The Ghost Light Podcast (Utah Symphony | Utah Opera)

Claude Debussy’s lifelong obsession with the sea found its voice in La Mer, three orchestral sketches that depict the shifting moods of the ocean. Though he chafed at the title, Debussy was a musical Impressionist to match the Impressionists of the visual art world, rendering his sound images through orchestral colors and expanded harmony, rather than oils and watercolors. In one of their Deep Dives, Jeff and Carol talk about how this “anti-symphony” overcame its inauspicious debut to become one of the seminal works of the twentieth century.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Beloved in Utah and around the world, Sir Stephen Hough is a multi-dimensional artist, excelling as pianist, composer, and writer as well as being a pretty talented avocational painter. In advance of his seventh collaboration with the Utah Symphony, we were delighted to welcome him for a delightful conversation. In just under twenty minutes, Sir Stephen offers philosophical gems, observations on the creative process, and life advice for artists of all persuasions, delivered with humility, wit, and charm.

Follow Sir Stephen Hough on Instagram @houghhoughx2 or explore the many facets of this artist at www.stephenhough.com. Sir Stephen’s music (both as composer and performer) is widely available on Spotify and Apple Music.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

In this episode, we take a look at composer, violinist, and cultural figure Joseph de Bologne, also known as the Chevalier de Saint-Georges. Long overlooked in traditional narratives of eighteenth-century music, de Bologne’s influence on Parisian musical life rivaled that of his more frequently programmed contemporaries. Conductor, pianist, and art song expert Tyson Deaton joins us to discuss the challenging process of creating modern scholarly editions of de Bologne’s works. Whether you’re a performer, educator, or curious listener, this conversation offers a fascinating look at how scholarship can restore a vital musical voice—and why Joseph de Bologne’s music deserves a place on today’s concert stages.

For more information on Maestro Deaton and his work on Joseph de Bologne, consult https://www.tysondeaton.com/. To purchase any or all of the five volumes of de Bologne’s vocal works, go to Classical Vocal Reprints at https://bit.ly/4b2ngZr.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Beethoven’s only opera, Fidelio, invites us into a timeless story of bravery, love, and moral resolve. Its themes of political freedom and courage feel just as urgent in 2026 as they did 220 years ago in French-occupied Vienna. We welcome opera director Tara Faircloth to the podcast to discuss her fresh take on this work whose central ideas still speak powerfully to us today.

To see more about Tara Faircloth’s recent and upcoming directing work, check out https://tarafaircloth.com/.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Modern life feels increasingly complex, and many of us struggle to stay balanced amid a constant swirl of competing expectations. Last season USUO introduced a series of Well-Being Concerts, each designed to offer Utah audiences a space for restoration through music’s unique capacity to calm, center, and heal. In this episode, Ben Kipp, Vice President of Education and Community Engagement, joins Jeff and Carol to reflect on the vision behind this initiative and to share how these concerts are already making a meaningful impact in people’s lives.

To find out more about USUO’s Well-Being Concerts or to register for an upcoming concert, visit utahsymphony.org/education/well-being-concert-series.

Carnegie Hall has been a leader in developing Well-Being Concerts. To see more about their current season and partnerships such as theirs with USUO, go to www.carnegiehall.org/Events/Well-Being-Concerts or visit www.youtube.com/watch?v=Po6QTj98p2o to view a video about the experience.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghost Light podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Richard Strauss’ tone poems represent the zenith of orchestral storytelling, and in Ein Heldenleben, the story gets personal. Over the course of fifty vivid minutes, Strauss sketches a musical self-portrait of a composer battling critics, finding lifelong love, contemplating his musical successes and ultimately settling into a vision of hard-won peace. Join Jeff and Carol for a Deep Dive into this epic work, as they share the history behind the work, and examine whether Ein Heldenleben is full of self-deprecating irony or a composer’s ultimate ego trip.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghost Light podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Classical music has long been shaped by the traditions, and occasional barriers, of the concert hall and theater. Jeff Counts and Carol Anderson welcome USUO Opera Education Manager Kevin Nakatani and Front of House Manager Melissa Robison to explore how we can reimagine those spaces to be more inclusive, responsive, and welcoming to people with diverse abilities and needs. Join us for a timely conversation about making opera and symphony performances a richer, more accessible experience for all audiences.

To learn more about or register for Access to Music, visit https://usuo.org/education/access-to-music/

Explore this list of resources on accessibility and the Americans with Disabilities Act.

Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah.

To submit a question to our team, or suggest a topic for an upcoming episode, send an email to [email protected]

USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

When the Utah Symphony introduced German conductor Markus Poschner as Music Director Designate last fall, it marked an exciting new era for the orchestra—just the eighth music director in its 85-year history! Renowned for his dynamic artistry and contagious enthusiasm, Maestro Poschner is already transforming the connection between the orchestra and its audiences. He spoke with Carol and Jeff from Linz, Austria, about his vision for what comes next.

Two little pieces of gristle in our throat - they produce amazing sounds that represent our identity as speakers and maybe even singers, and they are remarkably durable, until they aren't. Vocal injury is often discussed in hushed and secretive tones, and we’re bringing the conversation into the open. Singer and USUO Board Chair Annette Jarvis and Vocologist Dr. Lynn Maxfield join Jeff and Carol to tell an inspiring story of determination, discipline, and a voice reborn.

At just 28, Gustav Mahler redefined the symphony with his bold and deeply personal Symphony No. 1. From the stirrings of nature to the depths of human sorrow, Mahler poured his heart into this work—revising it several times as he refined this symphonic debut. Avid Mahler enthusiasts Jeff and Carol take a Deep Dive into this monumental piece, setting the stage for Music Director Designate Markus Poschner’s return to the Utah Symphony podium.