They are no cookbooks for entrepreneurs. Our recipes for survival consist or an alchemic mixture of ideas, guesses, bandwidth, finances, and luck. Over a 12-month period, I typically have two bad ideas to every good one… and that’s a good year. So here’s how I fared in 2016.

Image editing is the other half of the creation process. We have one set of fleeting thoughts when we press the shutter button and record the composition. But later, on our computers, we have the opportunity to refine our vision. This week I talk about the latest developments in that second part of the equation, imaging software.

A special 1 hour podcast featuring some of the best conservation photographers in the world speaking in Washington D.C. during the WildSpeak Conference sponsored by the ILCP - http://thedigitalstory.com/2016/11/thoughts-from-7-conservation-photographers-tds-podcast-560.html

On November 15 and 16, I spent two days in the company of some of the best conservation photographers in the world. During that time, I photographed them, recored segments from their talks, and even sat down for an interview at the Carnegie Institution for Science in Washington D.C. And today I’m going to share highlights from those two days with you, so you too can be apart of this amazing conference called WildSpeak 2016.

If you only think in terms of DSLR camera bodies and fast prime lenses, then yes, photographers are hard to buy for. But we have more facets than some give us credit for. And the buying guide that I’ve assembled for you focuses more on the artistic than the mechanical.

By the time you listen to this, I will be working in Washington D.C. at the WildSpeak Conference. I’ll be recording interviews and capturing still images. My big camera is the Olympus OM-D E-M5 Mark II. What a beast ;-) The other three capture devices are considerably smaller, yet quite powerful. And one of them is the subject of today’s show. Plus, a listen-in to my teaching podcasting to National Geographic photographers.

We started working on the 2017 photo workshop season three months ago. Every year we bring in new events and blend them with those that are still popular with our audience. What we came up with for 2017 is truly exciting. And I'm going to provide you with a complete overview in today's show.

At first I was wondering, “Why were we in Iceland to test the new Olympus OM-D E-M1 Mark II?” After my first hour in the field, I had the answer: We had already shot in rain, cold, and sleet. Then we stood behind waterfalls, worked atop mountains to capture the Northern Lights in below-freezing temperatures, and had only two batteries to last us during the day’s agenda. That’s why we were in Iceland, and I’m going to tell you about how this camera survived in today’s show.

I’m recording this show on a crisp Sunday morning in the Eastern Sierra. We’re in Day 3 of our TDS Fall Photography Workshop, and while the participants are working on their current assignments, I’m slipping off to say hello to you. Here’s what’s been going on.

My first trip to Iceland was nearly a decade ago, when I was there on assignment with the “Lightroom 12” to capture imagery and test the beta version of Adobe’s fledgling image management application. We were there in the summer, and the days were 23 hours long. It was amazing. And now I’ll return again. This time for another assignment.