Two wildly different worlds collide in this episode as we dive into Mondays: See You This Week and Nobunaga Concerto. One traps its characters in a hilariously existential office time loop; the other hurls a modern slacker into the chaos of feudal Japan. We unpack how both films bend time, identity, and destiny in their own distinct ways, while exploring what they reveal about ambition, responsibility, and the roles we’re forced to play.

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We open the mailbag to tackle your questions on how Oscar selections really work, what makes Cinema Paradiso endure, what Iron Lung signals for indie filmmaking’s future, and whether celebrity activism actually matters. It’s an anything-goes conversation about prestige, passion, and the evolving power of movies.

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Three stories, one conversation: we review The Lincoln Lawyer and Good Luck, Have Fun, Don’t Die, then tackle the thorny ethics of generative AI in a documentary about Lucy Letby.

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We head to the moors to unpack Emerald Fennell’s take on Wuthering Heights and ask the question hovering over every adaptation: how far can you stray before you lose the storm? We dig into what’s gained, what’s flattened, and whether style and provocation have replaced the novel’s wild, unruly soul.

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Step behind the curtain with Jamieson Lindenburg, the artistic director of Cirque du Soleil’s Kooza, as we dive into the craft of creating spectacle. From shaping daring acts to orchestrating emotion, we chat about how imagination, precision, and a touch of madness come together to make the impossible feel effortless.

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We review The Wrecking Crew and unpack why films like Jay Kelly, Deliver Me From Nowhere, and Rental Family missed the Oscar cut.

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It’s an Ask Us Anything episode packed with big questions and loose threads. We chat New Year resolutions, Netflix’s acquisition of Warner Bros., spiral through Tarantino’s filmography, and consider the wisdom of a three movie Dune marathon in December.

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Reviews of Mercy, Send Help, Scarlet, and Wonder Man, plus a quick check-in on this year’s Oscar nominations.

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The Japan Foundation’s JFF Theater initiative and how Bento Harassment turns a small story into something universal.

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Primate, The Rip, and 28 Years Later: The Bone Temple reviewed, plus how Christopher Nolan and Denis Villeneuve took the biggest screens away from Marvel.

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