The Gun Room

In Episode 37 of TGR we sit down with Lars Jacob of Wild Surroundings. We speak on hunting out of layout boats, shotgun fitting, bird hunting, and at length about the unique underhammer rifle, which Lars built a number of in his early career. 

In this episode of The Gun Room, Joel talks with Brian Dudley of BMD Gunstocks. They talk about Brian's fine art background and how he transitioned into firearms full-time. The conversation covers a variety of topics related to stock making including original finishes, shaping, and finishing stocks including a good conversation about stock checkering.  

Part 2 of a discussion with Nick Larson of The Birdshot Podcast. Nick and Joel talk about Nick's turkey gun project and the jitters surrounding drilling into your gunstock. The discussion moves into progress and updates from the Upland Gun Company where we talk about their new offerings and the process of creating your own upland shotgun.

Joel and Gregg have the opportunity to catch up in the midst of the bird hunting season on Episode 31 of The Gun Room. Gregg keeps up the Dogs and Doubles webpage as well as keeping the upland world abreast of some of the better deals in the sporting shotgun market. His posts about 5 guns you shouldn't miss are surely a hit for anyone in the market for a fine shotgun. After a quick season update, Gregg and Joel dive into a discussion surrounding double guns and the current state of the gun market. They speak on a number of topics including the merits of guns from around the world, gun features, and gun makers. The discussion touches on a number of different elements one should consider when looking at purchasing a shotgun. Join us this week to learn a bit more about what makes a fine gun worth the price.

Join us for a conversation with Amanda Rutherford of Zeb gunmaking. Amanda attended gunsmithing school in Colorado where a fortuitous trip to the Dallas Safari Club show led to an apprenticeship with Chuck Grace as a stockmaker. Amanda and I discuss some of the finer points of the master/apprentice relationship, the value of gunsmithing school, and her journey to becoming a gun maker on her own. We also touch on some of her custom gun work and run-ins with some legendary gunmakers. This and so much more on Episode 30 of The Gun Room. https://www.zebgunmaking.com/

 Barrel Proofing

Dad and I were browsing the used gun rack at a big box store on a trip through Pennsylvania a few years back when we happened upon a double gun that caught our eye. The gun was a 12ga with light color walnut stock and forend. On closer inspection, we saw a moderate amount of hand-cut engraving, as well as hand-cut checkering on the buttery walnut stock. An older gun made in Europe, the tag read ‘BLNE’, as it is sometimes referred to in gun parlance or a boxlock non-ejector. We speculated on the country of origins and details of the gun’s specifications until we could get the attention of one of the clerks to ask if it was OK to take the barrels off the action and check the proof marks.

Spend any amount of time in a gun shop that deals with guns from Europe and you will inevitably hear someone say “check the proof marks”. This statement broadly suggests checking the markings on the barrel flats and action watertable(on a shotgun). These are the two areas that gunmakers typically apply stampings pertaining to original specifications of the gun like chamber length or choke. It is also the area where proof houses apply proof marks on a gun. 

Proofing is a type of (potentially) destructive testing whereby a firearm is discharged with appropriate dimension ammunition that has been overloaded with powder on purpose. Shooting a round overcharged with powder produces higher than normal pressure inside the barrels and action when the gun is fired. If the gun can withstand the increased pressure produced by an ‘overloaded’ round, it will withstand the significantly lower pressure of standard factory ammunition. Guns are measured before and after testing and fired remotely while being held in fixtures inside secured rooms for safety reasons. Proofing is a pass or fail test, there is no middle ground. Guns that fail may experience a bulged or split barrel, or in extreme situations, action failure can result in shattered parts.

Proofing firearms began hundreds of years ago in Europe(1637 in the UK) and continues to be conducted as described above. 14 countries in Europe have adopted standards laid out by CIP (think international proofing organization) which now dictate the pressures various firearms need to withstand to make proof.

Each proof house in Europe developed its own proof marks. These marks changed over the years and can help date a gun or determine a gun proofed with black powder or modern smokeless powder. Most European guns were proofed in the country in which they were made, or at least the country where they were assembled to the point that they could be shot. As a result, the proof establishes the maker’s country, and in cases where countries had more than one proof house, will determine which proof house the gun was tested in. For example, 6 different German proof houses are Ulm, Hannover, Kiel, Munich, Cologne, and Berlin each of which has a different proof mark.

Jumping back across the pond, the obvious question becomes, “Where are the proof marks on Granddad’s old Ithaca Flues?(insert any american gun name here)” Despite the fact that Europe developed a comprehensive proof testing standard, the United States has left that responsibility on the shoulders of the manufacturers, who for the most part, have held up their end of the deal. American shotguns and rifles are tested, though the extent of testing is left up to discretion. This is not to imply that American made guns are unsafe, but rather the imputis of burden is on the makers themselves to ensure the end safety of the user. Makers could test every gun, or simply choose random samples to test. And, in todays complex and advanced manufacturing facilities, there are a myriad of other tests that can be done to ensure the quality, durability, and safety of a firearm.

Back in the gun store in Pennsylvania Dad and I took a look at the markings on the double gun that caught our eye. Typically on the flat sections of the action and barrel you will find several different marks. The serial number, if the gun has one, will be located here. Usually it is stamped on both action and barrels of a shotgun, and can also be stamped into the forend iron as well as the forend and stock wood(though always hidden where you have to remove them to see the numbers). On fine guns, many parts are also stamped with the serial number or at a minimum the last three digits of the serial number. On guns where hand fitting is required, not all parts can be transferred between guns; this helps in the factory to ensure the correct internal parts stay with the action in which they fit. The importance here is taking note if these numbers are matching throughout the gun. Mismatched numbers indicates that the gun has been composed of parts that were not originally manufactured together, which in turn can affect the value of the gun.

After the serial number, we typically look for the proof house mark that indicates where the gun was proofed, and its country of origin. The gun in question possessed a LEG proof mark referring to the Liege Proof House in Belgium. Since there was no makers name on the gun, we were left to assume it was a ‘guild gun’. That is to say that it was a gun made by a variety of outworkers- the stock may have been made by one individual, checkered by another. The metal work done by yet another craftsman, and then the parts assembled. Guilds were frequently found in Belgium and Germany, though the idea of outworkers performing various tasks and sending parts back to the primary maker is commonplace in the gun trade.

The next significant mark found was a lion over a “PV” indicating a nitro proof. This is where the proof house markings come in- this nitro proof gives us a good reason to believe the gun will be safe to shoot with smokeless powder. It is not uncommon to see multiple proof house marks, and this is where a knowledge (or good book) can help. Marks changed over time, and occasionally you will see a gun that was originally proofed for black powder, that carries a second set of marks indicating that it was re-proofed for nitro powder. 

It is a requirement that guns be reproffed in Europe depending on what work is done to them. If a gun was orignally a 2.5” chamber, which is lengthened to 2 ¾”, the gun must be reproofed. The same goes for if a gun is sleeved- new barrels put on an old action. Flats on guns like this can seem a jumble of marks but they all tell part of the guns story.

Our gun was also marked with a 12 and a 70 in a circle indicating its 12ga, 2 ¾” chambers. Thinking in metric terms, 65 or 65mm would indicate 2 ½” chambers, with 70 or 70mm being the elongated 2 ¾”. Though those may be what some consider the important marks, there can be many more marks in these areas worth checking out. On the barrel, you will often find the choke designations - this gun had them as numbers- 18.3 and 18.4- metric bore measurements.

There are other marks like a star over a U, a script 3, double stamped numbers and more- these can be preliminary proof marks, final proof marks, controller marks, personal makers marks, or the individual at the proof house that tested the gun. There can also be a number in Kg or kilograms that indicates the weight of the barrels at the time of proofing.

Proof marks can be our best link to a guns history, much like a passport that helps reveal a bit about the gun and its past. They can tell where the gun came from, where it travelled in its lifetime, and so much more. They are certainly one of my favorite aspects of old shotguns and rifles. All in all the Belgian guild gun was well worth the $ paid and it is now living happily amongst the other guns on my rest farm for old shotguns. The lesson: a base knowledge of proof marks is a handy thing when assessing used guns and certainly helped solidify my decision to buy, rather than pass, this particular double.

One of the most common things folks do when inspecting a potential shotgun purchase is shoulder the gun. It seems an interesting thing that ‘gun mount’ is such a crucial part of the gun purchase, but so many folks simply shoulder a gun and assign a non-quantitative value to it: “oh this shoulders nice” or “feels right”. So many of those folks realize that a gun must ‘fit’ but very few actually know or understand their own dimensions and how they translate to a gunstock. The same holds true for backyard clays shooting when you try a new-to-you shotgun that seems to break everything you point it at. In those situations gun fit and by association stock dimensions are the heart of the matter. Im Joel Penkala and this is 10 Minutes on Gun Fit.

The most basic of gunstock dimensions and one that is actually addressed by some gun companies is the Length of Pull or LOP(as it appears on many online gun listings). The length of pull is the distance from the center of the trigger, rearward to the center of the butt plate or pad. This is also expounded upon at times with three different LOP measures: LOP to the heel, center, and toe. The comb is the top of the stock, where your cheek rests which terminates at the heel, while the toe is the bottom portion of the end of the stock. It is typically tapered and comes to a point. LOP to the center determines the primary contact between shooter and buttstock, but the heel and toe measures give an idea of the stock’s pitch. 

Pitch is the angle between a line defined by the rib (and/or comb) and the line defined by the butt(given that the butt is not curved). If you imagine laying the long leg of a square on the rib, the 90-degree angle defined by the square would be pitch. This angle can obviously be greater or less than 90 depending on the shooter’s preference or the gun’s intended use. Typically pitch is adjusted for guns that will shoot driven birds; all overhead shooting where the gun is pointed primarily up, vs rough shooting where shots are out in front of the shooter. Pitch can also be adjusted so that the toe of the shotgun does not dig into a shooter’s chest. Shooters with fuller chest dimensions will oft times complain about this digging of the toe.  

LOP is important because it determines the geometry of the shooter’s arms. A short LOP will ‘chicken-wing’ your arms; the angle at your elbows being very acute. A long LOP will open up the angle of your arms and in extreme cases even straighten out the arms. The goal here is to adjust the LOP to create a proper geometry between the shooter and the shotgun or rifle in question. There is of course a sweet spot where the shooter’s arms are comfortable and provide the most stable and controlled connection between the gun and body.

LOP is addressed by companies like Rizzini and others who typically include a basic thin wooden or black butt plate with their guns. The idea behind this is that they leave as much stock wood as possible by only adding a thin pad. Then the shooter can add a 1” or larger recoil pad to increase LOP or cut the stock down and add a pad to decrease LOP. Other instances like youth guns for example typically have shorter LOP to fit youth shooters.

Two other primary stock dimensions are drop and cast. Drop addresses the relation of the comb to the rib up and down, where cast determines the relation of the comb and rib left to right. Drop on a stock comes in two (sometimes three) measures, and they are usually listed in order from the nose or most forward part of the comb to the heel. The measurement is actually the distance from the line defined by the rib (and parallel to the bores), to the spot on the comb being measured. One can get rough dimensions of drop by placing a shotgun upside down on its barrels(and thus the rib) and taking the measure from the comb to the tabletop. These measures are complicated by Monte Carlo stocks with elevated cheek pieces, which sometimes have drop measures for each end of the raised cheek or Monte Carlo piece, as this is where the shooter’s cheek contacts the stock and in effect is the important factor in drop. Proper drop will position the shooter’s eye in line with the rib. Too much drop and your eye will be below the barrels and when your face is properly against the stock, you will be looking at the breech of the gun. Too little drop and you will be looking down at the rib, seeing the entire length of it while shooting. 

Too much drop requires the shooter to lift their cheek off the stock to appropriately sight down the rib. Though this can be done, it is no longer in vogue. The old style of head-held high shooting has gone by the wayside as folks have moved into more modern styles dictated by sporting clays and other shotgun sports, though this old shooting is immortalized by our favorite shooting artists in many of their classic pieces. Too little drop is very hard to adjust for because you can’t ever get your eye properly in line with the rib, so the gun will always shoot high. 

Cast in a stock is dictated by the shooter’s dominant hand/shooting side, and by their physical appearance. Guns can be cast on or cast off. I always remember it (I am a right-handed shooter) that when I mount a gun, a stock with cast ON will be ‘on me’ or closer to me. A gun with cast off will be ‘off me’ or away from me. When one sights down the rib of a gun from the muzzle (a double-checked unloaded and safe gun) standard stocks will generally be neutral cast; the comb aligns with the rib. Guns that have cast will either have the comb of the stock to the left or right. This is in effect a slight bend in the stock that generally happens in the wrist. This bend could be just that, an actual bend where the stock was steamed and put into a fixture to impart the bend, or shaped into place when the stock was made by a stockmaker. This cast is typically given as a single measure taken from the comb, but again there can be measures for the cast at the heel and toe. A cast difference between heel and toe can dictate a twist in the stock. Again, for fuller figured folks, a gun with the toe cast further off than the heel will help eliminate uncomfortable toe digging into the chest.

Typically a gun with cast off would allow better alignment with the right/dominant eye and the rib. When you lay your cheek on the comb, your eye typically is offset to the line of the comb. For a right-handed shooter the eye typically lands a bit to the left of the comb, and a bend ‘off’ or away will allow the eye to come back to the center of the rib. This bend keeps the shooter from having to roll their head over the stock to get proper eye alignment. Cast on is generally the proper dimension for a lefty. Though all of these are generally speaking. Righty shooters with fuller faces need more cast and those that are skinnier, need less and so on. 

There are additional dimensions and features of gunstocks if one wants to dive into the minutia of detail. For most though, an understanding of these basics should help the next time you are considering a gun purchase. And of course, like patterning your shotgun, the effectiveness of shooting skeet chokes, or the cadre of other things I harp on, nothing can replace a gun fit done by a professional. Even if you don’t plan on having a stock made for you or having one bent to your specification, simply knowing your dimensions may help tip the scales the next time you are faced with the age-old question of whether to buy or not to buy that old shotgun.