The Directors Take Podcast

This is episode 23 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Jess Hong a New Zealand actor who since graduating from Drama School landed the lead role in Showrunners David Benioff and D. B. Weiss Game of Thrones follow up, the Multi-Emmy award nominated show 3 BODY PROBLEM, which was also created by Alexander Woo.

In this episode we break down her early journey, successes and learnings in order to help demystify what the actor and director relationship can look like. This conversation covers:

-What is acting? 

-How did you get into acting in the first place?

-How did you land the job on 3 Body Problem?

-How did you begin to prepare for the job of a life time?

-How do you embody a character that is distant from yourself? 

-How did the individual directors approach Director’s Rehearsals?

-How do you like receiving notes from Directors?

-How do you create trust between yourself and collaborators on set? 

-How do you navigate working on such a large production?

-What does the future look like for you?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nugget of the Week

Jess: Make more good memories with family and friends. That’s what people will remember.

Marcus: The Hitchcock and Truffaut interviews

Oz: The Making of The Girl with the Dragon Tattoo

Credits

Music by Oliver Wegmüller

Socials

Jess Hong: Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 22 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Adam Pearson who is an actor and star of the new A24 feature film, A Different Man alongside Sebastian Stan (Captain America: The Winter Soldier), Renate Reinsve (The Worst Person in the World) and is written & directed by Aaron Schimberg.

Adam got his first acting break in Jonathan Glazer’s Under the Skin starring Scarlett Johansson and he has used his platform to become an award-winning disability rights campaigner, public figure and presenter. 

This chat covers:

-What is acting? 

-How he ended up working on Under the Skin.

-What was his first experience like on a film set?

-How did he end up being cast in A Different Man? 

-What did he learn from his A-List Co-Stars? 

-How he felt seen by this film’s narrative.

-How confidence plays a part in acting. 

-Learning to manage a disability and access in the industry.

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nugget of the Week

Adam: Four Favourites with Sebastian Stan, Adam Pearson, and Aaron Schimberg (A Different Man)

Oz: Nobody wants to buy this Abadoned $10.5million Mansion - Luxury Cars inside!!!

Marcus: In Proximity | Jordan Peele and Ryan Coogler on Genre, Fear and Filmmaking 

Credits

Music by Oliver Wegmüller

Socials

Adam Pearson: Twitter (X) & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 21 in our second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Paul Davies, the legendary Sound Designer who is best known for being one of Director Lynne Ramsay’s closest collaborators, with their relationship spanning all the way back to her first feature film, Ratcatcher. He is exceptional in his own right however and his unique style has landed him work with directors such as Stephen Frears, Yann Demange, Rose Glass, Steve McQueen and Guillermo Del Toro amongst countless others. 

Sound is as important if not more so than the image itself, so we are super excited to bring you a conversation with one of the absolute best in the business. This conversation covers:

-What is Sound Design?

-What was his journey into the industry like? 

-The importance of mentors? 

-How did he come to meet Lynne Ramsay and build that relationship? 

-Why do people keep coming back to him? 

-How to sync up the process between sound and the edit? 

-How does he approach character and perspective with sound? 

-What are the mistakes that directors make when working with sound designers? 

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Paul’s Bio

With a background in music recording and composition, Paul Davies graduated from the sound department at the National Film and Television School (UK) in 1993. After graduation Paul worked as a freelance sound record recordist, sound editor and re-recording mixer on a variety of feature, broadcast, and corporate projects. In 1995 Paul joined the sound post production company VideoSonics as a sound editor, rising to become head of the sound editorial department. Whilst with VideoSonics Paul continued to hone his craft on a large range of feature film and television dramas. In 2000 Paul left VideoSonics to become a freelance supervising sound editor and Sound Designer and continues to work in these roles to this day. Notable directors he has with with include Stephen Frears, John Hillcoat, Lynne Ramsay, Guillermo Del Toro, Steve McQueen, Hideo Nakata, Rose Glass, Bart Layton, Anton Corijn, Saul Dibb, Julian Jarrold, Nick Broomfield and Julien Temple amongst many others, on films such as The Queen, Kinky Boots, You Were Never Really HEre, American Animals, Hunger, Mrs HEnderson Presents, The American, The Proposition, We need to Talk about Kevin, Saint Maud and Mogul Mowgli. 

In addition to his work in sound production, Paul is a regular visiting tutor at the National Film and Television School in the UK The Baltic Film School in Estonia and the IFS in Cologne. Paul has also held Sound Design workshops at the School of sound, BAFTA, CPH Dox Festival-Denmark and The Sound of Story in Brighton UK. Paul is a voting member of BAFTA and AMPAS and a past chair of AMPS the UK’s film and television sound craft guild. Paul has received nominations from BAFTA and The Royal Television Society for his sound design work in 2018, and won a BIFA for his Sound Design in You Were Never Really Here. 

Nugget of the week

Paul: Beth Gibbons - Portishead lead singer & the strength of performance.

Oz: Godzilla Minus One

Marcus: How Liquid Death’s Founder Started a $700million Water Brand | Found Effect

Credits

Music by Oliver Wegmüller

Socials

Paul Davies: Twitter (X) & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 20 in our second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Nichola Wong, a Writer and Director who has successfully navigated her way from making short films to directing over 20 episodes of the continuing drama Hollyoaks. 

The transition from shorts to TV is one of the most challenging leaps to make as a filmmaker and continuing drama’s often come with a very systemic approach to delivering a constant stream of episodes for their audiences, so we brought on Nichola to break that process down for you all. 

This chat covers: 

-What is directing?

-How and why did she want to be a filmmaker?

-How did she break into the industry? 

-Gaining and losing an agent.

-How did she get her first break in TV? 

-What were the challenges she came up against in directing continuing drama? 

-How have mentors helped her career so far? 

-How has that helped her career going forward?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nichola’s Bio

Nichola is an award-winning Writer-Director, Sundance Fellow, BFI NETWORK x BAFTA Crew listed Director, and a graduate of the prestigious NFTS Directors Workshop, supported by Walt Disney. Her 1st TV pilot won All3 Media’s New Drama Script award at Edinburgh TV Festival and was one of eight out of 3000+ projects to be selected for the Sundance Episodic Lab.

Her short films have screened at film festivals all around the world, as well as on Hulu, US broadcast TV (FX, Freeform) and Film 4/All4.  She is currently developing various TV ideas and her 1st feature film with Ardimages. She has been mentored by Hong Khaou, Nick Rowland, Claire Tailyour and Tessa Hoffe.  

She also directs the 2nd unit on high-end TV shows, as well as directing over 20+ episodes of the continuing drama Hollyoaks.

Nugget of the week

Nichola: Notes on a Nervous Planet by Matt Hague

Oz: Song Exploder

Marcus: 6 days to air: The Making of South Park

Nichola’s Films

https://www.youtube.com/watch?v=ssb7wRrdMOc

Credits

Music by Oliver Wegmüller

Socials

Nichola Wong: Twitter (X) & Website

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 19 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Catherine Lyn Scott from London Flair PR, who specialise in running BAFTA and Oscar award campaigns for short films. Catherine has helped her clients gain 32 Oscar nominations including 6 wins with films such as An Irish Goodbye (2023), The Long Goodbye (2022) starring Riz Ahmed and The Silent Child (2018). She was also attached to the most recent BAFTA nominated short Yellow and the eventual BAFTA winner Jellyfish and Lobster.

She is a master in her field and so we brought her on for a chat to help demystify the process of tackling awards season and to offer you all some very practical tips on how to up your own PR game. 

This chat includes:-

-What is PR?

-What attracts her to a project? 

-What does she look for in the filmmakers she represents? 

-Is there a formula? 

-How do you make the most out of a film festival run?

-What practical tips can you give to help people with their own campaigns?

-What mistakes do filmmakers make? 

-Do you need social media? 

-How do you build a personal brand?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nuggets of the week

Catherine: The Academy giving its own section to Short Films.

Oz: Fasting as a means to appreciate our fortune.

Marcus: DUNE part Two Q&A w/ Denis Villeneuve and Steven Spielberg

Credits

Music by Oliver Wegmüller

Socials

London Flair PR: Twitter (X), Facebook & Instagram

Catherine: Twitter (X), Facebook & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 18 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Andy Harrower who is the CEO of DIRECTORS UK, who help amplify the collective voice of working directors in the UK in tackling the multitude of issues that they might face. The TV & Film industry has undergone massive amounts of change over the last decade and beyond, so we wanted to get Directors UK’s perspective on the challenges faced by its 8,000 strong membership of Directors and by the wider industry too. 

In this chat we cover:-

-What is Directors UK and what do you represent? 

-So are you or are you not a union?

-Why was it founded in the first place? 

-How are residuals collected? 

-How disruptive has streaming been for working Directors and the industry over the last ten years and what other issues have come to light outside of residuals?

-The issue of late scripts and the subsequent mental health impacts. 

-How sustainable is the UK industry for Directors at the moment?

-The lack of joined up thinking around Talent Development in the UK.

-Talent Development within Directors UK.

-What other issues are in the crosshairs for Directors UK to attack?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nuggets of the week

Oz: Murder on the Orient Express - Tour

Marcus: Selling Sunset - Season 8 

Credits

Music by Oliver Wegmüller

Socials

Directors UK: Twitter (X), Facebook & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 17 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by legendary VFX Supervisor Angus Bickerton, whose career has stretched over 40 years and landed him jobs on films such as Lost in Space, Tim Burton’s - Dark Shadows & Batman (1989), Kingsman Gold Circle, Rocketman, HBO’s House of the Dragon and most recently on Tim Burtons sequel to his 80s hit BEETLEJUICE BEETLEJUICE starring Michael Keaton.

This chat includes:

• How does a VFX supervisor collaborate with the director to bring a vision to life on film and TV?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nuggets of the week

Marcus: Jim Cummings The Beta Test documentary

https://x.com/jimmycthatsme/status/1797659509172654512?s=46 

Oz: https://merlin.allaboutbirds.org/

Angus: Mach Loop in Wales - Military Aircraft fly low through the valleys, 

https://www.youtube.com/watch?v=fyszRvOOVmg

Credits

Music by Oliver Wegmüller

Socials

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz:Instagram

 If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 16 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by legendary TV Director Greg Yaitanes, whose career has stretched over 30 years and landed him jobs on shows such as House M.D., Grey’s Anatomy, Lost, Prison Break, Banshee, House of the Dragon and most recently on Apple TV’s most watched Drama of all time, PRESUMED INNOCENT starring Jake Gyllenhaal.

In Part 2 we go in-depth to explore his time directing the exceptional cast and crew on Presumed Innocent. This chat includes:

-How did you come to direct 5 episodes on Presumed Innocent?

-Do you tailor the way you communicate with actors based on their experience?

-How did you go about elevating the material from the script? 

-How did you craft the visual language and did that allow you to be more free with the actors? 

-How did you go about creating the texture of the world? 

-How do you navigate Writer, Producer and sometimes Actor notes?

-What does he see the future of filmmaking as?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nuggets of the week

Greg: What you take for granted, someone else is praying for.

Oz: https://medium.com/@gregyaitanes

Marcus: The Mythical Production of Prometheus by Frame Voyager

Credits

Music by Oliver Wegmüller

Socials

Greg Yaitanes: Twitter (X) & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is episode 15 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by legendary Emmy winning TV Director Greg Yaitanes, whose career has stretched over 30 years and landed him jobs on shows such as House M.D., Heroes, Grey’s Anatomy, Lost, Prison Break, Banshee, House of the Dragon and most recently on Apple TV’s most watched Drama of all time, PRESUMED INNOCENT starring Jake Gyllenhaal.

In Part 1 we cover his journey of directing over 200 hours of TV and unpick the nuggets of information he gained along the way. This chat includes:

-What is directing? 

-Why did he become a director? 

-Why does he prefer to work on Season 1 of a show, rather than something already established? 

-His experience of directing on Lost.

-Building a relationship with producers such as JJ.. Abrams.

-How he approaches interviews. 

-What does he look for when hiring directors? 

-What did he learn whilst directing on House of the Dragon?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Nuggets of the week

Greg: What you take for granted, someone else is praying for.

Oz: https://medium.com/@gregyaitanes

Marcus: The Mythical Production of Prometheus by Frame Voyager

Credits

Music by Oliver Wegmüller

Socials

Greg Yaitanes: Twitter (X) & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

This is Episode 14 in the second season of The Directors Take Podcast.

In this week’s episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Sebastian Thiel for the second part of their conversation on how he directed three episodes of the global number one Netflix show, SUPACELL. Sebastian is also a writer, producer and all-round creative, so we brought him on to talk us through his journey toward Directing the phenomenon that is SUPACELL.  

This conversation covers the following…

-The jump to lead directing on Riches.

-How did he get the job on SUPACELL?

-What was his first day like?

-How did you find it working with VFX and Stunts for the first time?

-What sequences did he change from Script to Screen? 

-What is he most proud of looking back?

-What does the future look like for him now?

Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL.

We’ve also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… 

http://scriptation.com/thedirectorstake 

Biography

Sebastian Thiel is a director, writer, producer. Born in Zambia and raised in North-West London, 

He started his own production company, Upshot Entertainment, at the age of 17 and made his 2014 TV debut on London Live with his documentary Trap Town which he created, wrote and directed. 

His first drama Just A Couple began life as a YouTube series before being picked up by Big Talk Productions for BBC Three.

Sebastian went on to direct the International Emmy-nominated BBC Three comedy Dreaming Whilst Black, and the recent hit ITVX and Amazon Prime drama Riches.  

Most recently, Sebastian directed Rapman’s SUPACELL, the number 1 superhero drama show in London for Netflix.

Sebastian continues to produce content through Upshot Entertainment, a subset of which produces professional and dynamic showreels, under Upshot Reels, for some of Britain’s greatest talent including Letitia Wright (Black Panther, Small Axe).  

He is also the founder of Dope Black Art, which is dedicated to championing black culture through visual art.

Nuggets of the week

OZ:Jean-Michel Basquiat -  id 

 https://www.youtube.com/watch?v=8G9pnE0bnfE

Marcus: Shiro’s Story - https://youtu.be/H_6ZJrg-E3Q?si=dnk8dmSHiTsn8KvE 

And also Just A Couple https://youtu.be/E_jATst-xtk?si=oz_uFxa5bm2DnMdp

Sebastian: UPSHOT Reels

Credits

Music by Oliver Wegmüller

Socials

Sebastian: Twitter (X) & Instagram

The Directors' Take: Twitter (X) & Instagram

Marcus: Twitter (X) & Instagram

Oz: Twitter (X) & Instagram

If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at [email protected]

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