Her husband's placement of a Ziploc bag at a TSA screening station becomes a watershed moment for Jane Hamilton as she contemplates the intricacies and interdependencies of marriage. "Finding Forgiveness in a Ziploc" takes us through fury to empathy, examining the ways in which imagination can lead to understanding.

With rich language and striking images, the narrator of Pablo Medina's novel Cubop City Blues introduces himself, from the moment of his birth. His mother's infidelity, his aunts' various devotions, his father's cuckolding, and the rhythms and voices of this creative and created version of New York City--all of them come powerfully to life in this vivid excerpt.

Hildy, the narrator of Ann Leary's The Good House, is a descendant of a Salem witch, making her living selling real estate in the fictional Wendover of Massachusetts' Gold Coast. In this excerpt from Leary's novel, Hildy demonstrates her power to judge character, background, and aspiration simply by looking at the landscaping of a seaside mansion. Moving within but also slightly outside the culture of wealth and ambition, Hildy assesses the tensions and anxieties of her surroundings with acerbic wit.

Sabine Heinlein's essay "Pomp and Circumstance" traces the challenges and successes in the life of a young blind man negotiating life in New York. Heinlein gives us a vivid sense of the world as this young man experiences it, as she follows him through certain key milestones. A version of the essay first appeared in the American Literary Review where it was awarded the 2011 non-fiction award.

Laurie Jacobs' flash fiction piece "The Call" is a MuseFlash selection from The Drum's Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. "The Call" is an early morning phone call that alters the life of Jacobs' college-student narrator. The brevity of the piece belies its dense emotional impact and its moving tone.

Wendy Wakeman's "Identity Theft" was a selection from The Drum's Third Annual MuseFlash contest at Grub Street's Muse and the Marketplace conference earlier this month. Financial dire straits and the pressures of college and work form the setting for the piece, in which a ten dollar bill and a grandmother's handwriting come together to alter the narrator's life.

In Marcia Douglas' "Boy With a Watergun in His Schoolbag", a boy finds power and poetry in something so basic as the multiplication tables. The number seven becomes the source of discovery of his own greatness and of his identity in the face of the confining world of school and a teacher with a ruler in her hand.

"Boy With a Watergun in His Schoolbag" was The Drum's selection from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month.

Kelly Robertson's "The Characteristics of Dirt" is one of The Drum's selections from our Third Annual MuseFlash contest, recorded at Grub Street's Muse and the Marketplace conference earlier this month. Robertson's piece takes an intriguing and almost eerie look at a woman with an intense need to dig. This short work brings the listener in close, focusing on vivid sensory details of the loam the character sifts through.

Ladette Randolph's novel Haven's Wake tells the story of a family reunited on the family farm after the death of their patriarch. Set in a Mennonite community in eastern Nebraska, the novel illuminates themes of faith and loyalty, belief and imagination, family and allegiance. In this excerpt, a son discovers the strange clay figures his father was building beside the lake where met his death.

A man and a woman, a car, and a long drive in the company of memories and ruminations. Religion, race, and the seductive power of persuasion all come together in Tiphanie Yanique's story "Oakland Gomorrah". The story's conclusion offers a particularly thought-provoking reflection on beliefs and history. "Oakland Gomorrah" appears in print in the current issue of the literary journal AGNI. Listen to the story here, and read along in print. The story is read aloud by Katrina Grigg-Saito.