Yet the nothingness of winter becomes a little less.
It is still full of icy shades and shapen snow.
The leaves cry . . . One holds off and merely hears the cry.
It is a busy cry, concerning someone else.
And though one says that one is part of everything,
There is a conflict, there is a resistance involved;
And being part is an exertion that declines:
One feels the life of that which gives life as it is.
The leaves cry. It is not a cry of divine attention,
Nor the smoke-drift of puffed-out heroes, nor human cry.
It is the cry of leaves that do not transcend themselves,
In the absence of fantasia, without meaning more
Than they are in the final finding of the ear,
in the thing Itself, until, at last, the cry concerns no one at all.
Thank you so much for listening. Please subscribe, rate, or review, and tell your friends about the show!
Art by David Anthony Klug
Support the show
BUY VERSECRAFT MERCH HERE.
VISIT THE VERSECRAFT SUBSTACK HERE.
Please subscribe, rate, and review! Thanks so much for listening.
You can leave me a tip, support the podcast, or request a commission here!
TikTok: @versecraft
Send me a note at: [email protected]
My favorite poetry podcasts for:
Sharp thoughts and cutting truths (Matthew): Sleerickets
Lovely introspection and sensitive reflection (Alice): Poetry Says
The landscape of Ohioan poetry (Jeremy): Poetry Spotlight
Supported in part by The Ohio Poetry Association
Art by David Anthony Klug
List of the most common metrical feet:
Iamb: weak-STRONG (u /)
Trochee: STRONG-weak (/ u)
Anapest: weak-weak-STRONG (u u /)
Amphibrach: weak-STRONG-weak (u / u)
Dactyl: STRONG-weak-weak (/ u u)
Cretic: STRONG-weak-STRONG (/ u /)
Pyrrhic: weak-weak (u u)
Spondee: STRONG-STRONG (/ /)
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