A century after its publication, The Great Gatsby still demands more of readers than its first audience was prepared to give. This conversation explores why Fitzgerald's third novel flopped in 1925, how its three-act tragic structure works, and what it means to read its vices and virtues with Christian eyes. Along the way: Fitzgerald's complicated Catholic formation, the role of beauty in a moral imagination, the state of American Christian fiction since the mid-century, and the case for writing classics now. With Nadya Williams and novelist Katy Carl, editor of Word on Fire's literary imprint, Luminor.

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