Have you been to the theatre lately? Perhaps you’ve attended a performance at the National Theatre in London, or watched a broadcast of one at your local cinema. If so, you’ll know that they do some amazing things at these live productions - performers float or even ”fly”, shows have live birds flying, and they even set things on fire. How do these productions do these things within the confines of a theatre or arts centre, and how do they balance risk while maintaining the artistic integrity of the production?
Enter, stage right, my guest on today’s episode, Ms. Anna Glover. Anna leads the Safety Risk and Fire Management team at the world renowned National Theatre here in London. As you will soon find out, Anna does NOT do Health and Safety risk. Rather, she and her team are a core part of these internationally acclaimed shows – full stop. The work she does embodies what great risk management is all about – taking risk with intelligence and confidence – and achieving great things in the process. We obviously cover this fascinating line of work in the episode – including her work with top directors, choreographers, designers, and actors, and on some amazing shows.
But, there is much more to Anna than this. We have a great conversation around how Anna got into this line of work. This is a wonderful example of how to find your path – or more precisely, how to let it find you. We move on to have a great discussion about Anna’s philosophy on risk, fear, and many other things. We also cover:
•What she learned from working with Juliette Binoche •Her time in North Wales from studying to running an outdoor pursuits on a military base •Her “run in” with Sir Ranulph Fiennes •Martial arts – Anna is a second dan in the Korean art of hapkido •Finding your path •And much, much more
This is an amazing episode and I am sure you will enjoy it!
Show notes:
Anna Glover's website - http://annagloverconsulting.com/
On Twitter: https://twitter.com/annajglover
On Instagram: https://www.instagram.com/annagloverconsulting/
Some people Anna has worked with:
•Phyllida Lloyd, CBE is a British director, best known for her work in theatre and as the director of Mamma Mia! and The Iron Lady - https://en.wikipedia.org/wiki/Phyllida_Lloyd •Paule Constable is a British lighting designer who won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway - https://en.wikipedia.org/wiki/Paule_Constable •Catherine Mallyon - Executive Director of the Royal Shakespeare Company - https://www.rsc.org.uk/about-us/whos-who/catherine-mallyon-executive-director •Mark Dakin Technical -Director of the Royal Opera House - http://www.theatrecraft.org/leaders/mark-dakin/ •”War Horse” – http://www.warhorseonstage.com/
“The Light Princess” – https://www.amazon.co.uk/Light-Princess-Original-Cast-Recording/dp/B0131W0S4Q
Book recommendation – Creativity, Inc.by Ed Catmull - https://www.goodreads.com/book/show/18077903-creativity-inc?from_search=true&search_version=service
Book recommendation – The Organised Mind by Daniel Levitin - https://www.goodreads.com/book/show/18693669-the-organized-mind?ac=1&from_search=true
Joint Service Mountain Training Centre - http://www.nuffieldanglesey.org.uk/
Llanfairpwllgwyngyll - https://en.wikipedia.org/wiki/Llanfairpwllgwyngyll
Chang’s Hapkido Academy - http://www.changshapkido.net/
Poem – “The Bright Field” by RS Thomas: http://emilyspoetryblog.com/2013/10/23/the-bright-field-by-r-s-thomas/
I have seen the sun break through to illuminate a small field for a while, and gone my way and forgotten it. But that was the pearl of great price, the one field that had treasure in it. I realise now that I must give all that I have to possess it. Life is not hurrying
on to a receding future, nor hankering after an imagined past. It is the turning aside like Moses to the miracle of the lit bush, to a brightness that seemed as transitory as your youth once, but is the eternity that awaits you.
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