Since the tragic discovery of Celeste Revas Hernandez in the trunk of a car linked to rising artist D4VD, aka David Burke, the public narrative has rushed toward one question: guilt.

But Poolhouse, in his infinite wisdom, knows you can’t force a timetable on the truth, and the truth is key to arriving at true justice for the murder of Celeste Hernandez.

While the world dissects lyrics, timelines, and the mountains of circumstantial evidence surrounding the case, Poolhouse adopts a different angle.

Whether guilty or innocent of the crimes he stands accused of, D4VD’s life of luxury and his glorification of gore and vice through his artistry are now being scrutinized by the public. But what kind of industry produces a figure like D4VD?

What pressures, incentives, connections and distortions shape the lives inside the music machine?

The question is not one of guilt or innocence, per se, as that will bear out in due time. Here, Poolhouse examines whether or not the dark currents of industry who have invested themselves in D4VD’s rise to fame will ever allow the entire truth to come out.

In this first installment, Poolhouse begins with the backdrop—D4VD as a product of a corporate culture machine–and begins examining whether the environment surrounding the accused can actually be separated from the tragedy itself.

This is Poolhouse on the D4VD Question.

Only on HERE COMES THE BACKKLASH.

From TMZ: On Robert Morgenroth of Mogul Vision

https://www.tmz.com/2025/12/10/d4vd-managers-close-personal-life/

Poolhouse:

SUBSTACK.COM/@POOLHOUSE

INSTAGRAM.COM/DJPOOLHOUSE

LINKTR.EE/DJPOOLHOUSE

YOUTUBE.COM/@DJPOOLHOUSE

JAH WON’T PAY THE TAX MAN:

YouTube Visual Mixtape: Link

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