The Creative Writer's Toolbelt

For the fiftieth episode I'm delighted to present an interview with Nebula and Hugo award winning author Nancy Kress. Nancy is the author of twenty-seven novels, three books on writing, four short story collections, and over a hundred works of short fiction. Her fiction has won six Nebulas (for “Out of All Them Bright Stars,” “Beggars in Spain,” “The Flowers of Aulit Prison,” “Fountain of Age,” “After the Fall, Before the Fall, and During the Fall,” and “Yesterday’s Kin”), two Hugos (for “Beggars in Spain” and “The Erdmann Nexus”), a Sturgeon (for “The Flowers of Aulit Prison”), and a John W. Campbell Memorial Award (for PROBABILITY SPACE). Her work has been translated into Swedish, French, Italian, German, Spanish, Danish, Polish, Croatian, Korean, Lithuanian, Chinese, Romanian, Japanese, Russian, and Klingon, none of which she can read.

In 1998, Nancy married fellow SF writer Charles Sheffield, who died in 2002 of brain cancer. In 2011 she married writer Jack Skillingstead. They live in Seattle with Cosette, the world’s most spoiled toy poodle.

Sometimes it's just one or two well placed,well fitting characteristics that make a character. In this episode we are going to look at what kind of characteristics we can give our characters, how to present those characteristics in a convincing and persuasive way, and we'll look at some examples of how writers have used characteristics of all kinds to complement and enhance the essence or core of their characters.

What is the interior life of the character, and what sort of interior life should we be showing in our work?

This episode looks at the thoughts and feelings of our characters, and gives practical advice on what sorts of interior life should be shown in a story, and how it should be done. Cut the banal day dreams and focus on the blade in the mind, the thoughts that have a sharp edge to them. Dark or angry, comedic or sexual, there's a truthful and cutting thought lurking in every character that will help to set a scene, drive a plot and develop a character. Don't be afraid to reveal the interior life of your character, just make sure it's grabbing the reader and driving the story when you do it.

Jeanne Cavelos, the Director of the Odyssey Writing Workshop says that the number one piece of advice she gives to writers is this: give your character a goal. It's so easy for us to create pet characters who just sit on the couch, docile and useless in our story. We may love these creations but they slow the narrative, and bore the reader. So how do we get our characters engaged, and working with our story not against it? Simple, we follow Jeanne's advice and give them a goal (or goals), as well as some strong motivation, and a driving passion as part of who they are.

What is the essence of a character? Why is the creation and presentation of that essence the most important challenge for character development in creative writing? In this episode I am starting a series looking at developing characters in fiction, memoir, biography, in fact any kind of story telling. I'll be explaining why I think developing the core, or essence of your character is the most critical task in the character development dimension, we'll look at a couple of examples from great story tellers, and I'll tell you how I think you can present the essence of your characters effectively to your readers.

This episode is an interview with the freelance editor, script doctor, and literary agent Julie Crisp.

Julie has over fifteen years’ experience working for three major houses across a broad spectrum of commercial titles within fiction, non-fiction and children’s. Most recently she headed up the UK arm of one of the largest global brands of science fiction and fantasy, Tor. She has worked with bestselling and award-winning authors such as Ann Cleeves, Peter F. Hamilton, China Miéville, Neal Asher, Amanda Hocking, and Naomi Novik.

This is another 'must listen' interview for anyone who wants advice from an experienced professional about what catches the editor's eye, what sells, and how to give yourself the best chance of getting your work noticed.

Finishing your story takes as much skill and wisdom as telling it, and there's more to a good finish that clearing up the battle field and writing THE END at the bottom of your manuscript. The final, resolution stage of the six stage story process requires that you tie up the loose ends, resolve your subplots, and show your readers the consequences of the climax stage of the story.

In this episode we look at stage five of the six stage story process - the climax stage. We are going to answer the question "what is the climax?" and also look at how, as writers, we can make the most of this stage of the story. The most important lesson to take away from this episode is that the climax is not about blood and explosions - it's about characters and ideas, it's about the beliefs that characters hold dear, and will live, and die for.

In this episode we look at stage four of the six stage story process, the Crisis. There is no better time in your story to showcase the strengths, weaknesses, and motivations of your characters. This is also a moment to use all of your creative writing skills to create a poignant moment, to enrich the setting and mood of your work, to add colour and depth to the context for your story. The crisis is the decisive moment, the calm before the storm, the point where all of the choices have been made and the climax must now be faced. How will your characters react? Will they be heroes or cowards, or maybe a more subtle combination of both? Here is your window of opportunity to show all of these things, use it well!

This episode is an interview with the author and historian, Nick Page. Nick, who describes himself as a 'writer for hire', has been a freelance writer for nearly twenty years, publishing over seventy books including biblical histories. We discuss the disciplines required to write history, including historical fiction, tips for placing the reader firmly in the scene you are writing, and advice for the new writer.

Nick has a wealth of experience which he brings to this conversation. I have been looking forward to interviewing Nick for a long time, he is witty, honest, and knowledgeable, and it was a joy to speak with him, I hope you find our conversation entertaining and enlightening.