We pick up after the interview; So just who is this outcast? Will he be subject to bias growing up in the Abbey? How does Swartt manage to keep order within the ranks with Vermin HR? Why does a hare think he's a squirrel? Come give a listen.

Back to the books we go, with the first part of Outcast of Redwall. This first part is thick, to say the least. We have a young Badger Lord, a hawk, a mole and hedgehog family, coupled with the not so subtle politics of vermin warlords. Rants about wasted characters come free!

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.

It's Halloween, and we take a break from the Redwall Books and look at one of Brian Jacques' other books, in this case, his first anthology book around ghost stories, "Seven Strange and Ghostly Tales." How do these seven stories stand up? Are they scary as they might seem? Join us as our very first guest, Matthias720 from the Redwall Forums rejoins us for this special episode!

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.

So, either we're way too far late for a summer episode, or we decided to do Halloween on a semi-obsucre 90s property with one slasher villain parody. Or maybe we just wanted to talk about a Speilburg cartoon. Come join Jeremy and Pete as well look at the 90s Amblin Entertainment "Tiny Toons Adventures: How I spent my Summer Vacation."

Chris from Soma Games comes on the show and we have a few questions about the newly released video game on Steam, PS4 and Xbox One - The Lost Legends of Redwall, The Scout. We hear from him about Sophia, the main character of the game, how they developed the story and characters, as well as a few creative choices behind the game. Come listen as we talk through about this first new redwall material in a long time!

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.

We pick up after the interview; This is the shortest book we've covered and probably the most silly humor we've seen in the books so far, and that's saying something. So what does Martin and company do on the way back? Quite a bit, actually, at least gathering everybody for one big party back at Redwall. Oh, and there might be one minor vermin group along the way. Come listen and find out.

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.

Just how evil could Data get? Well, we're back to Star Trek as we look at the rarely appearing but series important EVIL DATA, his brother Lore. Just what devious misdeeds could he be up to?

MARTIN! We've got to go back! To the Arfship! Come listen as we see a little older, and a little wiser Martin (also brain-damaged) find out that, yes, his dad get up to a few things without him on the high seas. And pick on a lot of other vermin groups.

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.

We wrap up the last part of Mossflower, and it's very short compared to the others. So, just how easy is it to bring down a castle? Will Martin learn to not rush into the fight? Will Tsarmina have a better idea on how to fight the woodlanders? Where's Ashleg gone to? Join us as we wrap up this last part.

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.

We have the full crew back as we talk about the longest. single. section. in this book. Just how different will Salamandastron be in it's first publishing appearance compared to what we know? Will Tsarmina slowly start to lose it? Will Ashleg quit Vermin HR and go off to sell his wares on Vermin Etsy? Come listen and find out.

Intro/Outro Music is by: Cory Gray. Medieval Tension 30s. Song is licensed under an Attribution-NonCommercial 3.0 International License.