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About 1.4bn students in more than 130 countries have spent parts of the past year adapting to learning online. The crisis has put the education sector into overdrive, and accelerated the way we use technology to study. For adult learners, distance learning offers a cheaper and more flexible alternative to the university degree. Are online qualifications about to gain greater credibility and create more flexibility in the job market, or is this surge in digital education a passing fad? The FT’s San Francisco correspondent Patrick McGee speaks to edtech innovators who are rethinking traditional degrees and a trucker who learned to code. Hosted by John Thornhill, innovation editor at the Financial Times. Review clip: "I adore my Commodore 64" advert (1983, music by Terry Bush).
Produced by Camille Petersen, with additional producing and editing by Oluwakemi Aladesuyi. Sound design and mixing by Breen Turner. Original music was composed by Metaphor Music. The executive producers are Cheryl Brumley and Liam Nolan.
Hosted on Acast. See acast.com/privacy for more information.
By Financial Times4.4
8888 ratings
About 1.4bn students in more than 130 countries have spent parts of the past year adapting to learning online. The crisis has put the education sector into overdrive, and accelerated the way we use technology to study. For adult learners, distance learning offers a cheaper and more flexible alternative to the university degree. Are online qualifications about to gain greater credibility and create more flexibility in the job market, or is this surge in digital education a passing fad? The FT’s San Francisco correspondent Patrick McGee speaks to edtech innovators who are rethinking traditional degrees and a trucker who learned to code. Hosted by John Thornhill, innovation editor at the Financial Times. Review clip: "I adore my Commodore 64" advert (1983, music by Terry Bush).
Produced by Camille Petersen, with additional producing and editing by Oluwakemi Aladesuyi. Sound design and mixing by Breen Turner. Original music was composed by Metaphor Music. The executive producers are Cheryl Brumley and Liam Nolan.
Hosted on Acast. See acast.com/privacy for more information.

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