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The History of Actor Training in the British Drama School.
The History of Actor Training in the British Drama School. episodes
- Gerry McAlpine. A history of East 15. Founded in 1961.In this episode, recorded live at East 15 in November 2020, Gerry McAlpine, a graduate of the school and currently head of the First year of the BA and Cert HE, talks about the spirit at the heart of Margaret Walker's drama school, established to...56 min
- Alexander Technique in the Drama School 2.
In this episode Robert, Angie Herzberg, Lou Saucell and Alex Bingley continue discussing the Alexander Technique within Actor Training.
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38 min - The Alexander Technique. Part One.
In this episode Robert discusses the place of the Alexander Technique in the British Drama School with Alexander Teachers Angie Herzberg and Lou Saucell and voice teacher from Lamda, Italia Conti and the Drama Centre, Alex Bingley. After more than forty years as a fundamental underpinning for the training of students across all the courses that Lamda offered the technique was abruptly cut from the training this year under the leadership of the new director Sarah Frankcom.
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1 hr 14 min - The Guildhall School of Music and Drama. Alan Stanford. The craft of acting. 1966 - 1968
In this episode Robert talks to Alan Stanford, Artistic Director of PICT Pittsburgh's Classic Theatre about his training at the Guildhall, King Lear, Beckett and other things besides. Robert can be contacted at [email protected]
Below are the direct links to the digital offerings that Alan Stanford mentioned on the podcast today from PICT Classic Theatre.Free Friday Webinars:
http://www.picttheatre.org/pict-educates/
Our upcoming webinars will cover Theatre Superstitions (Friday, December 4th) and Charles Dickens (December 11). Our current registration links, as well as links to replays of our archived webinars are all available on our PICT Educates page.
A Christmas Carol - A PICT Radio Drama:
http://www.picttheatre.org/events/a-christmas-carol/
Featuring a cast of Pittsburgh's finest vocal talent, this new adaptation by Alan Stanford will stream December 16-January 3 on Broadway OnDemand. Tickets will be on sale in the next two weeks.
Any contribution to the cost of making these podcasts will be most gratefully received.Support the show
1 hr 15 min - Elizabeth Ballinger and the work of Trish Arnold.
In this episode Lizzie and Robert discuss the work of Trish Arnold, teaching in lockdown and the potential politics of transformation. Lizzie can be contacted at [email protected] and if you would like to talk to Robert : [email protected]
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1 hr 28 min - David Carey Part Two.
In this episode we continue the conversation with David covering topics including how the Central MA in Voice Studeies evolved and developed and discuss why the Voice faculty of British Drama Schools was so white. If you want to contact Robert about the podcast please do: [email protected]
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1 hr 5 min - The Central School of Speech and Drama. David Carey Part One. In this episode Robert talks to David Carey, one of Britain's most important and influential Voice and Text teachers.
In the first of two episodes David discusses his journey towards taking over the Voice teacher training course at The Central School of Speech and Drama in the 1980s.
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54 min - James Kemp Part Two: Yat Malmgren's application of the Laban Carpenter Method.
The second part of a conversation with James Kemp. Amongst other things we discuss how Anthony Hopkins marks up his script after reading it several hundred times.
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51 min - James Kemp Part One: Yat Malmgren's application of the Laban Carpenter Method to Actor Training
In this episode we explore in detail one of the four pillars of the Drama Centre's pedagogy, the Yat Malmgren application of the work of Laban and Carpenter into actor training as Character Analysis, its place at the Drama Centre and Lamda and how that history is drawing to a close.
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1 hr 3 min - RADA. A 'reminiscent chat' with Rosina Filippi at the Academy of Dramatic Art (1911)
In this episode Robert reads extracts from Rosina Filippi's book Hints to Speakers and Players and discusses her relationship with the important teacher and actor Herman Vezin in order to gain some insight into teaching within the institutions of Edwardian actor training.
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45 min
About The History of Actor Training in the British Drama School.
From the publisher's feed
An investigation into the development and trajectory of actor training in the United Kingdom.