Ben and Rob head back to Forks for The Twilight Saga: Eclipse, the third (and somehow most openly unhinged) entry in the glittery supernatural mega-franchise. The one where the love triangle becomes a war movie, the subtext becomes text, and everyone suddenly starts giving speeches like they’re in a fantasy epic instead of a rainy teen melodrama. Starring Kristen Stewart, Robert Pattinson and Taylor Lautner (now operating at full shirtless protector mode), Eclipse finds Bella caught between eternal vampiric marriage and extremely mortal werewolf abs, while Seattle is being terrorised by an army of newborn vampires and the franchise quietly pivots into X-Men: Forks Edition.

But what is Eclipse, exactly? A romance? A war film? A lore dump disguised as a graduation party? Why does this chapter feel like the moment the series decides it has important things to say especially when the Mormon coded themes of chastity, marriage, and forever commitment stop being coy and basically grab a megaphone? Mormon Subtext becomes Mormon TEXT, and Ben and Rob dig into how that shift reshapes Bella’s choices and the series’ worldview.

Along the way: questionable battle strategies, bizarre backstories, accidental comedy, and the way Eclipse retroactively changes how the whole franchise works. Which choices genuinely land? Which feel baffling? And which make you pause the movie just to ask if that’s how that really works?

Most importantly, beneath the speeches, the slow-motion running, and the aggressively chaste yearning, what does Eclipse really mean?

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Ben and Rob hit the road with Rain Man (1988), and this week they’re graciously joined by dear friend, Amber of the Ctrl Alt Critique podcast to unpack one of the most celebrated (and complicated) Best Picture winners of the late ’80s. Starring Dustin Hoffman and Tom Cruise, the film follows a fast-talking yuppie who discovers he has an estranged autistic brother with extraordinary abilities, then drags him on a cross-country trip that slowly turns from a selfish cash grab into something resembling a family reunion.

The gang are getting into; How did this movie go from beloved Oscar juggernaut to a performance many now see as a damaging stereotype? What was the real-life inspiration for Raymond Babbitt? and how close does the film come to capturing or flattening that reality? Why, outside of Star Wars, might this be the only other major pop-culture ripple we have George Lucas to thank for? and what behind-the-scenes twists and wild early casting choices almost turned the movie into something completely different? How do Cruise’s slick desperation and Hoffman’s hyper-specific, heavily mannered performance play off each othe?; what still works beautifully, what feels dated, and what sparks bigger conversations about representation in cinema? and finally, beneath the road-trip structure and awards-season prestige, what does Rain Man really mean?

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Ben and Rob return to Forks for The Twilight Saga: New Moon (2009), the moodier, louder, and somehow even more emotionally chaotic sequel that turned a teen vampire romance into a full-blown blockbuster franchise. Starring Kristen Stewart, Robert Pattinson and Taylor Lautner (now with significantly more screen time and significantly fewer shirts), New Moon finds Bella Swan reeling from heartbreak, spiraling into supernatural depression, and discovering that if one dangerous immortal boyfriend disappears, there’s always a pack of extremely buff werewolves waiting in the wings.

What is New Moon, exactly? a breakup drama, a monster movie, or two hours of staring out rainy windows set to indie rock? how does the film immediately escalate the Team Edward vs. Team Jacob love triangle into a full-on cultural battleground? and how does the sequel double down on the series’ Mormon coded ideas about chastity, eternal commitment, and “don’t even think about it” desire (aka Mormon Subtext 2: Chastity Boogaloo)? With a bigger budget and bigger expectations, what changes behind the camera and on screen? Does the expanded action, globe-trotting vampire politics, and slow-motion wolf running actually improve things? and at what point does this movie quietly turn into Top Gun for werewolves? Which choices genuinely work, which are baffling, and which feel completely unhinged? How did New Moon transform teenage longing into an international event movie? And finally, beneath the angst, abs, and apocalyptic romance, what does New Moon really mean?

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Ben and Rob dive into Sinners, the intense, genre-blurring drama that’s become one of the most talked about films of the year and, remarkably, the most Oscar-nominated movie in history.

Often mistaken for a vampire story but driven more by themes of guilt, faith, and morality than horror, Sinners uses its haunting atmosphere and tightly unified style to tell a story that feels uncannily contemporary, even though it isn’t set in the present. With every department working in striking harmony, the film’s look, sound, and performances create a singular, deliberate vision.

But what is Sinners, really? a prestige drama, a modern allegory, or something else entirely? Does it truly deserve its record-breaking recognition? And what does its success say about the kinds of stories the Academy wants to celebrate?

Ben and Rob unpack what works, what doesn’t, and what it all adds up to in one of the year’s most debated films.

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Ben and Rob sink their teeth into the endlessly debated phenomenon of Twilight (2008), the moody supernatural romance that launched a franchise, a thousand memes, and an entire generation of Team Edward vs. Team Jacob discourse. Starring Kristen Stewart, Robert Pattinson and Taylor Lautner, Twilight follows an awkward new girl who moves to a rainy town, falls for a mysterious classmate, and quickly discovers that eternal love comes with fangs, glitter, and some deeply questionable life choices.

What is Twilight, really? A tragic romance, a paranormal soap opera, or an accidentally hilarious teen melodrama; how does the film’s Mormon subtext shape its ideas about love, abstinence and destiny; and what went wrong (and occasionally right) behind the scenes during its famously scrappy production? How do the movie’s stiff line readings, bizarre tonal shifts and earnest sincerity combine into something strangely compelling; what parts of the plot are genuinely effective, which are baffling, and which are completely unhinged; and how did this odd little adaptation become one of the biggest pop-culture juggernauts of the 21st century? And finally, what does Twilight actually mean about romance, identity, fantasy, and the stories we tell teenagers about what love is supposed to look like?

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Ben and Rob plug into the charming chaos of Short Circuit (1986), the beloved sci-fi comedy about a military robot who accidentally gains self-awareness and discovers the joys and dangers of being alive. Starring Ally Sheedy, Steve Guttenberg, Fisher Stevens and the unforgettable Johnny Five, Short Circuit follows a runaway robot as he escapes government capture and learns about humanity through pop culture, friendship and an endless appetite for input.

Why has Short Circuit endured as one of the most lovable robot movies of the 1980s; how does the film balance slapstick comedy with surprisingly sincere questions about consciousness and personhood; and what is it about Johnny Five that made him such an instantly iconic screen character? How do Ally Sheedy’s warm performance and Steve Guttenberg’s affable energy ground a story filled with laser guns and pratfalls; what does the film get right, and very wrong, about technology and cultural representation; and how does Fisher Stevens’ performance fit into the conversation around Hollywood’s past casting choices? And finally, what does Short Circuit ultimately say about life, learning and empathy?

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Ben and Rob chart the final moments of ‘Life Of Chuck’, Mike Flanagan’s Stephen King adaptation that has quickly become one of the most talked about life affirming films of the year. Starring Tom Hiddleston, Mark Hamill, Chiwetel Ejiofor, Karen Gillan, Matthew Lillard, Jacob Tremblay and Mia Sara, Life Of Chuck tells the story of an ordinary man whose existence unfolds backwards through collapsing worlds, childhood dance lessons and the small moments that define a human life.

Why has Life Of Chuck become such a powerful Stephen King adaptation for modern audiences; how did Mike Flanagan turn a strange, non linear short story into a deeply emotional and life affirming film; and why are so many viewers calling this one of the most moving movies of the year? How do Tom Hiddleston, Mark Hamill and Chiwetel Ejiofor anchor a story built on memory, grief and joy; what do the attic and the cupola really represent; and how do the recurring objects across timelines quietly rewrite what the film is saying? And finally, what does Life Of Chuck really mean about connection, mortality and the fear of forgetting what made life beautiful?

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Ben and Rob abduct ‘Buffalo 66’, Vincent Gallo’s 1998 cult drama that sits uncomfortably between love story, character study and anti movie. Starring Vincent Gallo, Christina Ricci, Ben Gazzara, Mickey Rourke and Anjelica Huston, Buffalo 66 follows a deeply broken man staging a fake relationship to impress his parents, while quietly becoming one of the strangest and most divisive romantic films of its era.

What makes Buffalo 66 so unconventional when compared to traditional romantic dramas; why is this film so intensely polarising for audiences; and how much of its discomfort is deliberate rather than accidental? How does the insane real life persona of Vincent Gallo bleed into the film itself; where does performance end and self mythologising begin; and what does Buffalo 66 really mean when stripped of its controversy and reputation?

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Ben and Rob take stock of cinema with their best films of 2025 episode; a sprawling, argumentative and occasionally unhinged reflection on a year that refused to be tidy. From blockbuster expectations to quiet character pieces, franchise sequels to left field surprises, this episode circles titles like Weapons, Sinners, Sisu 2, Bugonia, Good Boy, A Real Pain and Superman, alongside many more films that shaped, disappointed or completely blindsided them over the last twelve months.

Did all of these films make the list; did none of them; or did some sneak in while others were left in the cold? What even defines a great film year now; how much does context change taste; and why do certain movies linger while others evaporate instantly? How much do Ben and Rob agree; how much do they absolutely not; and what does a best of list really say about the people making it?

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Ben and Rob turn it up to eleven with ‘This Is Spinal Tap’, Rob Reiner’s 1984 mockumentary that permanently rewired comedy, metal, and how musicians see themselves. Starring Christopher Guest, Michael McKean and Harry Shearer, This Is Spinal Tap follows England’s loudest and least self aware heavy metal band as they tour America, argue about amps, lose drummers at an alarming rate and accidentally create one of the most influential films of all time.

How did Rob Reiner and Christopher Guest invent an entirely new comedic language; why is metal as a genre uniquely perfect for satire; and how did This Is Spinal Tap go on to influence everything from The Office to modern mockumentary storytelling? How many real musicians see themselves uncomfortably reflected in this film; why do Ben and Rob have their own deeply Spinal Tap style music industry war stories; and what does This Is Spinal Tap really mean about ego, creativity and the absurdity of chasing greatness?

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