The Creative Writer's Toolbelt

What genre does your story fit into? And how can you use the tropes of that genre to make your story fresh, original, and compelling? In this episode we explore the challenge of identifying the genre or genres of your story, and looking at way to embrace the tropes of that genre by re-imagining them and subverting them to keep your work interesting and cliche free.

For this episode I am again joined by Jessi Rita Hoffman (jessiritahoffman.com). Jessi is a former publishing house editor-in-chief and award-winning magazine editor now offers professional book editing services and author coaching. In this episode Jessi and I discuss the key elements of the action scene. From the need to keep the prose tight, to managing the rising tension, from dumping those 'hedge' words, to not telling us how much your protagonist is bleeding. Remember - keep the girl, or guy, fighting!

I'm joined for this episode by Jessi Rita Hoffman (jessiritahoffman.com). Jessi is a former publishing house editor-in-chief and award-winning magazine editor now offers professional book editing services and author coaching. Jessi and I talk about the essential elements of writing the romance scene. Creating a compelling romance scene is essential for any genre, and Jessi and I discuss how to keep the scene real, why the Victorians were so good at romance, keeping the lovers together and apart, and finally the merits of getting cosmic.

In this episode we look at the way in which the building blocks of prose: the sentence, the paragraph, and the scene, work. We explore the fundamental principle that drives all of them, and how you can use these structural tools to enhance your work and captivate your reader

This rather Christmassy episode is a review of my favourite reads of 2016. It's a subjective review, just stuff I've read that I liked, and a bit about why I liked it. Also news about the CWT 2017 listener and subscriber survey.Take part to be entered into the prize draw and get a copy of the Overview of the forthcoming Handbook.

This very special episode takes us inside one of the most iconic publishing houses in the world. The episode comprises four conversations with press, marketing and commissioning staff at Gollancz; the fantasy, horror, and science fiction imprint. The episode includes a conversation with Gollancz's Publishing Director, Gillian Redfearn. Many of you will know Gollancz as the publisher of prominent authors like Brandon Sanderson, Ben Aaronovitch, Stephen Baxter and Al Reynolds as well classic books from the likes of Arthur C Clarke, Philip K Dick, and Terry Pratchett. These conversations cover issues that apply to writers from all genres; from tips on submissions to what a publisher wants from their authors, and from the the importance of voice through to the mistakes aspiring authors make in their manuscripts, and how to avoid them. And for those interested in submitting material directly to Gollancz there’ll be news on what their submission plans are for 2017.

Loved and hated in equal measures, the flashback remains a firm favourite with authors. When it's done well it can enthrall readers, give them a poignant and dramatic experience, and drive the engine of your story. Done badly, and it will leave your reader confused and frustrated. In this episode we look at the good and bad of the flashback scene, and identify the guiding principles for using this type of scene appropriately.

This episode is a wide ranging interview with commissioning editor Anne Perry from Hodder and Stoughton. Anne draws on her experience to talk about how the commissioning process works, what an author should be prepared to do to help with the process, and what she wants to see in a manuscript. Anne also gives us some advice on writing action and romance scenes, and how to tackle the presentation of characters from diverse backgrounds. Enjoy!

Writing the closing scene of a story is more than just tying up the loose ends and sending our characters off into the sunset. We want to leave our readers with the best possible impression of our work, so that they have fond memories of reading what we have written but also to ensure they come back for more, and tell others why they should read our work as well. In this episode we look at the principles for finishing well, as they apply to the stand alone story, and one of a series.

We all know the opening scene in any book is the critical moment to make your mark on the reader, to grab their interest, to set out your stall, and to keep them hooked. This episode explores the four principles that make an opening scene work and give your whole story a great start