Michael Bay makes mega-movies that want to shock, overwhelm, and bludgeon you into delirious—and shattered—submission. Consequently, the fact that the bigger-is-always-better director has moved to Netflix for his latest, 6 Underground, seems wrong on an elemental level. You’re supposed to feel crushed under the weight of all his cacophonous, senses-searing sound and fury, exhausted and enraged and excited by the sheer overkill of his every cinematic gesture.