You've been invited to a listening platform...you've been to this podcast before...we agreed to return...but what is going on?

We still don't know but enjoy our discussion on Last Year at Marienbad discussing it!

All aboard the romantic hilarity boat! Get your schemes on while Jana, Nick and Dylan discuss the insane, code breaking, sensual classic rom com The Lady eve.

Nick and Dylan, with a missing Jana, take the red pill and do a non-Ebert great movie to instead discuss a fan and cinematic favorite in wake of the new sequel; the Wachowski 1999 sci fi epic The Matrix.

Nick, Jana, and Dylan today take a trip into Rome and fall in love, love, LOVE with Fellini's La Dolce Vita (to an amount that almost surprises all three of them). They discuss the influence, artistry, emotions, and awards season behind the film and more. 

Jana, Nick, and Dylan deep dive into the Oliver Stone epic JFK, discussing the history of the movie, of Oliver Stone, the Oscars that year, and the plot structure of the film itself.

We made it to the end of our Fifth Season! We give out paper plate awards, actual awards, do fun games, all based around the last group of movies we discussed. We also review Dune by David Lynch as Ebert's Hated movie discussion of the episode...while talking probably just as much about Villanueve's new Dune release.

Jana, Nick, and Dylan (a little early for the holidays) delve into this family classic which is MUCH darker thatn we remember, the performances, and what's kept this film alive for so long.

Back to our regularly scheduled programming about movies with happy people in happy times living happy lives and there's nothing to worry about....just kidding prepare to get your heart out in Kurosawa's Ikiru.

While just missing the spooky season (apologies life is busy) we'd like to share a special episode of our Horror Movie Draft where Jana, Dylan, and returning guest Stephen Gillespie pick their favorite horror movies in a variety of subgenre categories.

A double Disney podcast brings Jana and Dylan into the post-rennaisance period, where they seem to concur Disney was actually at one of its better points with a lot more creative control churning out two very fun, exciting, excellent films that are shocking to be in the Disney canon at some level.