
Sign up to save your podcasts
Or


Today we're talking about a technique in storytelling that we're calling the “revelation”. Inspired by Banes doing an article on the weird trope in movies of having a character discover newspaper stories about the villain that suddenly reveal the true stakes of the story and kick things into high gear. There are other types of revelation in stories though and they're used in different ways. The revelation technique can be used in the midpoint of a story as a way of showing the true scope of what the protagonist faces, which signals a corresponding urgency in the story, a rise in tension and an increase in pace - when done well! When done badly, as in the recent Marvel movie Eternals, it has the opposite effect- killing tension and diffusing the energy of the story. A revelation can be used towards the end of a story to show a twist which makes you reevaluate the entire story and look at it in a different way as in Unbreakable or The Usual Suspects. A late revelation can also be used to enrich the story by revealing extra details about a character and sweetening the story after the climax. And then there's the typical Marvel movie way of using super late revelations in the form of Easter eggs which give an audience a sense of anticipation and reward, uncovering secret things about where a story will go next! A good revelation can add a lot of spice to a story and you're usually pretty safe in its use. The Eternals is a weird exception, where they really messed up this easy technique, TWICE, and cut the power to the story. Watch it and you'll see what I mean! Do you know any stories where a revelation ruined things? This week Gunwallace has given us a theme to Hawk and Flo Ice Cream Truck of Doom part 1 - Flicker, flicker, hypervelocity turning and spinning, action and movement. Techno synth keyboard, strings snapping drums moving faster than thought. Topics and shownotes Links Banes' newspaper revelation newspost - https://www.theduckwebcomics.com/news/2022/aug/16/the-horror-newspaper-revelation-scene/ Some of the stuff mentioned in the cast: The Eternals - https://www.imdb.com/title/tt9032400/ The usual suspects - https://www.imdb.com/title/tt0114814/?ref_=fn_al_tt_1 The Guest - https://asianwiki.com/The_Guest_(Korean_Drama) La Mante - https://www.imdb.com/title/tt6467482/ Featured comic: Them There Hills - https://www.theduckwebcomics.com/news/2022/aug/16/featured-comic-them-there-hills/ Featured music: Hawk and Flo Ice - https://www.theduckwebcomics.com/Hawk_and_Flo_Ice_Cream_Truck_of_Doom_part_1/ - by HawkandFloAdventures, rated E. Special thanks to: Gunwallace - http://www.virtuallycomics.com Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Leaders are not born, they're created… literally in the case of fiction, created by creators of comics, books, movies, and other media! For this Quackcast I was inspired by two things: a video on Leader Characters by the satirical YouTube channel Terrible Writing Advice, and the Disney movie Lightyear, in which the lone wolf classical hero figure learns how to lead. Lots of traits are useful for leadership: Charisma, experience, age, rank, communication skill, empathy, compassion, dominance, and confidence among others, and different styles of leadership work better in different contexts. Take for example the military paradigm of the lieutenant and the sergeant - a lieutenant is typically the lowest ranking commissioned officer, they're a beginner. They're young and they're not experienced but they outrank enlisted men and non-commissioned officers who might have more experience than them. The sergeant is usually one of the highest ranking “non-commissioned officers”, they're usually older than the lieutenant, who outranks them, and they have a LOT more experience. This creates an interesting leadership dynamic- the lieutenant learns from the sergeant but they also lead in a different way from them. The sergeant is better at leading the soldiers and knowing what to do from a practical standpoint while the lieutenant is better at theory and interpreting with higher level orders, eg. “Our orders say we have to take that hill and meet up with the other squad near the river at this map reference, so I want to split the squad…” etc While sergeant will actually be able put all that into practice a lot better than the lieutenant could. - (Said by a non-military person, so this could be very wrong) Fiction is full of leaders, good and bad. Most Scifi tends to have a military influence so it all has a very familiar military hierarchical setup. Star Trek is especially known for its “good” leaders, who're inspiring, clever, brave, full of empathy, experienced, and wise. The perfect foil to them is Zapp Brannigan from Futurama who was specifically created to be the anti-Star Trek type leader with all the very worst traits that any leader could ever have. He's a horrible person, sacrifices troops meaninglessly, has a poor grasp of strategy, and takes advantage of his position for self-gratification and self-aggrandizement, all of which makes him beautifully entertaining as a character! He's one of my fave leaders in fiction, on a par with the 90s Star Trek leaders Jean-Luc Picard, Captain Benjamin Sisko , and Captain Kathryn Janeway. Leadership is a huge subject with lots of other aspects. Politics is a massive subsection in its own right! And we can't forget that it's the followers who actually give the leader power and if they choose to desert then that power can vanish… We cover all this and more in the Quackcast. Who're your fave fictional leaders and why? This week Gunwallace has given us a theme to The Waves Inside - Clear ocean. Orange blue pink. Liquid metal swells. A calming, hypnotic synth journey over 1000 kilometers of smoothly textured sea. Topics and shownotes Links Terrible Writing Advice, Leader Characters - https://www.youtube.com/watch?v=lawvXdBYlAI Featured comic: Mydan Post Beginnings - https://www.theduckwebcomics.com/news/2022/aug/09/featured-comic-mydan-post-beginnings/ Featured music: The Waves Inside - https://www.theduckwebcomics.com/The_Waves_Inside/ - by TheJagged, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/ Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
How do you describe your work to sell it to people? Writing blurbs is a real skill! You generally have to avoid doing these four things: Underselling, Overselling, Selling the wrong story, or Revealing too much. It's quite a tricky balance to master. I've been writing feature blurbs for comics here on DD for many years now (about 16), so I've developed a technique but even I haven't mastered it! - Overselling is when you promise too much, more than the work can ever provide. It might help you attract an audience but it'll probably piss them off when the promises aren't met. - Underselling is when you downplay the work too much so that it doesn't really sound interesting and discourages people from checking it out at all. - Selling the wrong story is when you advertise things about your work that it's really not about, like advertising it as a love story when it's really about violent action. You'll just attract the wrong audience and lose readers. - Selling too much is when you reveal major plot points and crucial story elements. People don't usually want to look into a story if they already know how it's going to go. My technique with featured comics is to use a standard format. I introduce the main character and and the issues facing them in their world. Then I talk about the art and the story style. I do this so I can personalise the story for people, centering it onto that character or characters. Mentioning the issues introduces some stakes so people start to wonder how the character will deal with those. Talking about the world of the characters gives everything a context, a playing field unique to them and their situation. Talking about the story style, genre etc filters things to the correct audience, as does the mention of art. This works for me because I have to do it over and over hundreds of times, another style might work better for you. :) This week Gunwallace has given us a theme to Sad W - Hurry up and wait! All the loose energy and stress of a Friday afternoon when it’s almost time to go home but your boss throws an urgent last minute job onto your desk. Hurry, hurry, quick, finish! Damn, you made a huge mistake, do all that bit again. Hurry! This is a modern sounding, high energy, track, thrumming with urgency. Topics and shownotes Links Forum post - Writing spoiler free blurbs - https://www.theduckwebcomics.com/forum/topic/179116/ Featured comic: Remedial Magic - https://www.theduckwebcomics.com/news/2022/aug/01/featured-comic-remedial-magic/ Featured music: Sad W - https://www.theduckwebcomics.com/Sad_W/ - by Sstavix, rated E. Special thanks to: Gunwallace - http://www.virtuallycomics.com Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
The Manchild can be a fun character or they can be pathetic. They're a staple of comedies because they're an adult that gets to act immature and childish, without the restraint and responsibilities imposed by adulthood. This can make a great contrast; “The adult man acting like an immature child”, John C Riley and Will Farrel have always done that extremely well, as did Chris Farley back in the 90s. It can be be portrayed as pathetic and sad when the person can't seem to be able grow up or take on any responsibilities. They're often characterised by people with “childish” interests, like the cast of the Big Bang Theory, or with a childlike love of something like sports like Kevin in Kevin can F Himself. This trope was particularly dominated by male characters until recently when female characters have finally been able to join their ranks. My theory was that the majority of writers always used to be males and so were much better at portraying women from an external perspective; i.e. as what they mean to males: desirable, caring, scary etc, rather than an internal perspective showing what it's like to BE them, as they did with male characters. A good example of this is the Simpsons where Homer is usually a manchild while Marge is generally a responsible mother who holds the family together. But now we see more instances of women allowed to be silly, immature, pathetic, childish and funny, just like their male counterparts and it's really good to see that balance being restored; All about Steve with Sandra Bullock, most Melissa McCarthy and Rebel Wilson films, Muriel's Wedding, even Fleabag depicts a womanchild character, although in a very self critical light. In the end though I think the trope resonates with us because we are all really still children inside, underneath the superficial trappings of adult responsibilities, restraints, and tastes are the same childhood exuberances and joys. The biggest, meanest, bearded, hairy man or the old white haired bespectacled woman are still the same kids inside that they were when they were growing up and this is something that we all have in common. The older I become the more I look back at the facile childhood aspirations to adulthood -things like wanting to drive, to drink, take drugs, fight in a war, lose one's virginity- as being the epitome of immaturity and childishness. None of those things are about growing up or adulthood in any way, in fact they're exactly the reverse. Adulthood is about responsibilities. The womanchild and manchild characters can allow us to vicariously enjoy adult life without responsibility, whether it's in a positive way like The Dude or negative like Zach Galifianakis' Alan in The Hangover series. Do you agree? What are your fave Womanchilds and manchilds? This week Gunwallace has given us a theme to Zeitgeist B-Side - Dizzy, dreamy, acoustic guitar, throwing moods and colour. This takes us from a minimal white apartment, to the twilight shadows of the evening in a forested wood. Night surrounds and pervades. Topics and shownotes Links Banes' Newspost Manchildren - https://www.theduckwebcomics.com/news/2022/jul/21/the-manchild/ Featured comic: The Waves Inside - https://www.theduckwebcomics.com/news/2022/jul/26/featured-comic-the-waves-inside/ Featured music: Zeitgeist B-Side - https://www.theduckwebcomics.com/B_Side/ - by ISTKY, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/ Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
The risks of online creative success We live in a wonderful time where you're able to turn your creative passion into a job that can support you just by using freely available online services like YouTube, Spotify, Instagram, Patreon, Ebay, Paypal, Etsy, Webtoons etc. You can start with nothing more than your computer or phone and end up with a thriving business based on your passion project. It's not easy, achieving enough success where you can quit your day job still tends to take a lot of work, but once you get there it can be amazing. However, that's not the end of the story unfortunately. The services that you use do not have too much compassion or care for their creators. They are not subjected to the same regulations or legal responsibilities as traditional businesses. They are not neutral services that you can use to build a business around and always have the same expectation of stability. To use an analogy- it's like a business park office complex offers tenants free space and basic services if they set up their businesses there. So of course you leave your previous rented office spaces because it's pointless managing two locations. In return for the use of the space and services you help bring in multiple new customers who want to see you, but they're able to also redirect them to their other tenants and show their advertising to them as well. That system seems to work great for both of you, till they decide they want to redirect all of your regular customers to their other tenants because they don't like what you do for their image anymore; or they decide to shut down your offices which erases all the money, time and effort you've put in to making your business a success… If that happened in the real world, you could very easily have a legal case against them. But there is zero recourse like that in the digital world. Instead they pretend that they're just providing free tools and nothing more, and so they have zero responsibility for the real world investment of money, time, and energy that people put into their work to build their audiences- Audiences which are the real capital and what Google, Facebook, Instagram, Etsy, Spotify and all the rest REALLY need the hard work of the creatives for. These “free” services use the effort of the creatives as a free resource to build and maintain a larger user base that they exploit in various ways; data-mining them, trading personal-information, up-selling subscription services, and selling their time to advertisers. So they DO have a lot of ethical responsibility to their creative user-base, but not a legal one because the law hasn't caught up yet unfortunately. There have been many thousands of instances of creators being shafted because the service they used suddenly screwed them over. Patreon, YouTube, Instagram, Spotify, Tumblr, Paypal, Facebook to name a few have all carelessly harmed creators/users in various ways. So, you can become a huge success, but you can also have that success robbed from you by the very system that you used to start yourself off. How do you combat this? You could try lobbying politicians to bring accountability to these large companies that control the internet, but more realistically there are sensible precautions you should take: Don't quit your day job- always have a real source of real world income; Don't put all your eggs in one basket- use multiple services and sites and accounts for your work if you can; Try and own your own domain name so you can point users to a new service if your old one betrays you. I'm sure there are other ways too. Lastly, we can sort of put The Duck Webcomics in this category too since we offer a free service to creators and we benefit form the audiences those creators bring in. However, we haven't changed our rules for over a decade, the service were provide is fully stable, our entire motivation is about maintaining a good neutral place for creators to host their comics, we don't make any profit on the site, and we don't mine our site audiences in any way at all: no data-mining, no selling of information to marketers, no up-selling of subscriptions or other services. But even so you shouldn't just put all your eggs in our basket either because no site is 100% reliable in perpetuity. This week Gunwallace has given us a theme to Cribal Series - Raw, wiry electric guitar weaves in and out in an exotic tangle, threading around this tune to create a barbaric themed melange from a distant time and place. Topics and shownotes Links Featured comic: Black Parade - https://www.theduckwebcomics.com/news/2022/jul/19/featured-comic-the-black-parade/ Featured music: Cribal Series - https://www.theduckwebcomics.com/Cribal_Series/ - by Trebuxet, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
History is happening faster now. With the growth of universal high speed communication and cheap world travel, culture and technology move at unprecedented speeds. Because of these factors the rate of change is different to what it was at any time in the past. This is an objective and verifiable truth rather than subjective perception: the current speed and quality of global communication has never been possible before and that has ramifications for how the world changes. This topic was inspired by Banes's newspost last week about how a huge stoush on American late night TV only a little over ten years ago is now unrelatable history; something that was so important then is largely meaningless now. A fight over TV time-slots lacks meaning for us now because time-slots are irrelevant, not to mention most people would rather stream than watch TV. And yet at the time it was vitally important, as it would have been in the 60 years or more before that. My cover image references phones and how they've changed at an ever increasing rate over the years. They've changed so fast and so universally that you can date when something was made to a granular degree just by seeing a phone, to the year. In the past you could read an old comic or see an old TV show and there weren't that many differences to the present day because things changed slower. You could see that fashions and the styles of things had changed but mostly it was still all very relatable and you could not easily pinpoint the date of something to the year it was made from only a single item of tech. The pace of change means that many stories happen in ways today they couldn't in the past, but it also means much more things from the past are harder to relate to for people who've had no direct experience of them in the historical contexts they came from… What are some of the things you recall that have no meaning today? This week Gunwallace has given us a theme to FrayFall - In the words of the maestro: “Still in a soundscape sort of mood. Calmness, but demons lurking is what I was going for”… And this is what we get with a seemingly serene landscape of slightly pulsing tones, fading in and out and overlaying one another like the calls of distant whales in the green-deep open ocean… But the thing about depths is that you never really know what’s lurking down there, just out of sight. Topics and shownotes Links Banes' Newspost about modern period pieces - https://www.theduckwebcomics.com/news/2022/jul/11/you-call-that-a-period-piece/ Featured comic: Book in Hat - https://www.theduckwebcomics.com/news/2022/jul/12/featured-comic-book-in-hat/ Featured music: FrayFall - https://www.theduckwebcomics.com/FrayFall/ - by Frae, rated E. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/ Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
The Superhero movie cast last week was popular, I wanted to chat to Tantz about different types of superheroes. We all know that the same kinds of superheroes seem to popup and reoccur in multiple forms all the time, even within the same worlds, i.e god-like superheroes like Superman, Captain Marvel, Omni-man, Homelander, or Magical types like Doctor Strange, Zatana etc. It was a fun chat about all the categories and subcategories we could think about! There are so many heroes that fit in multiple groups and of course there are way more categories than either Tantz or I could think of. Here are the ones we thought of; God types (i.e Superman), Speedsters (Flash), Magical devices (Shazam), Supernatural (Ghost Rider), Humans who use tech (Batman), Magic users (Dr Strange), Mutants (Wolverine), Angels (actual angels as superheroes), plot-armourerd human contextual heroes (Judge Dredd), Heroes enhanced with tech (Spiderman), Disabled heroes (Oracle), Strength types (Hulk), Heroes WITHOUT secret identities (not that many), Gritty (The Punisher), Guns (The Punisher), Military (Tankgirl), Rich people (Ironman), Immortals (Wolverine), and so on! Tantz and I are both pretty ignorant though. If you know more please say! It's not the categories that are the interesting part though, it's how many heroes basically fill the same roles. Like, how many Superman style “god” types are there for example? This week Gunwallace has given us a theme to Shadow Born - Low sun glinting through gaps in the slow moving silhouette of a freight train shuffling past into the clitterly clattery distance, losing itself in evening twilight shadows as day sinks away to night… This is a soundscape of shadow, winter and darkness, rendered with atmospheric, rhythmic, layered synth sounds. Topics and shownotes Links Featured comic: Goldstar Of Wishes and Miracles - https://www.theduckwebcomics.com/news/2022/jul/05/featured-comic-goldstar-of-wishes-and-miracles/ Featured music: Shadow Born - - https://www.theduckwebcomics.com/Shadow_Born/ - by GunPowderRum, rated T. Special thanks to: Gunwallace - http://www.virtuallycomics.com Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
I wanted to do an easy and fun one this week and just chat about our fave superhero movies, starting with our firsts! For me and Banes it was Superman with Christopher Reeve. It's a real classic, full of positivity, hope, and optimism, all with bright colours and classic iconic imagery… In that way it's a bit like many of the Marvel films and the more popular DC offerings like Aquaman and WonderWoman, but without the overbuilt and over-defined muscles! Reeve was handsome in an almost alien sort of way and quite well built but his muscles weren't pumped up to the extreme like they are on pretty much every single modern superhero movie character, which is quite interesting when you think about it. His suit was very simple- no crazy little irrelevant textures that are there for no clear reason, no finicky details and effects, it was just bold and flat like in the original comics. Starkly iconic! The superhero films that do better always seem to be the ones that are completely unapologetic and unironic in their portrayals. They don't try to make their heroes “realistic”, they don't deconstruct them, layer on drama, get rid of the over the top costumes, tone down colours or superhero abilities. Superhero films that aren't ashamed to be superhero films tend to succeed. You could say that the other side of the coin is when things are taken too far as in Batman and Robin, but that was an obvious self parody rather than a film in love with the idea of superheros. One of my own personal faves is Captain America: First Avenger, because it shows the true superhero origins in the real historical context as well as actually showing that superhero doing his day to day missions after getting his powers (fighting the Nazis and Hydra). Too many of the films just give as an origin story and then a climax, they never ever actually show us what the hero “does”: They ONLY show a simple progression from birth of the hero to challenge hero faces to hero overcoming challenge. The fact that it gives us a proper historical context can't be overstated - It means you get to see the world in which the very idea of the modern superhero was actually created, the world that gave birth to these superheros is actually on show! This week Gunwallace has given us a theme to Space Pack - A gentle dancy progression, leading into more and more urgency and danger. Very Scifi and slightly spooky, with a little explosion at the very end… But is it really the end? Topics and shownotes Links Featured comic: DNR - https://www.theduckwebcomics.com/news/2022/jun/28/featured-comic-dnr/ Featured music: Space Pack - https://www.theduckwebcomics.com/Space_Pack/ - by Stingy, rated E. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/ Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
A and B stories… And C, and D etc. It seems that it's more popular than ever to have stories with multiple concurrent threads. This is when you have a main story and a bunch of other sub stories all happening at the same time. These might come together at the end of the story or they might peter out. We don't get many stories just made with just an A-plot and nothing else these days. I used to think it was the mark of a superior writer, but it's really not at all, it's just another in a long line of techniques that has its uses and missuses; most annoying of which is when cutting to the B story takes the momentum and energy out of the A story or it changes the tone of the overall story in an unfavourable way. While a good use of a B story could be to give the audience a momentary rest from the stress and urgency of the A story, while retaining the momentum. The multiple thread story structure is most obvious in sitcoms, but it's really everywhere and when it's good you don't tend to notice too much. Do you write stories with multiple subplots? Can you name a story that's just an A plot and nothing else? This week Gunwallace has given us a theme to Into the Bookwoods - A folksy calming journey into dark green, misty, warm depths and golden lit fields in afternoon sun. An acoustic driven piece with the pleasing sounds of plucked wire strings! Topics and shownotes Links Featured comic: Shadow Born - https://www.theduckwebcomics.com/news/2022/jun/21/featured-comic-shadow-born/ Featured music: Into the Bookwoods - https://www.theduckwebcomics.com/Into_the_Bookwoods/ - by Kvalhissir, rated E. Special thanks to: Gunwallace - http://www.virtuallycomics.com Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Sometimes it's worth revisiting old ideas because you can do them better or explore them deeper. This could be in the form of a full reboot, or it could be as simple as reusing a pose in a panel or using the same theme again like Pixar does with 90% of their output i.e. “coming of age”. Like them you don't need to feel obligated to always do something totally original, revisiting old ideas is a great way to refine them, create better work, or explore different aspects of them you hadn't considered before and put new and interesting spins on things. Consider that Pixar's Turning Red, Encanto, Moana, Coco, The Incredibles 2, Ratatouille, Inside Out, Brave, Onward, and Luca all share the same “coming of age/childhood independence” theme and yet all do it in unique and original ways, exploring different aspects of the idea from all sorts of angles. Most of the women that Frank Cho and Milo Manara draw look the same, but they do it in such an interesting way that people love them nevertheless. Leonardo daVinci and or his students painted at least 4 different Mona Lisas and probably many drawings; practice make perfect! How many film and comic versions of the origin story of Batman, Superman, and Spider-man are there? SarahN on Drunk Duck used to restart and redo her comic “Vampire Phantasm” annually, maybe 5 different times, and it just got better and better and more interesting with each iteration. Amelius on DD did a soft reboot of the origin of Charby The Vampirate called “ReVamped” where she went back and tweaked the origin story a little and redrew the pages with much improved art, however she didn't stop working on the original story, that kept going at the same time! So you see there is a lot of merit in revisiting things and improving upon them! For every George Lucas inserting bad animation and “Noooooo”s into iconic and much loved films there are many more people who revisit older creations and do much better things with them. What do you wish you could redo with your work or how do you reuse old ideas? For me it's usually specific panels… sometimes they bug me too much and I go back and change them. They could be 15 years old but I'll still do it! This week Gunwallace has given us a theme to TAoSP The Adventures of Sir Power - In the words of the master behind this tune: funky theme for a comic that's a little bit ‘funky’. It really is a bouncing funk, with a fuzzy, spiky sound that vibrates and cuts its way through. Topics and shownotes Links Charby The Vampirate ReVamped - https://www.theduckwebcomics.com/ReVamped/ You can find SarahN's much revisited Vampire Phantasm here - http://www.vermillionworks.com/ *Wrongly called “Jack” in the cast. Featured comic: The Werewolf Prince - https://www.theduckwebcomics.com/news/2022/jun/14/featured-comic-the-werewolf-prince/ Featured music: TAoSP - https://www.theduckwebcomics.com/TAoSP/ - by Zero Hour, rated M. Special thanks to: Gunwallace - http://www.virtuallycomics.com Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean PitFace - https://www.theduckwebcomics.com/user/PIT_FACE/ Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
From the publisher's feed