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The ethical demands of "Guess Who's Coming to Dinner" (1967)
Does Stanley Kramer's 1967 film, "Guess Who's Coming to Dinner", have to make too many sacrifices in order to be morally palatable to its white audience?
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Does Stanley Kramer's 1967 film, "Guess Who's Coming to Dinner", have to make too many sacrifices in order to be morally palatable to its white audience?
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