Staying within the realms of straight photography is fun, but it can be boring. I

I like surreal images and videos, and may make a few more. Creating them constantly can make them seem gimmicky, so I will make them sparingly.

Surveillance cameras are sprouting everywhere, and the state has become overbearing. How does this affect people and society? How will these changes affect your behavior as a photographer, and what new stories will emerge?

Jobless in the heat and dust. India's unemployment rate is skyrocketing and may cause upheaval in the near future. Can you capture such stories before chaos hits? Or do you photograph the event when the explosion occurs?

Join me on a short walk through the chaotic goat market just before Eid at Jama Masjid, Delhi

We are in the middle of a torrid summer. Summers are going to become worse and people must become aware of what is happening. What should humble photographers do to mitigate against the impact of severe heat?

This is an Instax Mini Evo Cinema video of a walk in Ballimaran, Delhi, the old home of Mirza Ghalib.

Editing is not the final step in the process of 'making a photo.' The final step is sharing that image with the world, either as a print or on social media. Editing, like presenting, involves choices and compromises that you must make.

In this episode, I talk about the challenge of becoming invisible, or becoming a part of the landscape, when doing street or travel photography. The challenge is to get people to accept your presence on the street.

I walked up the hill in Dunagiri, Uttarakhand, and met a sadhu, the priest of a small temple. We had a brief but fascinating conversation.

I was in the market in Janpath, New Delhi, where I reflected on photography, waiting, and 'the decisive moment.' Capturing the decisive moment requires patience, active watching, and anticipation.