An episode all about proper (or not explicitly patriotic) melodrama as it was developing in France during the war. Who were these movies made for? What were they about? Well, let's find out.

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This episode is a little smaller in scope than usual. But like one my great podcasting heroes, my ambition for this show is to tell the history of film without any gaps. We cover two examples of an important, though ultimately short lived, sub-genre: The Patriotic Melodrama. We discuss and analyze the 1916 film Alsace, directed by Henri Pouctal, and the 1917 Mothers of Frances, directed by René Hervi .

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In this episode we cover just how, exactly, American cinema came to dominate Europe in the wake of WW1. We take a look at the economic practices that facilitated the "invasion" of American cinema onto French screens. We also examine one picture in particular, The Cheat, which exemplifies the technical sophistication of U.S. national cinema, and that film's reception by the City of Lights.

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This week we cover the effect of The War on the French film Industry. While The Conflict's Titanic needs did a real number on French production, it did also help develop a new kind of documentary filmmaking: The Newsreel, which was then put to work in service to the Republic.

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This episode reexamines some topics we have already looked at, but this time as context for one of history's greatest butcheries, rather than as pure film history. The development of cinema is intertwined with the forces that defined the 20th century. Today we explore how the First World War and the movies are cut from the same fabric, as we set the stage for some of the screen's greatest epochs -- German Expressionism, French Impressionism, Soviet Montage, and the Golden Age of American Silent Film. All that is tied up in The War, so let's start our journey facing it head-on. 

-Jake

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The History of Film Podcast has been on Haitus since May of 2022. This announcement officially ends that. Let's get back to it!

If you have any ideas on how I can improve the show, you can email me at [email protected].

See you soon!

-Jake!     

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In this episode we finish up our series on early animation by covering Gertie the Dinosaur and The Sinking of the Lusitania, both animated by Winsor McCay. Next time it's back to Europe, where we will cover the the effect of the First World War on European film!

I decided to end the Patreon, at least for the foreseeable future. It was a hard decision, but I wasn't in the position to devote the time that I wanted and needed to make the channel what I wanted it to be. A special thank you to all my patrons for their support. I hope that I can find a way to bring all of the ideas I had for it to life for you in the future!

If you would like to contact me, you can email me at [email protected].
You can visit historyoffilmpodcast.com to access helpful resources for this episode.

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This is the first of two episodes (only two, I promise) about the great animator Winsor McCay. We cover his life before he became a filmmaker, and his two first movies: Little Nemo (1911) and How a Mosquito Operates (1912).

The history of the film has a discord server, which you can access through this here link:
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Thank you to my wonderful patrons who helped make this show possible! A special thank you to patron Ed & Shari for supporting this program in such a big way. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist.

If you would like to contact me, you can email me at [email protected].
You can visit historyoffilmpodcast.com to access helpful resources for this episode.

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It's a new year, and the History of Film is back! In this episode, we cover the life and achievements of French animator Emile Cohl, as he creates the first paper film animation, and brings fluidity and grace to a medium he helped invent!

Thank you to my wonderful patrons who helped make this show possible! A special thank you to patron Ed & Shari for supporting this program in such a big way. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist.

If you would like to contact me, you can email me at [email protected].
You can visit historyoffilmpodcast.com to access helpful resources for this episode.

You can join the History of Film discord server by using this link;
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The long promised day is finally here! We dive into the world of animation, examine ancient Iranian pottery, and meet animators named Charles-Emile Reynaud and James Stewart Blackton, as we begin our journey though a whole other kind of cinema.

Thank you to my wonderful patrons who help make this show possible! A special thank you to patron Ed & Shari for supporting this program in such a big way. If you want to support this show, read your name down here in the credits, and get access to cool bonus content, you can! By visiting patreon.com/historyoffilm and becoming a patron, you can play an integral part in actually making this show exist.

If you would like to contact me, you can email me at [email protected].
You can visit historyoffilmpodcast.com to access helpful resources for this episode.

You can join the History of Film discord server by using this link;
discord.gg/Ud8EcEzvSF

Support the show