Continuing the theme of "the writer's life" this episode offers some evidence based advice and practical steps for looking after ourselves so that we can live well and write well. From getting enough water and sleep, to eating well, exercising, socializing, and being mindful of our spiritual well-being. These tips will help us all to look after the totality of who we are, so that we can look after ourselves and our writing.

This episode is a conversation with Ottawa based speculative writers Marie Bilodeau and Derek Künsken. In the conversation we explore how to live the writer's life well, and what it means to follow the navy maxim that we need to be able to float, sail and shoot. We explore Marie's experiences with retreats, and Derek's experiences with sabbaticals, and we reflect on Derek's best advice for writers: Don't be a jerk.

As of this month (April 2017) I’m working hard on the Creative Writer's Toolbelt Handbook. As I look back on nearly 100 episodes I’ve realized that there's one fundamental thing we writers have to do to create great work, and it's this: be authentic! In this episode we explore what it is to be authentic, and we look at some practical tools to achieve that authenticity.

This episode is a conversation with two authors who have come to publication by different routes. Wendy H Jones has self published crime fiction with the DI Shona McKenzie series, and a book on marketing for authors, she has also traditionally published a YA novel. Ryan Dalton is the author of the Time Shift Trilogy, and the first book in that series, his debut novel, The Year of Lightening was published in January 2016, Book 2 in the series The Black Tempest is published in April of this year.

In episodes 92 and 94 we explored the landscape of genre and trope, theme and moral, and in this episode we continue that exploration with a look at symbol and motif. We step back to look at how all of these aspects of creative writing are connected and how we can use the power of symbols, the fascination with dilemma, and the potential to subvert tropes as tools to empower our work.

In this episode we explore the right and wrong way to handle themes in our work. We say 'no' to preaching and lecturing the reader, and 'yes' to weaving the themes we want to present into the story, and giving the engagement of the characters with those themes real consequences. We explore some great examples of how themes can be explored in story, from Elizabeth and Darcy to Harry Potter, and Jesse Pinkman to Lady Macbeth

This episode is an interview with award winning author Adrian Tchaikovsky. Adrian and I talk about the long road to producing publishable quality material, how to work with genres and their tropes, the writer's life, and why it's always helpful to have a contact at the Natural History Museum.

What genre does your story fit into? And how can you use the tropes of that genre to make your story fresh, original, and compelling? In this episode we explore the challenge of identifying the genre or genres of your story, and looking at way to embrace the tropes of that genre by re-imagining them and subverting them to keep your work interesting and cliche free.

For this episode I am again joined by Jessi Rita Hoffman (jessiritahoffman.com). Jessi is a former publishing house editor-in-chief and award-winning magazine editor now offers professional book editing services and author coaching. In this episode Jessi and I discuss the key elements of the action scene. From the need to keep the prose tight, to managing the rising tension, from dumping those 'hedge' words, to not telling us how much your protagonist is bleeding. Remember - keep the girl, or guy, fighting!

I'm joined for this episode by Jessi Rita Hoffman (jessiritahoffman.com). Jessi is a former publishing house editor-in-chief and award-winning magazine editor now offers professional book editing services and author coaching. Jessi and I talk about the essential elements of writing the romance scene. Creating a compelling romance scene is essential for any genre, and Jessi and I discuss how to keep the scene real, why the Victorians were so good at romance, keeping the lovers together and apart, and finally the merits of getting cosmic.